The first half-hour of "Enemy at the Gates" is a cinematically stunning, hyper-realistic battlefield nightmare that transports the viewer right into the heart of the Nazis' yearlong siege of Stalingrad during World War II.
"Autumn, 1942," deplores the period-style voiceover as a shadow creeps across an illustrative map in an updated homage to old-timey war pictures. "Europe lies crushed under the Nazi jackboot..."
German planes dive-bomb troop transports in an incredible attack sequence. Sweeping shots the color of mud and blood take in the scale of the besieged city's cold, yet smoldering ruins while Red Army officers recite threatening propaganda to masses of soldiers who would rather flee.
Continue reading: Enemy At The Gates Review
Writer-director Christopher McQuarrie brings a dark and gritty tone to this larger-than-life franchise.
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