Frances McDormand (born 23.6.1957) Frances McDormand is an Academy Award-winning American actress.
Childhood: Frances McDormand was born in Chicago, Illinois. She was given up for adoption and was adopted by Noreen and Vernon McDormand. Noreen was a nurse and Vernon was a pastor. Frances' sister, Dorothy, is also a minister and chaplain. She has another two sisters, all of whom were adopted. The McDormands often moved home; as a result, Frances lived in Georgia Kentucky and Tennessee before the McDormands settled in Pittsburgh.
Frances McDormand attained a BA in Theatre in 1979, after studying at Bethany College, West Virginia. She went on to earn an MFA from Yale University School of Drama, where she shared a room with Holly Hunter.
Music Career: Frances McDormand's first paid acting job was performing in a play written by Derek Walcott, in Trinidad and Tobago. Her film debut came in 1984, when she appeared in Joel and Ethan Coen's first film, Blood Simple. The film also starred Jon Getz and marked the beginning of a long-standing professional relationship between McDormand and the Coen brothers.
Around this time, she shared a house in the Bronx, with Holly Hunter, the Coen brothers and the director Sam Raimi.
In 1987, she shared screen time with Holly Hunter in Raising Arizona, alongside Nicolas Cage.
McDormand also took on TV roles, playing Connie Chapman in the US police drama, Hill Street Blues. In addition to this, she worked on the stage, starring in a production of Tennessee Williams' A Streetcar Named Desire, for which she was nominated for a Tony Award.
As her big-screen career developed, Frances McDormand was nominated four times for an Academy Award. The first nomination came in 1988, when she was nominated for Best Supporting Actress for her role in Mississippi Burning. The film also starred Gene Hackman and Willem Defoe. Then, in 1996, McDormand won the Best Actress Award for her role in the Coen brothers' Fargo, which also starred William H Macy and Steve Buscemi. Her next nomination came for the Best Supporting Actress Award, this time for her performance in Almost Famous, which starred Kate Hudson as a rock band's groupie and Philip Seymour Hoffman as the revered music journalist Lester Bangs. McDormand's fourth Academy Award nomination came in 2006, again for the Best Supporting Actress gong, for her appearance in North Country, a film starring Charlize Theron and Sissy Spacek.
McDormand has won other awards, for films such as 2000's Wonder Boys, which included such luminaries as Michael Douglas, Robert Downey Jr and Tobey Maguire among the cast members.
Other significant film roles for Frances McDormand include her appearance in 2008's Burn After Reading, another Coen brothers film, starring John Malkovich, Brad Pitt, Tilda Swinton and George Clooney. In 2006, McDormand starred opposite Jennifer Aniston and Joan Cusack in Friends with Money, a critically-lauded drama that opened the 2006 Sundance Festival. 2008 also saw McDormand star alongside Amy Adams in the romantic comedy Miss Pettigrew Lives for a Day.
Personal Life: Frances McDormand is married to the director Joel Coen, with whom she has often worked professionally throughout her career. Joel and Frances have an adopted son from Paraguay, named Pedro.
An intelligent ode to a time when Hollywood made wildly inventive movies without pressure from focus groups, there's a serious edge to what superficially looks like a madcap comical romp. But this isn't one of Joel and Ethan Coen's nutty comedies. It's a pointed exploration of the collision between art and commerce, assembled as a sprawlingly entertaining ensemble movie packed with lively, often hilarious characters.
It's set over 24 hours at Capitol Pictures in 1951 as studio minder Eddie (Josh Brolin) tries to keep several movies in production despite a series of hitches, while twin gossip columnists (two Tilda Swintons) try to get a scoop. Top movie star Baird (George Clooney) has been kidnapped by communist writers from the set of his Roman epic. Water-ballet diva DeeAnna (Scarlett Johansson) is pregnant and unapologetically unmarried. And rising-star Hobie (Alden Ehrenreich) is struggling to make the transition from Western action hero to chamber room drama, clashing with his demanding new director Laurence (Ralph Fiennes). Meanwhile, song-and-dance man Burt (Channing Tatum) is up to something on the set of his sailor musical. With all of this, Eddie begins to think that maybe he should take the offer of a job outside the film industry.
As the movie darts between these various productions, the Coens gleefully reinvent this series of genres that have essentially died out. Yes, the film is a pointed depiction of how Hollywood used to make a wide array of movies for much broader audiences. Each sequence is written and directed with witty details that perfectly catch the way the chaos of a film set can be transformed into a glamorous motion picture in time for the starry red-carpet premiere. And the entire cast rises to the challenge. Clooney is terrific as the dim-witted star who hasn't a clue what's happening around him. Ehrenreich shows real charm as a smart kid struggling in an insane situation. Brolin holds things together in a surprisingly sympathetic role, while Swinton, Johansson and Fiennes add plenty of spark, and the film is stolen by Frances McDormand as a spiky film editor.
Continue reading: Hail, Caesar! Review
Ever since his wonderful appearance in Wes Anderson's The Grand Budapest Hotel, we've been waiting for Ralph Fiennes to take up a similar role that shows a completely different side to the actor, now it looks like the Coen Brothers have given the actor such a role. Laurence Lorenz is an eccentric film director who finds himself caught up in a fiasco when Hollywood superstar Baird Whitlock is kidnapped.
Continue: Hail, Caesar! Trailer
Frances McDormand , Brooke Smith - The Los Angeles LGBT Center's 46th Anniversary Gala Vanguard Awards_Inside at Hyatt Regency Century Plaza - Los Angeles, California, United States - Saturday 7th November 2015
Eddie Mannix is a fixer who works in Hollywood where he tames celebrities and keeps theirs, and movie studios', secrets out of the press - no matter how big the story. It's not the easiest job in the world, and it's certainly not always the most morally fulfilling, but it's about to get a whole lot harder when one studio, Capitol Pictures, presents him with a major problem the likes of which could be career destroying. They're working on a huge production epic entitled 'Hail, Caesar!' starring Hollywood sensation Baird Whitlock, but things go particularly awry when he is kidnapped and held for ransom by a mysterious group known only as The Future. They want $100,000, and after 24 hours, the studio aren't looking any more hopeful. Mannix enlists a feisty and beautiful female star to procure the money, while Whitlook finds himself in a most unusual situation.
Continue: Hail, Caesar! Trailer
It was also a good night for ‘Mad Men’s’ Jon Hamm and comedy ‘Veep’.
Last night’s Primetime Emmy Awards saw history being made as HBO drama ‘Game Of Thrones’ took home an unprecedented 12 awards and ‘How To Get Away With Murder's' Viola Davis became the first black actress to win the outstanding lead actress in a drama series award.
Viola Davis was named outstanding lead actress in a drama series.
‘Game of Throne’s’ 12 gongs is more than any other series has won in a single year at the awards show. Among the trophies picked up by the fantasy series were, outstanding supporting actor in a drama series for Peter Dinklage and outstanding directing for a drama series going to David Nutter. The show also beat ‘Mad Men’ to scoop the outstanding drama series award.
Luckily for the human race, dinosaurs were wiped from the face of the Earth millions and millions of years ago after a deadly asteroid struck the globe. But what would the world be like if that meteorite missed the planet, sparing the colossal creatures much loved by children? While the thought might be somewhat terrifying, this is a story about a young Apatosaurus named Arlo who's not such a danger to his fellow Earthlings. After a family tragedy, Arlo finds himself shaken and confused and winds up injured, only to then find himself far away from home. Troubled but determined, he sets out on formidable journey to find his way back to his family again and on the way meets a young human boy, who he is quick to befriend. If you thought dinosaurs couldn't be compassionate and make awesome friends, you were so wrong.
Continue: The Good Dinosaur - Teaser Trailer
Frances McDormand - A variety of stars were photographed in the press room at the 21st Annual SAG Awards which were held at the Shrine Auditorium in Los Angeles, California, United States - Thursday 22nd January 2015
The multi-award-winning filmmakers will turn their Oscar-winning black comedy into a TV series, with Billy Bob Thornton taking on the starring role
Joel and Ethan Coen will be reviving their much-acclaimed 1996 dark crime caper Fargo for a television audience, Reuters reported, with plans for a Fargo TV series being announced earlier this week. On Friday (2 August), a spokesperson for Fox's FX channel revealed that the filmmaking siblings are working on a TV-version of the Oscar-winning film, due to air on the channel in Spring 2014.
The Coen Brothers are taking their first steps into television
The spokesperson also added that the 10-episode mini-series already has a major acting talent lined-up to star in the film-adaption, with Billy Bob Thornton unveiled as one of the stars of the series. The 57-year-old will play one of several new characters due to be introduced in the new series, taking on the part of criminal Lorne Malvo, who was described as "a rootless, manipulative man who meets a small town insurance salesman and sets him on a path of destruction" in the FX statement. No further cast and character details were announced, however it was revealed that the Coens will be serving as executive producers for the mini-series.
Continue reading: The Coen Brothers Lining Up 'Fargo' TV Series For FX
Hydraulic fracturing might not be the most compelling subject for a movie, but it provides a topical backdrop for this engaging drama about ethics. It also lets actor-screenwriter Damon reunite with his Good Will Hunting director Van Sant for another strikingly well-made movie centring around a handful of strong characters. And while we know what the filmmakers feel about this contentious issue, at least the script isn't heavy handed about it.
The story takes place in a rural New England town, where oil company workers Steve and Sue (Damon and McDormand) are trying to secure the leases needed to drill for natural gas. The farmers badly need the cash to keep in business, but a retired science teacher (Holbrook) voices concern about the potential dangers of "fracking". He's joined by environmental activist Dustin (Krasinski) to turn the town against Steve and Sue's multinational corporation. And Dustin even starts to meddle in a budding romance between Steve and local teacher Alice (DeWitt).
The script is cleverly constructed to make us wonder who is telling the full truth. There are obviously risks associated with fracking, but have they been exaggerated by politically motivated campaigns? Damon plays Steve as a straight-arrow, a nice guy who genuinely believes that the process is safe. Meanwhile, Krasinski is a but more slippery as the grassroots voice of caution, and the terrific McDormand gets all the best lines.
Continue reading: Promised Land Review
Matt Damon gets political in his new movie Promised Land, which tackles the issue of ‘fracking,’ the process of hydraulic fractured drilling, which has been at the root of great political debate in the US for some time. Its effects on drinking water and the debate surrounding energy use is a controversial one and has been gaining notoriety. The arrival of Promised Land will inevitably bring that debate to the awareness of even more American citizens.
In an interview with Reuters, though Damon was not prepared to weigh in on either side of the environmental debate. "The point is that the movie should start a conversation. It's certainly not a pro-fracking movie, but we didn't want to tell people what to think.” Damon also said that whilst the issue of fracking was at the centre of the story. “It wasn't that we said we wanted to make a movie about 'fracking' as much as we wanted to make a movie about American identity, about real people. We wanted to make a movie about the country today, where we came from, where we are and where we are headed.”
Continue reading: Is Promised Land Political? Matt Damon Won't Weigh In On Fracking Debate
Steve Butler is a successful businessman as part of a natural gas company who wishes to close down failing farming communities in order to obtain resources. He and his business partner Sue Thomason go to visit a particular town that is suffering a lot in the economic crisis in the hope that it will be easy to get drilling rights for the farmers' land in order to gain important resources through hydraulic fracturing, more commonly known as 'fracking'. Things do seem easy at first, with his proposition providing some hope of economic relief for many members of the community, however he is soon challenged when a highly regarded teacher from the school and a determined grassroots campaigner object to the proposal and go about trying to get the rest of the town to vote against it.
'Promised Land' is a particularly appropriate film for the current economic climate and raises important issues that are of real concern to many. It has been directed by Gus Van Sant ('Good Will Hunting', 'Milk', 'Paris, je t'aime'), written by the movie's stars John Krasinski and Oscar winner Matt Damon (writer of 'Good Will Hunting') and based on a story by Dave Eggers ('Away We Go', 'Where the Wild Things Are') and is set to hit screens in the UK next year on April 19th 2013.
Directed by: Gus Van Sant
Continue: Promised Land Trailer
Instead of developing the characters or situations for comedy gold, the filmmakers instead just crank up the chaos. So while some scenes are both funny and visually impressive, this second sequel is simply too inane to make us hope there will be a part 4. Very young kids may be distracted by the hectic pacing and hyperactive characters, but everyone else will quickly be bored by the nonstop mayhem, simply because there's nothing interesting going on.
Anxious lion Alex (Stiller), chatty zebra Marty (Rock), nerdy giraffe Melman (Schwimmer) and silly hippo Gloria (Smith) are living a Lion King-style existence in Africa, although their only hope for escape has just flown away. Namely, the brainy penguins and their monkey assistants. So our heroes follow them to Monaco, where they all end up on the run from the notorious animal control agent Dubois (McDormand). They run straight into a failing circus, which they set out to bring back to its glory days so they can catch the eye of an American promoter and go home to New York. To do this means working with the current circus acts: sultry cheetah Gia (Chastain), dorky sea lion Stefano (Short) and tetchy tiger Vitaly (Cranston).
The circus premise lets the filmmakers have a lot of visual fun with the characters, most notably in a riotously colourful Cirque du Soleil-on-acid performance in London. But the plot makes no sense at all (if they can get to Monaco, surely they could get to New York, right?), and there are so many new characters that the central quartet feels almost sidelined. Especially since they've also wedged in an under-developed romance for the lemur king (Baron Cohen). Yes, it's all over the place, and being busy is not the same thing as being clever or funny.
Continue reading: Madagascar 3: Europe's Most Wanted Review
Date of birth
23rd June, 1957
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