Cynical audiences will hate this simplistic, softhearted comedy, but for a bit of undemanding entertainment, it isn't too bad. And while the cast members don't remotely stretch themselves in these roles, they at least manage to get the emotion flowing in the predictable final act. And sometimes a bit of mindless silliness is just what we need.
Crystal and Midler play Artie and Diane, grandparents who have little contact with their uptight daughter Alice (Tomei), who lives on the other side of the country. When she decides to accompany her inventor husband (Scott) to an awards ceremony, she reluctantly agrees to let her parents take care of their three over-protected kids: burgeoning teen daughter Harper (Madison), shy son Turner (Rush) and mop-headed Barker (Breitkopf), a bundle of cheeky energy who immediately renames his granddad "Fartie". Of course, tech-phobic Artie and hug-loving Diane struggle to keep up with these children they barely know, but they're more resilient and far cleverer than Alice gives them credit for.
The script never tries to be sophisticated, announcing its important life lessons early on and never putting any of the characters in danger of not learning something. Meanwhile, the writers continually contrive the plot to keep Tomei on screen as much as possible, even though this kind of undermines the whole point of the grandparents being there in the first place. And every challenge faced by each character (there's a mini-plot for everyone) is fairly easy to navigate. But all of the actors manage to underplay the physical chaos while bringing enough charm to the film to keep us engaged.
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