Jeffrey Bender, Lee Sellars, John Procaccino, Tonya Pinkins, Fred Dalton Thompson, Patrick Page, Sebastian Arcelus, John Douglas Thompson, Tom Skerritt, Ashley Williams, Chike Johnson, JR Horne, Dashiell Eaves and Tijuana Ricks - Opening night curtain call for the Broadway play A Time to Kill at the John Golden Theatre. - New York, NY, United States - Monday 21st October 2013
There's a nasty edge to this horror film that makes it much creepier than most, which gives Hawke the chance to give an unnervingly haunted performance. As the script reveals its hideous secrets, the filmmakers really make our skin crawl. Although it's not easy to figure out what the point is, since the whole film seems to be merely an exercise in scaring the audience.
It's all based in true crime, as author Ellison (Hawke) drags his wife Tracy (Rylance) and kids to a new town so he can investigate another unsolved murder. What he hasn't told Tracy is that they're living in the crime scene, an unusually dark house that has a box of home movies in the attic that reveal a much more gruesome horror than Ellison was expecting. The killings at hand turn out to be part of a string of hideous murders that seem to have a supernatural twist.
Indeed, this film takes a very bleak trip into the darkest recesses of the imagination: the deaths on these home movies are so hideous that we can barely watch them. But then, this also means that the film is more unnerving than nine out of 10 horror movies. And Hawke is a solid central character we can identify with, as he's unable to stop digging into the story, looking further into these murders and watching every last home movie even though he knows he should really stop. He gives Ellison an earthy honesty that carries us along with him, even when some standard movie characters pop up, including an angry sheriff (Thompson), his dopey deputy (Ransone) and an expert professor (D'Onofrio).
Continue reading: Sinister Review
Ellison is an aspiring true-crime writer who decides to move his family into the house where a family of four were brutally murdered nine months previous in order to work on his next novel which he is determined will be a success. When Ellison takes a visit to the attic, he finds, in the center of the floor, a single box with a movie projector and several film reels tucked inside. The films have titles such as 'BBQ '79' and 'Family Hanging Out '11' - the latter is the most recent so Ellison sets it up on the projector. The clip shows the family that were recently murdered enjoying one another's company before cutting to an image of the four of them when they killed. Shocked, Ellison passes the videos on to the police to investigate further and notices the only similarity between all the murders of different families in the house on each of the film reels is a recurring symbol which he later discovers is the mark of a pagan deity named Bagul who he is told feeds on the souls of children. Legend has it that children who see the image of Bagul are vulnerable to his attack because he is alive through his own image. When he begins to target Ellison's family, he realises he must escape before they become the next victims.
Continue: Sinister Trailer
Penny Chenery never really thought she would take over the family racing stables but as her fathers health started to deteriorate, Penny found herself in just that position. In recent years the team at Meadow Stables found themselves on somewhat of a loosing streak but all that was about to change when a bit of luck started to come their way.
Starting to operate in a male dominated business, Penny and her small team including her loyal and well known trainer Lucien Laurin began to make waves on the racing circuit mainly because their determination and a beautiful chestnut colt named Secretariat which Penny found herself owner of purely by chance.
Continue: Secretariat Trailer
What a pity that Die Hard 2: Die Harder (based on the novel 58 Minutes) falls into the trap of being just another Die Hard in Washington's Dulles Airport. I mean, it's kinda funny that John McClane (Bruce Willis, having a good ol' time) acknowledges his pathetic luck. Not this shit again! He's waiting for his wife's plane to land when terrorists seize control of the airport, crashing a plane just to prove that they'll stop at nothing. Yes, they will stop at nothing! Insert an evil laugh here, and throw in a moustache twirl, why dontcha?
Continue reading: Die Hard 2 Review
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