Franco Arcalli

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Once Upon A Time In America Review


OK
I'm as big a fan of misogyny as the next guy, but how did this hateful and often tasteless Godfather ripoff become a classic? What, just because it's four hours long? Robert De Niro and James Woods are never hard to watch, but even here their take on Jewish gangsters in New York from 1900 to 1960 or so wears awfully thin as they brutalize one woman after another and get into the kind of mobster scrapes you've seen in upteen other movies. And after the top names, the talent roster is pretty thin. Treat Williams? Elizabeth McGovern?

Continue reading: Once Upon A Time In America Review

Once Upon A Time In America Review


OK
I'm as big a fan of misogyny as the next guy, but how did this hateful and often tasteless Godfather ripoff become a classic? What, just because it's four hours long? Robert De Niro and James Woods are never hard to watch, but even here their take on Jewish gangsters in New York from 1900 to 1960 or so wears awfully thin as they brutalize one woman after another and get into the kind of mobster scrapes you've seen in upteen other movies. And after the top names, the talent roster is pretty thin. Treat Williams? Elizabeth McGovern?

Continue reading: Once Upon A Time In America Review

Last Tango In Paris Review


Good
Last Tango in Paris raised a lot of eyebrows, but not for its plot. Rated X, there's enough nudity and naughty talk to almost make you forget you're looking at Marlon Brando's sweaty body. Almost.

Unfortunately, this "torrid love affair" between a grieving American (Brando) and a pouty Parisian (Maria Schneider) -- they don't even tell one another their names -- is overlong and overblown. It's Bertolucci, after all, making a film inspired by his creepy desire to bone an anonymous woman he once saw. The story is one of dysfunction and thinly veiled misanthropy; love is left as an afterthought.

Continue reading: Last Tango In Paris Review

Franco Arcalli

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