Claire is left broken-hearted when her best friend Laura passes away at a young age. She vows to keep an eye on her young daughter Lucie, as well as her husband David. Claire's husband decides to contact David and invite him out to dinner as an offering of sympathy, but Claire begins to find herself with feelings about David she never thought she'd have. However, things get even more complicated when she discovers that David has a secret passion; a hidden persona that he has never before revealed - and it's easy to see why. Nonetheless, Claire's feelings for him begin to intensify over this now shared secret, resulting in a relationship that would surely bring scandal on them both if anyone were to discover them.
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French filmmaker Francois Ozon continues to explore transgressive aspects of sexuality (see In the House) with this deliberately controversial drama about a teen prostitute. But since he refuses to indulge in the usual cliches, we don't react the way we think we should, so the film forces us to think about the story in a surprisingly fresh way.
The teen in question is Isabelle (Vacth), who in the summer of her 17th birthday orchestrates the loss of her virginity to a cute stranger. When she tells her little brother Victor (Ravat), he can't understand how Isabelle could so casually dump this boy. And she never tells her open-minded mother and stepdad (Pailhas and Pierrot). Back home in Paris, she secretly starts working after school as a high-class hooker, visiting her clients in pricey hotels. But when her favourite john (Leyson) dies suddenly, her secret comes out. And everyone wonders if she can go back to being a regular teen.
The twist here is that Isabelle comes from a liberal, wealthy family, and has no need to become a prostitute. She seems to do it out of boredom, because she doesn't need the money and isn't that interested in sex either. On the other hand, she loves pretending to be older than she is. Vacth reveals all of this through a remarkably transparent performance that's often unnerving to watch. By clouding her motivation, we almost become complicit in her actions. We certainly can't just sit back and watch passively.
Continue reading: Young & Beautiful [Jeune & Jolie] Review
Isabelle is striking French 17-year-old girl living a secret life of sexual indulgence as a paid escort. On losing her virginity, she decides that prostitution is not only a brilliant way to earn bags of cash, but it also becomes her biggest thrill as she explores all areas of her sexuality while being worshipped by the rich men who pay her. However, when she is found out by the French police and an online profile featuring a half-nude photo of her is discovered, her situation becomes much more complicated. Her parents are devastated; her mother is torn between shame, anger and fear; and it soon becomes clear that she has to start thinking very carefully about what she wants out of her life.
'Jeune Et Jolie' (which translates to 'Young And Beautiful') is a heart-breaking coming-of-age drama about teenage desires and making life choices. Directed and written by BAFTA nominated Francois Ozon ('Swimming Pool', '8 Women', 'In The House'), the film was nominated for the Palme d'Or award at the 2013 Cannes Film Festival and won the TVE Otra Mirada Award at the San Sebastian International Film Festival. It is set for release in the UK on November 29th 2013.
With Ozon's usual sharp writing and direction, this black comedy is a fabulous series of provocations, challenging us to explore how we see, or perhaps imagine, the people in our lives. It's also a playful exploration of the nature of storytelling itself, using a teacher-student relationship to reveal all kinds of uncomfortable truths.
The teacher and student in question are Germain (Luchini), who's tired of teaching literature to illiterate students, and shy 16-year-old Claude (Umhauer), a gifted young writer. His essays spark Germain's imagination because they continue on from each other to serialise his encounters with the family of his friend Rapha (Ughetto). As Claude writes about flirting with Rapha's mum (Sagnier) or becoming pals with his dad (Menochet), Germain becomes gripped by the story. And so does his wife Jeanne (Scott Thomas), who sees this as a wonderful escape from the mundane pressures in her life. But in a private tutoring session with Claude, Germain crosses an ethical line. And things start to get strange.
Writer-director Ozon is wickedly blurring the line between fact and fiction, as everyone who reads Claude's essays imagines the people in ways that fuel their own fantasies. So events unfold through a variety of perspectives, some of which must surely be imagined, especially as Germain and Claude adjust the characters to reveal hidden secrets. Yes, this brings out the voyeuristic tendencies in all of the characters, and in us as well, since we too are living vicariously through people whose lives seem so much more interesting than ours. Even if they are supposed to be us.
Continue reading: In the House [Dans la Maison] Review
Life-loving Suzanne (Deneuve) is married to uptight umbrella factory manager Robert (Luchini). Their daughter Joelle (Godreche) is fed up with her controlling husband, determined not to become a trophy wife like her mother, while their son Laurent (Renier) is marrying someone Robert feels is unacceptable. Meanwhile, the union is on strike for better conditions, and when Robert refuses to give his workers anything, Suzanne starts negotiating with a union-friendly local politician Maurice (Debardieu) with whom she has a past.
Soon the children and Robert's secretary (Viard) are in the middle of a farce.
Continue reading: Potiche Review
The Pujol family make umbrellas, in the town of Sainte-Gudule. Robert is the head of the family and he rules his business and household in a very similar fashion. His wife, Suzanne, is a very bright and beautiful woman who's mothered their children and allowed Robert to get on with running the family business. Remember, in 1977, a womans place was in the home and the fairer sex wasn't respected in industry.
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In a posh Paris apartment, Louis and Mousse (Poupaud and Carre) live in squalor, addicted to heroin. They overdose, end up in hospital and, when Mousse wakes up, her doctor surprises her with the news that she's eight weeks pregnant and alone. Louis' mother (Vernet) blames her for everything, so Mousse escapes to an isolated house on the coast. She's joined there by Louis' more sympathetic brother Paul (Choisy). And even though she knows that he's gay, she starts falling for him. Even when he hooks up with someone else (Louis-Calixte).
Continue reading: Le Refuge Review
Ozon's story recounts the ill-fated union of Marion (Valerie Bruni Tedeschi) and Gilles (Stéphane Freiss), a wife and husband who, at film's start, are shown quietly finalizing their divorce in a drab office, their faces pained but stoic reflections of their relief, misery and nervousness over the end of their matrimony. Clearly indebted - in spirit if not in specifics - to Bergman's Scenes from a Marriage (including Gilles' beard, a nod to Erland Josephson's), 5x2 (before heading back in time) subsequently moves from this depressing administrative locale to a furtive, desperate motel reunion between the newly single Marion and Gilles where attempts to rekindle the sexual fire ends in physical and emotional abuse. This powerhouse confrontation finds Bruni Tedeschi and Freiss, their forlorn eyes captured in close-up, expressing without words the callous selfishness, lack of communication, and physical and emotional detachment that doomed their relationship. And the scene ignites the film with a promise of eye-opening bombshells to come about the couple's dissolution via the ensuing backwards procession through a dinner party with Gilles' brother and his lover, Gilles' injurious cowardice during the birth of his son, their drunken wedding night, and their first encounter on a tropical beach.
Continue reading: 5x2 Review
Handed his death sentence by his doctor, Romain chooses to let his cancer kill him rather than suffer through the indignities of debilitating treatment that even the doctor admits has only a five percent chance of working. But now what? Romain's first instinct is to push everyone away in order to protect them from the pain of watching him die. Always prickly with his family, who have struggled with his homosexuality, a family dinner he attends turns positively toxic when Romain insults his fragile mother (Marie Rivière) and father (Daniel Duval) and calls his sister (Valeria Bruni-Tedeschi) a bad mother. When his father drives him home, Romain asks him, "Do I frighten you?" Dad replies, "Yes, sometimes." Through all this, Romain has forgotten to tell them his big news.
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Father (François Marthouret), the doctor, and Mother (Évelyne Dandry), the nervous housewife, have raised two teens in their mansionette. Nicolas (Adrien de Van) is typically sullen and withdrawn, while Sophie (Marina de Van) is vivacious and enjoys a rollicking relationship with her boyfriend David (Stéphane Rideau). Both think the rat is cute. Mom, who hates the rat, hires a new spitfire of a housekeeper named Maria (Lucia Sanchez) and invites her and her African boyfriend Ebdu (Jules-Emmanuel Eyoum Deido) (whom Mom finds tres exotique in a slightly racist way) to a welcome dinner. It's at this dinner that Nicolas announces he's gay and storms upstairs. Ebdu volunteers to talk to the boy, but once he's in the bedroom, he takes sexual advantage.
Continue reading: Sitcom Review