David Cronenberg's "Spider" is a mesmerizing immersion into the precariously unstable mind of a psychiatric patient who has just been released after 20 years in an asylum.
Living in an orderly but cavernous and colorlessly dreary halfway house in the empty industrial corner of London where he grew up, the haggard, misshapen man in his 30s begins a journey -- into his past and deep into his own mind -- that threatens the tenuous grip on reality that earned him his provisional freedom.
The director's preternatural talent for uncanny atmospherics permeates the film from its very first frames -- the opening credits run over Rorschach-test-like images of the peeling paint on the halfway house walls. But "Spider" is dominated by a few extraordinary performances with the ability to stir visceral reactions from beginning to end.
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