Francesco Clemente - Francesco Clemente and Alba Clemente Monday 26th March 2012 Yves Saint Laurent sponsors The Metropolitan Opera's premiere of 'Jules Massenet's Manon' at the Metropolitan Opera House - Arrivals
Fran Lebowitz and Francesco Clemente - Fran Lebowitz and Francesco Clemente New York City, USA - private party for 'Indochine: Stories, Shaken and Stirred' held at Bergdorf Goodman - Inside Thursday 29th October 2009
As the film readily acknowledges, art never has been, and was likely never really supposed to be a thing of populism. As artist after artist from the hothouse ferment of the 1960s New York scene intones amidst Rosen's jittery and fun editing collages, they were really making the art for each other. It was really the same few hundred people during that time roaming from one gallery opening to another, seeing the new Jasper Johns, Frank Stella, or James Rosenquist and then going home and making some art themselves. Or just talking about it. Call it pretentious or self-indulgent, but what Rosen does better than many other chroniclers of the art world is show not just how truly exhilarating it was to be present at such a pivotal cultural time, but also how extraordinarily enjoyable it was. And Geldzahler was at the center of it all, seemingly.
Continue reading: Who Gets To Call It Art? Review
Continue reading: Who The Hell Is Juliette? Review
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