Sufe Bradshaw, Matt Walsh, Gary Cole, Sam Richardson, Reid Scott, Kevin Dunn, Timothy Simons, Julia Louis-Dreyfus, Tony Hale , Anna Chlumsky - Celebrities arrive at 67th Emmys Press Room at Microsoft Theater. at Microsoft Theatre - Los Angeles, California, United States - Sunday 20th September 2015
Layers of real life and movie history combine cleverly in this postmodern horror film, which just might be too knowing for its own good. But at least it's an unusual approach to the genre, offering a twisted retelling of a legend while aiming for some emotional resonance along with the usual violent nastiness. It's also directed with an unusually artful eye by first-time filmmaker Alfonso Gomez-Rejon.
It was a series of unsolved murders in a small town on the Texas-Arkansas border in 1946 that inspired the 1976 movie of the same name, which screens here annually on Halloween. But this year, the screening is accompanied by a copycat murder, which escalates into a full-on rampage. Everything seems to centre around Jami (Addison Timlin), a teenager whose boyfriend was the first victim. After her parents died, she was raised by her straight-talking grandmother (Veronica Cartwright), who continually urges her to take charge of her life. So with the local cops unable to solve the case, Jami teams up with the local library archive clerk Nick (Travis Tope) to get the whole history of these past events. Meanwhile, a Texas Ranger (Anthony Anderson) arrives to head up the official investigation.
Screenwriter Roberto Aguirre-Sacasa gleefully blends fact, fiction and the movies together into a heady mixture of horror movie cliches and shockingly realistic grisliness. In other words, this is both a fictional sequel and a playful true-life drama at the same time, which makes it feel eerily like the Scream franchise. Although this film never becomes a pastiche, and the characters are so likeable that we genuinely root for them to survive the killing spree. Timlin brings the right amount of plucky stubbornness to her role, even if it's unlikely that a witness-victim would be quite so gung-ho about doing her own police work. And there are nice turns from veterans like Cartwright, Ed Lautner (as a stubborn cop) and the late Edward Herrmann (as a nutty preacher) to add some weight.
Continue reading: The Town That Dreaded Sundown Review
Gary Cole - Photographs from 'An Evening with the Cast of Veep' which was held to celebrate the fourth season premiere of the hit HBO series and was held at the Paley Center for Media in New York City, New York, United States - Tuesday 7th April 2015
Teddi Siddall and Gary Cole - 21st Annual SAG (Screen Actors Guild) Awards at Los Angeles Shrine Exposition Center - Arrivals at Los Angeles Shrine Exposition Center, Screen Actors Guild - Los Angeles, California, United States - Sunday 25th January 2015
Julianna Margulies and Keith Lieberthal - A host of stars were photographed on the red carpet as they arrived at the 21st Annual Screen Actors Guild Awards which were held at the Shrine auditorium in Los Angeles, California, United States - Sunday 25th January 2015
Melissa McCarthy is clearly in a rut: the title character in this film isn't very far removed from her previous roles in The Heat and Identity Thief. Yes, Tammy is another chubby slob who is on the road to some sort of epiphany, and along the way she realises that simply running a comb through her ratty hair might make her look more human. At least the film has a seriously strong supporting cast who almost make it worth a look.
Tammy (McCarthy) is sacked from her job at a fast-food outlet on the same day she discovers that her husband (Faxon) is having a fling with a neighbour (Tony Collette). In a childish rage, she runs home to her parents (Allison Janney and Dan Aykroyd) and then decides to keep running, taking her grandmother Pearl (Sarandon) along for the ride. Pearl has a dream to see Niagara Falls before she dies, but she's just about as immature as Tammy is, so they immediately start getting into trouble. Their antics include a series of incidents involving a jet-ski, flirting and more with a father and son (Gary Cole and Mark Duplass), robbing a burger joint and attending a raucous 4th of July party at the home of Pearl's wealthy cousin (Kathy Bates).
Tammy is even less worldly wise than McCarthy's previous variations on the character: she has never even attempted to grow up, so reacts to everything like a toddler. Aside from not being remotely funny, this is deeply annoying from the start. And even the characters around her don't laugh - they roll their eyes in exasperation. Then after establishing her as a relentless loser who brings misfortune on herself, the script (written by McCarthy and her real-life husband Ben Falcone, who also directs and appears as Tammy's boss) contrives to make Tammy sympathetic by portraying her as some sort of a victim. Meanwhile, she of course slowly begins to look less cartoonish simply because she changes her shirt and takes a shower along the way.
Continue reading: Tammy Review
Popular political comedy returns for second season
Julia Louis-Dreyfus returns in the new series of the US political comedy Veep, created by Armando Ianucci.
Armando had great success with the British political satire In the Loop and The Thick of It and has done a great job of translating that success to the US political system. Julia Louis-Dreyfus stars as Vice President Selina Meyer, an ambitious politician with her eyes on the president’s job.
Julia Louis Dreyfus, Matt Walsh, Anna Chlumsky at the Veep premiere
Continue reading: Can Veep Series 2 Keep Up The Momentum? (Pictures)
Fred (Marsden) is a slacker whose parents (Cole and Perkins) finally force him out of the house. With some help from his sister (Cuoco), he gets a job interview and a mansion to housesit. But any promise is upended when he meets a talking rabbit named EB (voiced by Brand), who would rather be a rock drummer than follow his destiny as the Easter Bunny. Meanwhile on Easter Island, a disgruntled chick named Carlos (Azaria) is plotting a coup against EB's father (Laurie).
Continue reading: Hop Review
When the gorgeous Kate and Steve Jones (Moore and Duchovny) move into a wealthy suburb with their equally alluring teens Jenn and Mick (Heard and Hollingsworth), the locals notice their fabulous clothes, gadgets and cars. And of course start trying to keep up with them. But the Joneses aren't a family: they're a team of marketing experts whose performances are measured by how they affect sales in this town. And as they work to keep their boss (Hutton) happy, their neighbours (Headley and Cole) are paying a heavy price.
Continue reading: The Joneses Review
Yet another summertime widget of gleeful obscenity and disarming male vulnerability to come out of the Judd Apatow comedy factory -- Apatow had the original idea, while Superbad's Seth Rogen and Evan Goldberg wrote the script -- Pineapple Express comes with high expectations, not all of which are dashed. While much of Apatow's previous work has focused on the perils of sex or the camaraderie of social outcasts, this film comes with more of a standard-issue plot that harkens back, mostly in unfortunate ways, to the action-comedy hybrids that ruled the multiplex back in the 1980s. Only this time, the main characters are stoned; cue fetishized shots of bulging baggies of ripe green buds, gigantic bongs (this film's piece d'resistance is called the Bong Mitzvah, hails from Tel Aviv, and proves useful in hand-to-hand combat), and a massive pot cultivation operation that shimmers in the characters' imaginations like El Dorado.
Continue reading: Pineapple Express Review
Eastwood plays Frank Horrigan, the kind of man who comes home after a long day of booby-trapping money counterfeiters and wants nothing else than to get out of his suit, drink a good glass of bourbon, and listen to Kind of Blue. Just as he's settling into one of these comfortable slumps, he receives a phone call from a man who calls himself Booth (John Malkovich). Sober and staid, Booth tells Frank that he's going to kill the president. The fact that Booth's deserted apartment is found with a singular photo of Frank when he was an agent under JFK underlines Horrigan's conviction.
Continue reading: In The Line Of Fire Review
When war breaks out, the Nomura family is enjoying a happy middle-class life in 1940s L.A. All that changes when the internment order arrives, and soon Mom (Judi Ongg), Dad (Masatoshi Nakamura), older brother Lane (Leonardo Nam), and younger brother Lyle (Aaron Yoo) find themselves in a drafty barracks in the middle of a desert somewhere in the American west. While most everyone tries to adapt with dignity, the volatile Lyle, who has been robbed not only of his baseball scholarship but also his beloved jazz music, simmers with rage. He's even more outraged when he learns that Lane has volunteered to fight with the 442nd division, the famous all Japanese-American unit that went on to glory in European fighting. Why would Lane want to fight for the same army that has machine guns trained on him day and night in the camp?
Continue reading: American Pastime Review
Following possible terrorists and their contacts, Eric O'Neil (Ryan Phillipe) eagerly tries to discuss bureau protocol with his team, only to be ignored and have his well-prepared report on the subject shoved back in his face. That is, until he is dragged into a bureau conference room on a Sunday to meet with his superior and head agent Kate Burroughs (Laura Linney). It's here that O'Neil is asked to shadow Russian intelligence specialist Robert Hanssen (Chris Cooper) for what is originally agreed to be sexually perverse activities. It isn't till O'Neil is taken under wing by the intelligence expert that Burroughs reveals that Hanssen has actually been selling information to the Russians for some time and has cost the government billions of dollars and uncountable agent lives.
Continue reading: Breach Review