Director Patricia Riggen tackles a particularly emotional story with the new film The 33. The film is a based on the recent mining catastrophe which happened in Chile in 2010. When a copper and gold mine finally caved in blocking 33 men in the centre of a huge mountain.
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For most people in the modern world, they don't need to think about the consequences of modern day living, it's hard to think that people still need to mine land physically and often in treacherous conditions. In 2010 the world was reminded of just how risky that job can be.
When a 100+ year-old copper & gold mine in Chile suffers considerable damage to the shaft due to a cave-in, the world's news is quick to report the disaster. All life was thought to be lost and there was little hope of finding survivors, however deep inside the mine, a group of 33 men were fighting for survival. As the world learnt of their battle for survival, the onlookers could only imagine the tribulations the men inside faced. Main communication with the outside world was from one miner called Mario who was affectionately named 'super Mario', thanks to his videos, he could relay information to the support crew telling them about the men's wellbeing and progress.
Director Patricia Riggen's The 33 was filmed with the cooperation of the miners and tells their story from 700 meters underground. The 33 is Patricia Riggen's first major directorial role, though in 2012 she shot Girl In Progress starring Eva Mendes.
Gabriel Byrne and Hannah Beth King - 65th Berlinale International Film Festival - 'Nobody Wants the Night' (Nadie quiere la noche) - Premiere and Opening Ceremony at Berlinalepalast - Berlin, Germany - Thursday 5th February 2015
Rose Hathaway is formidable half human half vampire with only one purpose in life; to defend the royal moroi clan - in particular Princess Vasilisa Dragomir - with her life as the evil vampires, named strigois, target her and the rest of the peaceful nightwalkers of St Vladimir's Academy. Rose and Lissa may only drink when blood is donated to them, but the strigois hunt to kill, with no discrimination between vampire and human. Rose and Lissa initially try to run away from the city in search of safety, but they are brought back and Rose is forced to continue her training. Her mentor, Dimitri Belikov, takes time to help them in increasing their strength and making them equipped enough to deal with their foes - but there's deception everywhere, and not everyone is who they seem.
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Sadly, there has been such a glut of gun-packed London crime thrillers, that it simply isn't enough to make one that looks good and has a fierce energy: you need a solidly structured plot that goes somewhere unexpected. And that's where this film struggles. It's slick and atmospheric, with a terrific cast, but the story is so overcomplicated that it's almost impossible for us to maintain any interest in what happens.
At the centre is Detective Parker (Sewell), a shifty cop who's playing a very dangerous game as he tries to crush mobster Corso (Byrne) by undermining his cash-flow and threatening his son (Mascolo). Parker gets help from his rather reluctant partner Sands (Maynard), but rookie Riley (Gregory) is horrified to see the corruption he has wandered into. Then the efficient hitman Riley (Stephens) walks straight into the middle of everything, unaware of what's going on. He hides out with an old friend (Paraky) whose husband was also caught in the crossfire. And none of them realises that they're on a deadly collision course.
Isaac has a superb eye for catching London on-screen, using striking iconic locations and placing the action within the sweeping scale of the city. But his overuse of shoot-outs and car chases makes it feel deeply implausible. And his screenplay makes little concession to the audience, as dialog is peppered with references to earlier events we know nothing about. Clearly there are all kinds of interconnections between these people, but it's impossible to untangle them so that things make sense. Much more interesting is the way everyone gets caught up in the moral ambiguity of each decision they must make.
Continue reading: All Things To All Men Review
Even though this British mystery-drama is rather too creepy for its own good, it gives Rampling yet another superb character to sink her teeth into. She's working with her son, writer-director Southcombe, who reveals the plots secrets very slowly, manipulating the audience by withholding key details and misleading us with red herrings. But Rampling makes it gripping.
She plays the eponymous Anna, who is trying to get her life back on track after the end of her marriage. Living with her single-mum daughter (Atwell), Anna attends speed-dating events to meet men, and one night goes home with George (Brown), who turns up dead in the morning. Police detective Bernie (Byrne) connects Anna to the death and secretly gets to know her without telling her that she's a suspect. Meanwhile, Bernie's colleague Kevin (Marsan) follows the trail to a mother and son (May and Deacon). And as clues begin to emerge, Anna starts to remember what happened that fateful night.
Southcombe cleverly creates an eerie tone that often makes this feel like a horror movie. So before he gives us any real details about what's going on here, we already know that something very nasty is involved. The problem is that he dribbles the truth to us so slowly that we lose interest in the plot long before the actual revelations. Which makes it all feel like a cheat when he pulls the rug out, since the filmmaker has been lying to us all along.
Continue reading: I, Anna Review
Gabriel Byrne and Elle Macpherson Friday 4th February 2011 Gabriel Byrne leaving The Ivy restaurnt after having dinner with Elle MacPherson. Elle was driven home in a private car, while Gabriel decided to walk, and was accosted by a tramp along the way. London, England
Asking the rest of the film to live up to such a ghastly opening is like asking a rinky-dink tugboat to tow a mammoth ocean liner across the ocean. Ironically, that's exactly what Ghost Ship does. Sean Murphy (Gabriel Byrne) owns the tugboat in question, and he employs "the best damn salvage crew in the business." In reality, they're a tough-talking, hard-drinking cast of carefully handpicked racial stereotypes, from an African-American first mate (Isaiah Washington) to a Mexican engineer (Alex Dimitriades) to an Italian salvage team leader (Julianna Margulies), who's a female, to boot.
Continue reading: Ghost Ship Review
The pacing of Spider is totally understandable, seeing as it entirely takes place in and around a halfway house for recently-released mental patients -- and, obliquely, within the mind of its central character. "Spider" (Ralph Fiennes) is a muttering mess, a paranoid schizophrenic who wears four shirts atop one another and scribbles illegibly in a little book he carefully hides at the end of each day. Just out of the loony bin, Spider hops a train to London, finds his depressing room at the inn, faces annoyed berating at the hands of stern Mrs. Wilkinson (Lynn Redgrave), and immediately begins shutting himself into a cocoon. "Caterpillar" might be a better nickname -- for the man and for the movie.
Continue reading: Spider Review
If you know the basic plot of End of Days ("Satan visits New York in search of a bride") the question you'll be asking isn't, "Is this a bad movie?" Rather, it will probably be, "How bad can it be?"
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Don't be misled by the fact that a quick summary of "P.S." sounds like a hokey Lifetime TV episode of "The Twilight Zone." The story does revolve around a Columbia University art school admissions director drawn to a young applicant who may be the reincarnation of her dead high school sweetheart -- but the possibilities of that spiritual element are just a jumping-off point for the complex, earthbound emotional baggage stirred up by her desire for it to be true.
The brilliantly instinctive and unaffected Laura Linney ("Mystic River," "You Can Count On Me") lends palpable weight and depth to long-dormant insecurities and desires in her melancholy, weary, authentically 39-year-old character. She is reinvigorated by the tumultuous affair she initiates with the cheeky, nascently charming young painter (Topher Grace), who shares not only an uncanny resemblance and his name with her lost love, but also his talent and his word-for-word desire never to live a "just add water" life.
Grace -- a worthy rising star whose comedic timing on "That '70s Show" is clearly just the tip of his acting iceberg -- perfectly embodies his art student's mounting curiosity and nagging consternation. He doesn't know what the hell is going on with Linney, but he's instantly drawn to her. She has a sad yet radiant down-to-earth beauty, she could hold the key to his artistic edification, and she's trying to seduce him -- so at first he figures, why fight it? Soon he becomes emboldened by the fact that her confidence as a woman and an authority figure evaporates around him, leading to a chemistry of pungent awkwardness between Linney and Grace that fills the screen like a fog.
Continue reading: P.S. Review
Date of birth
12th September, 1950
The death of Isabelle Reed thrusts her family consisting of her husband Conrad Reed (Devin...
Director Patricia Riggen tackles a particularly emotional story with the new film The 33. The...
For most people in the modern world, they don't need to think about the consequences...
Rose Hathaway is formidable half human half vampire with only one purpose in life; to...
Rose Hathaway is a dhampir which means that she is half human and half vampire....
Sadly, there has been such a glut of gun-packed London crime thrillers, that it simply...
Even though this British mystery-drama is rather too creepy for its own good, it gives...
Although the odor of buried sin and some vast, encroaching punishment hangs over most every...
The obvious risk with autobiographical films is that audiences just might not in the end...