Gary Mccormack

Gary Mccormack

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The Acid House Review


Excellent
The late '90s should be cinematically remembered as the years of the new wave drug movie. In the late '80s and the early '90s, the drug movie was nothing more than a simple comic device... there was no meaning behind the cloud of pot smoke produced by Cheech and Chong. Then, starting in 1996 with the British smash Trainspotting, the drug movie suddenly took on a dual persona of both cautionary tale and comedy of errors. Since Trainspotting, two truly exemplary drug movies have come along... one American and one Scottish. The American is the bizarre Gen-X foray into the surreal, Go. The Scottish is The Acid House.

Although only one part of The Acid House directly deals with LSD, the majority of the movie feels as if it were written and directed the drug. Much like Go gave an accurate portrayal of X, The Acid House gives an accurate portrayal of the Super Mario... um... or so I heard.

Continue reading: The Acid House Review

Sweet Sixteen Review


Excellent
If the title suggests beautiful teenagers graduating from high school, fighting their hormones as they contemplate the opposite sex, and colorful parties to celebrate the special occasion, director Ken Loach and writer Paul Laverty are here to tell you that the picture is decidedly less lighthearted on the uncordial streets of Greenock, an economically struggling suburb of Glasgow, Scotland. Here, where mutual respect is an alien concept, the possibilities for a promising 15-year-old boy gives a whole darker cast to the term, "coming of age." And, the only thing here that's beautiful is the finely structured screenplay that traces the evolution of youthful criminality with tempered control and believability.

Fifteen year old Liam (Martin Compston) is a standout among his peers for his natural creativity and audacious leadership, as he graduates his money-making enterprises toward increasingly illegal and remunerative use. We meet him as he and his closest mate Pinball (William Ruane) sell cheap fags to the gentry on the street and in a local bar. But the result is slim pickings, and not nearly enough to realize his dreams of providing a fresh start for his mum Jean (Michelle Coulter) when she gets out of prison. While this appears the noble desire of a dutiful son, it will become clear that it's more the obsession of a boy too immature to put relationships in their proper perspective.

Continue reading: Sweet Sixteen Review

Gary Mccormack

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Gary McCormack Movies

The Acid House Movie Review

The Acid House Movie Review

The late '90s should be cinematically remembered as the years of the new wave drug...

Sweet Sixteen Movie Review

Sweet Sixteen Movie Review

If the title suggests beautiful teenagers graduating from high school, fighting their hormones as they...

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