The tagline for this movie, "Graffiti Can Be A Powerful Weapon" doesn't get it right. What this glimpse into the life of public wall-covering artists -- taggers, if you will -- really seems to be saying is that this nocturnal habit is a ticket to public loathing, constant fear of arrest, immersion into a degrading existence, and, possibly, an early and violent end.
Twenty-three year old debuting writer-director Adam Bhala Lough amps up the life of a graffiti bomber in a visual style generated on the cutting table. And, while some might call a technique of overlapped time cuts, freeze frames that thaw, jump frames and general image deviltry a daring adventure in underground cinema, others may see it as too much hip stylization.
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