Flora Robson

Flora Robson

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Black Narcissus Review


Very Good
Widely hailed as one of the most beautiful films ever shot, Black Narcissus is a strange tale of Anglican nuns who establish a convent in an extremely remote region of the Himalayas. Obviously not a great idea, but weird locals, altitude sickness, and sketchy personal pasts all conspire against the gals. To be sure, the cinematography of Narcissus -- notably an ending that must have stuck in Hitchcock's mind for decades -- is to die for, utterly pioneering for its time and deserving of its two Academy Awards (art direction and cinematography), but its story has never totally grabbed me. Sure, women of the cloth might have demons in their pasts. Doesn't everyone? The ending is chilling, but the subplots fall flat, including two about a local wild-woman and a studious boy who wants to learn everything there is to know. Should've stuck to those crazy nuns.

The Sea Hawk Review


Good
Captain Blood's Errol Flynn hits the high seas again in this overstuffed historical epic. The film careens from the water (as Flynn's Captain Thorpe plays pirate against the Spanish galleons of the Elizabethan era) to the royal drawing rooms (as Thorpe raises the ire of Queen Elizabeth (Flora Robson)). Meanwhile, he's in love with a Spanish lady from one of the ships (Brenda Marshall) and he tries to woo her while avoiding capture.

The sea adventure is fantastic (two life-size ships were constructed specifically for the film) but frankly I could have used far less parlor rooming in the picture -- especially because Robson is so difficult to believe as Elizabeth, despite the severe hairdo. Flynn -- in his 10th collaboration with director Michael Curtiz -- acquits himself just fine, though perhaps he should have taken his sword to the overblown script as well as the Spaniards.

Continue reading: The Sea Hawk Review

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Flora Robson Movies

The Sea Hawk Movie Review

The Sea Hawk Movie Review

Captain Blood's Errol Flynn hits the high seas again in this overstuffed historical epic. The...

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