Father (François Marthouret), the doctor, and Mother (Évelyne Dandry), the nervous housewife, have raised two teens in their mansionette. Nicolas (Adrien de Van) is typically sullen and withdrawn, while Sophie (Marina de Van) is vivacious and enjoys a rollicking relationship with her boyfriend David (Stéphane Rideau). Both think the rat is cute. Mom, who hates the rat, hires a new spitfire of a housekeeper named Maria (Lucia Sanchez) and invites her and her African boyfriend Ebdu (Jules-Emmanuel Eyoum Deido) (whom Mom finds tres exotique in a slightly racist way) to a welcome dinner. It's at this dinner that Nicolas announces he's gay and storms upstairs. Ebdu volunteers to talk to the boy, but once he's in the bedroom, he takes sexual advantage.
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During times of revolution, the aristocracy may feel a false sense of calm in their parlor halls, discussing tumultuous events over glasses of sherry until the walls cave in on them. Adapted from Elliott's memoirs, Journal of My Life During the French Revolution, Rohmer's latest artistic tour-de-force may seem far removed from his domestic comedies (Tales of the Four Seasons, etc.), a period film set during the most violent changes in French history. Resisting the temptation for grand-scale theatrics, much of The Lady and the Duke is about quiet, decisive moments between members of the cultural elite as they determine how to proceed as the world implodes.
Continue reading: The Lady And The Duke Review
A visually experimental but narratively lifeless French Revolution melodrama, "The Lady and the Duke" ("L'Anglaise Et Le Duc") recounts events surrounding Louis XVI's overthrow and the violent underbelly of its aftermath for the upper classes.
Taking a page from George Lucas's playbook, prolific Gaelic director Eric Rohmer ("Autumn Tale") shot the film against blue screens with minimal sets, creating the oil painting-like world in which action unfolds largely through computer-generated imagery in post-production.
But while this high-tech art flick is a worthwhile curiosity on the moviemaking front (its style bears a low-budget resemblance to "What Dreams May Come"), its story is a dull and academic one. It's told almost entirely from inside the soundstagey drawing rooms of English expatriate Grace Elliott (Lucy Russell), a real historical figure who had plenty of opinions but no influence to speak of.
Continue reading: The Lady & The Duke Review
Corgan took to Instagram to confirm rumours of new Pumpkins material, saying the first songs could arrive as early as May.
A tightly knit bourgeois French family flies apart in multiple spasms of insanity and sexual...
"Through a spyglass, I could see everything." King Louis XVI was beheaded on January...