Grace Kelly is one of the most loved women of the past 100 years. The former Hollywood star was a favourite of the silver screen, but that was only really the beginning of her journey. When Grace Kelly fell in love with Prince Rainier III of Monaco, her personal life turned into a story that could rival that of a classic fairy tale.
Though not from royal stock, Grace is to many their favourite royal to have lived; beauty, elegance and a gentle and nurturing nature only added to the appeal of Grace throughout the world.
Nicole Kidman now takes on one of her most difficult roles to date and plays the much loved actress. Set in the 1960's whilst her husband, Prince Rainier III of Monaco, faced invasion by the French over tax disputes, the princess was also facing one of the most turbulent times of her life. Grace of Monaco was directed by Oscar winner Olivier Dahan (La Vie En Rose) and written by relative newcomer Arash Amel.
Glenn Close will play a role similar to Samuel L Jackson's in The Avengers.
Well this is a surprising casting, though one that sort of makes a ton of sense. According to the Deadline.com, Marvel Studios has landed Oscar winning actress Glenn Close to play a major new role in its latest franchise, Guardians of the Galaxy. The actress will reportedly play a leadership role in Nova Corp, the intergalactic space control.
The new James Gunn-directed movie goes into production next month, so Marvel have left it late to cast what is essentially a major role. The movie already boasts a pretty decent looking cast including Chris Pratt, Zoe Saldana, Lee Pace, Michael Rooker and John C. Reilly. Pratt landed the lead role following a search that included Marvel looking at Joseph Gordon-Levitt, Joel Edgerton, Jack Huston, Jim Sturgess and Eddie Redmayne.
Sources tell Deadline that Close's role will be the closest thing to the one that Samuel L. Jackson plays in The Avengers, though perhaps with more of an edge. Close has proven she can play the hardnosed character in the likes of Damages, Fatal Attraction and, err, 101 Dalmatians and we see her being a real hit in Guardians.
Continue reading: Glenn Close To Play Top Cop In Marvel's 'Guardians Of The Galaxy'
“That thing is going to kill me in my sleep.” Those are the words uttered by Frank (played by a real life Frank, Frank Mingella), when his son introduces him to the robot that he’s procured to help him with his ailing memory and flagging health. “Someone’s going to kill you in your sleep,” comes his son’s muttered reply (played by James Marsden).
Also starring Liv Tyler, Peter Sarsgaard and Susan Sarandon, what looks to be starting as a heart-warming family tale soon develops a darker side as Frank and his Robot become embroiled in a touch of criminal activity. So far, the movie has largely been a hit with the critics. Kenneth Turan of Los Angeles Times describes the movie as “charming, playful and sly,” and adds “it makes us believe that a serene automaton and a snappish human being can be best friends forever.”
Frank Langella’s performance as the increasingly confused old man and New York Times’ Manohla Dargis praises him by saying “Frank Langella plays so many variations on cute and crotchety and with such suppleness - he's by turns a charming codger, a silver fox and a wise graybeard - that his performance comes close to a saving grace.” The winner of the 2012 Sundance Film Festival Alfred P. Sloan Prize, Robot & Frank is due for release later this year.
Martin (Neeson) is a scientist in Berlin with his wife Liz (Jones) for a conference, but he and his taxi driver Gina (Kruger) are involved in an accident that leaves him in a coma for four days. When he wakes up, Liz doesn't know him and insists that another man (Quinn) is actually Martin. Desperate for help, Martin contacts former Stasi agent Jurgen (Ganz), who starts digging into the situation, as well as a trusted colleague (Langella). But ruthless killers (Schneider and Erceg) are on his trail.
Continue reading: Unknown Review
Jake (LaBeouf) is a rising-star broker working for a Wall Street veteran (Langella). His girlfriend Winnie (Mulligan) is the estranged daughter of the legendary Gordon Gekko (Douglas), who recently completed his prison term for insider trading. But Jake's idea to reunite Winnie and her dad takes a turn when they begin a kind of teacher-student relationship. Jake then takes a job for an archrival investor (Brolin) to orchestrate his downfall. But this is 2008 and banks are starting to collapse around them. And maybe Gekko is up to his old tricks.
Continue reading: Wall Street: Money Never Sleeps Review
23 years after Gordon Gekko's incarceration for insider trading, he finds himself being released into the outside world. He may have no family to meet him but he's ready to once again take his place in the business world. His soon to be son-in-law Jacob contacts Gordon in the hope that together they will reunite father and daughter. Winnie has always been wary of her father, especially his business dealings to which she warns her fiancé but when Jacob finds himself taken under the wing of Gordon, the offer is too good to turn down.
Continue: Wall Street: Money Never Sleeps Trailer
In 1976 Virginia, Norma and Arthur (Diaz and Marsden) are quietly struggling to keep their lives on an even keel while their teen son Walter (Stone) notices something's up. Then a facially deformed stranger (Langella) appears with a box topped by a button and a tantalising offer: push the button and earn $1 million, the hitch being that someone you don't know will die as a result. But Norma and Arthur are sucked down into the stranger's rabbit hole when their initial moral dilemma becomes something much more sinister and confusing.
Continue reading: The Box Review
Frank Langella, in all his icy glory, plays Jimmy Stevens, a meticulous and cultured executive from a nefarious international energy conglomerate called the EN Corporation. The EN Corporation has committed atrocities in South America that Jimmy could not abide, and he has blown the whistle on their corporate evils. But since the corporation has its agents everywhere, Jimmy knows he is doomed and, with a slump of his shoulders and deep sigh, he awaits his impending assassination (in Red Bank, New Jersey no less).
Continue reading: The Caller Review
Howard's spellbinding adaptation of Peter Morgan's Tony-nominated stage drama understands the politics that manipulate Washington and Hollywood. It comprehends how many interviews are won and lost long before the Q&A begins. It figures out the best way to transition an airtight theatrical production to the roomier silver screen (giving the elements plenty of room to breathe). And -- most importantly -- it illustrates the intimidating power of television, which creates and destroys legacies on a daily basis.
Continue reading: Frost/Nixon Review
Cynthia Nixon and Frank Langella - Cynthia Nixon and Chris Noth New York City, USA - Opening Night of 'Frank Langella - A Man For All Seasons' on Broadway at the American Airlines Theatre Tuesday 7th October 2008
Starting Out in the Evening unveils the final chapter in the life of Schiller (Frank Langella), an aging novelist whose health deteriorates as he races to complete one last book. Since his existing novels are out of print, Leonard needs the next one be a success if he wants to be fondly remembered in the literary world. He's been working on the book for over a decade now, however, and has failed to capture interest from publishers. His shortcomings are not due to laziness, though. Leonard used to be a more prolific writer, but has never been the same since his wife died years prior, and neither has his work.
Continue reading: Starting Out In The Evening Review
You are bound to leave Superman Returns buzzing about "the scene." It's our first real glimpse in the film of the Man of Steel in action, the first genuine indication that the spandex-clad savior has, indeed, returned.
Here's setting for the scene: Intrepid Daily Planet reporter Lois Lane (Kate Bosworth), now a Pulitzer Prize winner, is covering a groundbreaking, mid-air shuttle launch. The spacecraft is poised to detach from a jumbo jet miles over the East coast and continue its jaunt through the stratosphere. But a massive power outage caused by Lex Luthor (Kevin Spacey) prevents a smooth transition, so Superman (newcomer Brandon Routh) must quickly separate the speeding crafts, catapult the rocket through the stars, then rush back to earth to catch the now-burning airliner before it lands on the pitcher's mound of a populated baseball diamond.
Continue reading: Superman Returns Review
Although McKay - whose irritating narration, the usual guff about moving to New York from Indiana and just how exciting it all was, brackets the film - never really posits what exactly he's on about with "The Golden Age," two things quickly become clear: The time period he and his subjects want to talk about is Broadway theater from the 1930s to the 1950s, and that period really would have been something to behold. The cavalcade of interviewees all point to not just the embarrassment of riches that were around then in terms of both the material (Lerner & Lowe and Rodgers & Hammerstein were like musical hit factories, not to mention the new dramatic work being produced by the likes of Tennessee Williams and Arthur Miller) and the talent, but another very simple factor: It was cheap. In a time of $480 The Producers tickets, it's partially nice but mostly infuriating to know that not so long ago it could cost less to go to a Broadway show than the movies.
Continue reading: Broadway: The Golden Age, By The Legends Who Were There Review
The story of the witch-hunt has endlessly retold, usually laden with the same self-satisfied 20/20 hindsight that afflicts stories of the civil rights movement, and fortunately Clooney and co-writer Grant Heslov see no need to go through it all again. With admirable precision, they've sliced away most all the accoutrements often used to open up the era for the modern viewer, ala Quiz Show. This is a film that takes place almost entirely inside a CBS studio and newsroom, with occasional trips to hallways, elevators, and a network executive's wood-paneled office. Once, they all go out to a bar. It's best in the studio, because that's where we find Murrow - incarnated with almost indecent accuracy by David Strathairn - looking and sounding like as though Rod Serling had decided to rejoin the human race, his manner clipped and astringent, cigarette cocked in one hand like a talisman warding off evil.
Continue reading: Good Night, And Good Luck Review
Stardom tells the story of an unknown female hockey player named Tina (Jessica Paré) who finds celebrity in the modeling biz when a happenstance candid photo of her on the ice becomes all the rage. Soon enough she's an up-and-comer in Montreal, jetting off to Europe for photo shoots and parties, and indulging in the usual trappings of the supermodel race.
Continue reading: Stardom Review
Fortunately, The Ninth Gate is neither of these. In actuality, it's a mystery with Johnny Depp as the unlikely hero, Frank Langella as the perfectly-cast antagonist, and Lena Olin and Emmanuelle Seigner as the femmes fatale. Under the direction of Roman Polanski, you can rest assured that these characters get mixed up quite a bit en route through a serpentine plot that is far more interesting than its subject matter would imply: The search for a couple of rare books.
Continue reading: The Ninth Gate Review
It's a testament then to Williams's fine acting, and debut writer-director David Duchovny, that the motor-mouth's co-starring turn in House of D isn't a turn-off. Far from it. Williams and 15-year-old Anton Yelchin (Hearts in Atlantis) make up the unlikely duo in this coming-of-age drama about the friendship between Pappass, a mentally retarded janitor (Williams), and Tommy, a single-parent teen (Yelchin) in 1973 Greenwich Village. Williams displays, as he does in most of his dramatic films, a welcome appropriateness, a delivery of action and reaction that helps give House of D a good heart and some laugh-out-loud nuggets of wisdom.
Continue reading: House Of D Review
"Sweet November" may be a work of romantic hokum about a savage power-yuppie who learns to slow down and discover love in the arms of a quirky, perky girl with a tragic secret -- but as such sappy movies go, this is one that hits all the right notes.
Keanu Reeves and Charlize Theron proved they have couples chemistry as husband and wife in "The Devil's Advocate." Here they do the opposites-attract thing with great success and use their charisma to overcome what by all rights should be a script full of romantic clichés.
Reeves plays shallow, ruthless, arrogant ad industry hotshot Nelson Moss, who shows his astronomical self-centeredness in the picture's opening scene. It's early morning and he's having sex with his girlfriend -- until his alarm clock goes off. The second it does, he says "thanks, that was great" before jumping up, walking across his uber-modern high-rent loft, turning on his entire wall of high-tech TVs and brainstorming an ad campaign for a major client.
Continue reading: Sweet November Review
The rise-and-fall of a fictional supermodel is the topic of "Stardom," an irritatingly over-conceptualized yet blandly under-realized documentary-style satire-drama.
Narrated to death by a parade of invariably obnoxious hairdressers, photographers, agents, talk show hosts and Much Music VJs (it takes place in Canada), it's the story of an 18-year-old knockout brunette (newcomer Jessica Paré) spotted by a sports photographer while playing hockey and rapidly whisked into a pampered, jet-setting lifestyle.
Half mocumentary and half an insincere, tisk-tisk condemnation of beauty as a commodity and a social currency, the picture is a ripe idea corrupted by its own self-satisfaction and made worthless by the fact that the girl at its axis is wildly uninteresting.
Continue reading: Stardom Review
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