Three cool kids share a Tel Aviv apartment and try to make their way in the world. Soft-spoken Noam (Ohad Knoller) works in a record store while his gay friend Yali (Alon Friedmann) manages a café. Noam has a second job as a weekend national guard soldier who monitors border crossings into Palestinian territories. Director Eytan Fox has no problem showing the petty humiliations the Palestinians must suffer as they try to move through territory they consider their own. Naturally they resent living their lives at the point of an Israeli gun. Noam doesn't much like the whole situation either.
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The routine is boring but exhausting at an Israeli army outpost atop a snowy mountain along the Lebanese border. The dozen or so soldiers in the dilapidated camp do little more then go out on practice ambushes and dig trenches. There's plenty of time left over for joking with the cook, dancing in the barracks with the beautiful young women who also serve, and letting petty jealousies simmer.
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The movie's main character is Eyal (Lior Ashkenazi), a stoic killer who works for the Israeli government. Though he is still excellent at his job, he's having personal problems. Sensing that he needs some time to regain his footing, Eyal's boss assigns him to find an elderly Nazi officer. Eyal dismisses the assignment as unnecessary -- the officer is close to death -- but his boss is adamant: "I want to get him before God does." The Nazi's whereabouts are unknown, but his adult grandchildren are in Israel. Pia (Caroline Peters) is working on a kibbutz, and her schoolteacher brother Axel (Knut Berger) is visiting from Berlin. Eyal poses as Axel's tour guide, while the recording device in Pia's dorm covers what he misses.
Continue reading: Walk On Water Review