Flea had to sign Metallica merch when the band were over in Belarus.
Red Hot Chili Peppers bassist Flea was stopped at customs and forced to sign Metallica merchandise after a mix-up at an airport in Belarus over the weekend. Despite the fact that he tried to insist he wasn't in Metallica, he still had to go along with the customs officials' mistake.
Flea looks nothing like Metallica bassist Robert Trujillo
Flea posted a shot of himself signing his name on some Metallica CDs, DVDs and posters on Instagram after he and the rest of Red Hot Chili Peppers failed to convince staff at a Belarus airport that they weren't the heavy metal band they were accused of being. Luckily, Flea didn't mind too much given that he's a Metallica superfan himself, but that must've been a weird day for the rockers nonetheless.
Continue reading: Red Hot Chili Peppers Had To Pretend To Be Metallica At Airport Customs
The frontman was said to be suffering from extreme stomach pain.
Red Hot Chili Peppers were forced to pull out of their headlining slot at KROQ's annual Weenie Roast on May 14, just hours before they were due to take the stage, after frontman Anthony Kiedis was sent to an area hospital.
Red Hot Chili Peppers were forced to miss their appearance at the KROQ Weenie Roast after Anthony Kiedis was hospitalised.
According to Billboard, a rep for KROQ, a Los Angeles radio station, said the singer was taken from the venue in an ambulance after suffering from extreme stomach pain. However the exact nature of the problem is unknown at this time.
The record is produced by Danger Mouse and is released on June 17th, preceded by new single 'Dark Necessities' out now.
Red Hot Chili Peppers have revealed details of their first new album in five years, announcing that their eleventh album The Getaway will be released on June 17th.
It’s their first album since 2011’s I’m With You, and is produced by Danger Mouse (aka. Brian Burton) and mixed by Radiohead collaborator Nigel Godrich. Fans have noted that it’s therefore the first Chili Peppers album since 1989’s Mother’s Milk not to have been produced by Rick Rubin.
Fans had been awaiting the prospect of new material for many months, ever since the band were confirmed as one of the headliners of T In The Park and Reading and Leeds Festival this year.
Continue reading: Red Hot Chili Peppers Announce New Album 'The Getaway'
Bob Forrest was at the height of the sex, drugs and rock 'n' roll era of the eighties as he toured the States with his punk rock band Thelonious Monster, taking in every narcotic that became available to him. He took so many drugs and consumed so much alcohol that he became a shadow of his former self, unable to stay stood up on stage, regularly falling unconscious and frequently causing a scene wherever he happened to venture. He went to more than 20 rehabilitation clinics over 9 years to try and get clean while struggling to be around for his son Elijah, until he managed to pull through and turn his life around forever. He is now one of the most sought after and influential drug counsellors in America who has help the likes of so many big musicians transform their lives including Hole's Courtney Love and Red Hot Chili Peppers' Anthony Kiedis.
Continue: Bob And The Monster Trailer
Radiohead front man's been riding the waves...
In an interview with The Observer, the Radiohead front man, whose Atoms For Peace project released debut LP AMOK today (February 25, 2013), revealed that he’d been taking surfing lessons from bassist Flea – who also plays in the Red Hot Chili Peppers. "I used always to try to force things, in the studio,” Yorke said, comparing his music with his new found interest in surfing. “But it's like, you can sit out there on a board for ages waiting for the right wave to come along. You can't get angry about it. You know it will happen eventually and you start to understand the waiting itself might be part of it. Part of the fun."
Atoms For Peace streamed their album AMOK last week on their official site amid rumors that it had been leaked already, while Yorke and Godrich have since played in London (February 22, 2013) in order to launch the record officially. In the same interview, Yorke revealed that the idea to get an album together under the Atoms For Peace moniker came about in the wake of several US shows in support of his 2006 solo album The Eraser. "I had these very small ideas," Yorke said, "just beats mostly. And we just played off them for about three days solid."
Continue reading: Flea Gives Thom Yorke Surfing Lessons
Radiohead front man's new super group release their first album today
Much as My Bloody Valentine did by dropping their latest album at a couple of days notice, so Thom Yorke’s Atoms For Peace have sent the music press scurrying to desperately make their opinion public first, in light of the release of their debut album together, AMOK.
Atoms For Peace, which includes Radiohead front man Thom Yorke, as well as producer Nigel Godrich and Red Hot Chili Peppers bassist Flea, among others, streamed their album for a limited time on their official site last week ahead of its official release today (February 25, 2013), following reports that it had been leaked onto the internet, and the group have since played their first show in it's support – appearing in London last Friday (February 22, 2013). But what do the critics think of the LP? Opinion seems divided; Uncut magazine couldn’t be more effusive in their praise, writing “A team of skilled journeymen falling in behind an enigmatic guru and his ominous yet often curiously groovy vision.” Clash Magazine back that up, claiming “Amok provides a murky and complicated landscape that sounds like very little else - except the scorched testing ground from which we’ll witness Yorke deservedly going atomic once again.”
However, The Daily Telegraph aren’t so convinced; they say “Yorke seems to have become increasingly conflicted about the very idea of communication, his fondness for cliché indicating a tendency towards self-sabotage.” Their sentiments are backed up by Pitchfork, who write “No doubt these songs will go down a storm in a live setting. But, given the caliber of players Yorke has on hand this time around, it's disappointing that we still have to make that assumption.” Among the chances that Atoms For Peace have to convince live include Melt Festival in Germany, where they’ve recently been confirmed as headliners for the weekend of July 19-21st.
Sebring spent 11 years filming Smith, from her Gone Again comeback album after leaving music behind to raise a family (husband Fred Sonic Smith and two children Jackson and Jesse) in a home in Detroit up to a few years ago, where she is seen raging against the criminal acts of George W. Bush. The center point of the film is a cluttered room filled with memorabilia from Smith's life, the room getting more and more cluttered with detritus (like the cover of Bringing It All Back Home) as the years and the film wear on and she comments on her life and times.
Continue reading: Patti Smith: Dream Of Life Review
Though punk was a reaction to the safe, staid, cash-register mentality of the '70s arena-sized music scene, it found itself all too quickly co-opted into the industry. Groups like the Sex Pistols disintegrated, The Clash morphed into an adventurous roots-rock, pseudo-ska outfit that started playing radio-friendly hits in arena gigs of their own, and The Ramones, well, they just stayed doing what they always did, never more or less popular than when they started. When the 1980s dawned, music seemed just as escapist as ever, only now many of the outfits were New Wave, punk's bastard offspring, retaining some of the adventurous musicality and edgy fashion sense but little if any of the antiestablishment anger. With a clenched-fist conservative like Reagan in charge, and a mainstream culture just as lobotomized as that of the previous decade, American punks realized there wasn't going to be another Clash coming around, and if they wanted more music of its raging ilk, they'd have to create it on their own. Enter hardcore.
Continue reading: American Hardcore Review
Sadly, producer, director, and "experiencer" Arquette did exactly one thing well: the title. All We Are Saying is appropriately a dull, bloated gab marathon. And since she didn't clear the featured artists' music for the movie, it's all talk, no song, not even a few bars from a stage performance. Imagine The Aristocrats without the joke, stretched out over 105 minutes.
Continue reading: All We Are Saying Review
Tim Irwin's smart, funny, and affecting documentary about the band makes no great claims about the Minutemen's genius -- in fact, he leaves ample room for numerous scenesters at the time who scratched their heads at the group's look and sound. Instead he concentrates on the close friendship between Boon and Watt, childhood friends who put together a punk band not so much because they loved the Ramones or the Clash but because they loved the idea of creating their own culture out of whole cloth. They were comically naïve at first, thinking that basic stuff like tuning wasn't essential; some guitarists liked their strings "loose," they figured, while others preferred them "tight." But soon enough they'd invented a spiky, insistent sound that packed a surprising amount of movement into very brief tunes with provocative titles like "Little Man With a Gun in His Hand," "Bob Dylan Wrote Propaganda Songs," and "Jesus and Tequila." (Most listeners figured they were called the Minutemen because their songs often clocked in at under 60 seconds, though Watt debunks that notion in the film.)
Continue reading: We Jam Econo: The Story Of The Minutemen Review
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