Mark Hadley and Gabriel Mann - A host of star were snapped upon arrival at the 30th Annual ASCAP Film and Television Awards which were held at the Beverly Hilton Hotel in Beverly Hills, Los Angeles, California, United States - Monday 9th March 2015
Elena Satine, Nick Wechsler, Karine Vanasse, Emily Vancamp and Gabriel Mann - Disney & ABC Television Group's TCA Winter Press Tour - Arrivals at The Langham Huntington Hotel and Spa, Disney - Pasadena, California, United States - Wednesday 14th January 2015
Gabriel Mann - A host of stars turned out for the Disney ABC Television Critics Aassociation Winter Press Tour which was held at the Langham Huntington Hotel in Pasadena, California, United States - Thursday 15th January 2015
'Cesar Chavez' is the inspirational story of the celebrated American Mexican, labour leader and civil rights activist who devoted his life to improving the treatment of his fellow farm workers via attempting to rally 50,000 workers to stand up to the racial inequality and brutality at the hands of their employees.
Written by Keir Pearson (Hotel Rwanda) Chavez encapsulates the angst, horror and exploitation of the hard working farmers of America and the determination and bravery of Cesar Chavez who co-founded and lead the National Farm Workers Association during the non-violent, yet powerful, unprecedented actions committed by the farm workers in order to obtain the civil rights they deserved.
Chavez is a touching and moving biopic that represents the hope and aspiration of the working farmers in America during the .
Continue: Cesar Chavez Trailer
Gabriel Mann - Celebrities attend Us Weekly annual Hot Hollywood Style issue event celebrating 2013 Funny & Fashionable Style Winners at The Emerson Theatre. - Los Angeles, CA, United States - Thursday 18th April 2013
Dominion is a strange -- probably unique -- case in modern cinema. It's not a remake but rather an idea produced at almost the same time as another director, but the company preferred the other version over Schrader's. The other version was directed by the frantic Renny Harlin and was one of the worst films of last year, calling on every false move in modern horror. Schrader's doesn't have much of a differentiation in plot. Father Merrin (Stellan Skarsgård) resigns from the faith after witnessing an atrocity during the Holocaust and reinvents his life as an archeologist. In East Africa, he is one of the main discoverers of a buried temple, built upon a temple for pagan worshipers who specifically kneel to a demon named Pazuzu. Assisted by a young priest (Gabriel Mann), Father Merrin investigates the temple, a young man named Cheche (Billy Crawford), who might be Christ reincarnated, and a growing war between the British army and the local African tribesman.
Continue reading: Dominion: Prequel To The Exorcist Review
Put Cherry Falls a notch above the competition for the audacity of its wry comic twist. Yes, there's a creepy, longhaired psychopath, either a convincing drag queen or a ferociously strong woman, deliberately seeking out virgins for slicing and dicing. Virgins. The resourceful students of Cherry Falls High School soon realize that they have a deliciously simple choice: sex or death. Which would you choose?
Continue reading: Cherry Falls Review
Howard Spence (Shepard) is an aging movie star, famous for his roles in westerns, whose life has disintegrated into a boozy, narcotic haze. In the opening scene Howard steals a horse from the set of the movie he's working on and takes off through the desert with no particular destination in mind. Much like Harry Dean Stanton's character in Paris, Texas, Howard simply wakes up one morning and abandons his life.
Continue reading: Don't Come Knocking Review
A dark comedy on par with Pulp Fiction, Aussie director Gregor Jordan (in his second film) transports us to Germany in 1989, on an American Army base during the waning days of the Cold War. These enlisted troops aren't your Officer and a Gentleman go-getters. They're criminals, offered the option to serve their country in lieu of staying in jail. But since there's no war on, getting in to trouble is the only thing to do. As our protagonist says, "There was nothing to kill but time."
Continue reading: Buffalo Soldiers Review
If you're old enough to remember the Josie and the Pussycats cartoon (from the Archie comics), but young enough to have actually watched it, you'll dig this. The plot is a kick -- a trio of peace-loving, friends 4-ever, rockin' chicks get hurled into the limelight as the next big thing... only to realize they're just a corporate vessel carrying subliminal messages that make teenagers part with their cash.
Continue reading: Josie And The Pussycats Review
As a woman, it is always difficult to watch a movie involving rape. When filmed realistically, as Things is, it's impossible to distance yourself from the onscreen pain. And when a film is not constructed with realism the result is anger from shoddy storytelling, or with a filmmaker failing miserably to grasp the emotional honesty in a situation they can't understand.
Continue reading: Things Behind The Sun Review
Staying 100-percent true to the surprising, cerebral, cliché- and catch-phrase-eschewing spirit of 2002's "The Bourne Identity," screenwriter Tony Gilroy (returning from the original) and director Paul Greengrass have put together a breathless sequel with tense intellectual punch, smart, seat-gripping action, and a hero who is utterly compelling, almost without saying a word.
Still suffering from amnesia and nightmarish recovered flashes of his past assignments as a CIA assassin, the now-tempered Jason Bourne (Matt Damon), and the girl (Franka Potente) who helped him survive a relentless manhunt in the first picture, begin "The Bourne Supremacy" having their peaceful incognito existence on an Indian beach shattered by a rogue Russian secret service agent (a silently daunting Karl Urban) with a sniper rifle.
In one of the film's few conventional contrivances, the plot is set in motion when, after a nerve-racking chase through the tight, ancient streets of this third-world seaside town, their jeep plummets off a bridge and this otherwise professional killer heads home, assuming they're dead. Bourne in turn assumes the CIA has come to finish the job they started two years ago, and immediately begins a hunt of his own -- fulfilling his pledge that "if I even feel somebody behind me, there is no measure to how fast I will bring this fight to your doorstep."
Continue reading: The Bourne Supremacy Review
If you were to take the 1998 Spice Girls movie called "Spice World," then remove all the self-deprecation, all the homages to "Hard Day's Night," and all the surprising wit that made it such a great guilty pleasure, what you'd be left with would closely resemble the new "Josie and the Pussycats" movie -- although the results would still be less formulaic.
A live-action revival of the girlie rock band from the Archie comics and Saturday Morning cartoons, "Josie" is a hypocritical satire of MTV conformity that carefully tippy-toes around its mockery of the fickle pop music market so as not to rock the boat with its target audience -- those very same conformist teenagers at whom it pokes fun.
As the movie opens, the private plane carrying a boy band called Dejour (ha ha, very funny) has just been crashed on the command of their evil manager Wyatt Frame (Alan Cumming), who had to get rid of the boys after they discovered the record company's subliminal messages planted in their songs.
Continue reading: Josie & The Pussycats Review
Practically trumpeting its utter dependence on Hollywood convention, the death row drama-with-a-twist entitled "The Life of David Gale" acts as its own executioner, injecting the very first scene with a lethal cliché from which the film never recovers.
In the opening moments, a rental car driven by a big-city journalist (Kate Winslet) breaks down on a lonely Texas highway as she's desperately rushing to an execution with evidence that could exonerate the man scheduled to die.
So trite and inane is this plot device that 11 years ago it was a major punchline in Robert Altman's cynical, Hollywood-skewering farce "The Player." But to director Alan Parker ("Angela's Ashes") and writer Charles Randolph this is a very serious moment in what they erroneously hope will be a very important film about the capital punishment debate.
Continue reading: The Life Of David Gale Review
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