Smack dab in the middle of the Civil Rights Era came a pile of films that preached recognition of racial equality. Two of the favorites repeatedly viewed to this day are Guess Who's Coming to Dinner and To Kill a Mockingbird.
These films effectively argue for multi-ethnicity from different vantage points. The former is a daughter asking her parents to accept her black fiancé. The latter defends an obviously innocent African-American charged with raping a young white girl. Both feel more like plays than big screen cinema, with their tiny handful of locations, lack of visual effects, and explicitly heavy-handed dialogue. Though society has changed since their release, and "statement films" now rally for more current political causes, the strength of the issues relayed in these classics doesn't lose its appeal.
Continue reading: To Kill A Mockingbird Review