The only thing I remembered about seeing Krzysztof Kieslowski's Blue -- the first part of his Three Colors trilogy (see also White, Red) -- is that it put me to sleep right at the 40-minute mark.

Watched again with a more mature and critical eye nearly 10 years later I didn't nod off, but impatient types will find the film slow and difficult, and to some extent, that's what Kieslowski wanted. Based on the colors and ideals of the French flag, Blue focuses on the idea of "liberty," though not in any political sense. Rather, the film tells a deeply personal story of loss and salvation, Juliette Binoche owning the lead as a woman whose husband and daughter are suddenly killed in a car wreck. Binoche's Julie then tries to piece her life back together -- not by visiting the past, but by creating a new future for herself, free from the trappings of yesterday. But of course, it's the past that refuses to let go, as old acquintances track her down and untold truths begin to surface.

Continue reading: Blue (Trois Couleurs: Bleu) Review