Tracie Thoms, Sam Rockwell, Fisher Stevens, Mickey Sumner, Billy Crudup, Eddie Kaye Thomas, Zosia Mamet, Gina Gershon, Emmanuelle Chriqui, Rosie Perez and Jack McBrayer - Tracie Thoms, Sam Rockwell, Fisher Stevens, Mickey Sumner, Billy Crudup, Eddie Kaye Thomas, Zosia Mamet, Gina Gershon, Emmanuelle Chriqui, Rosie Perez and Jack McBrayer Tuesday 13th November 2012 Curtain Call for Mont Blancs 12th Annual production of The 24 Hour Plays, a benefit for Urban Arts Partnership, held at the American Airlines Theatre.
Doc is lifelong criminal who goes to meet his best friend Val when he leaves prison following a long sentence, but little does Val know that his crime companion has been forced to kill him by his crook boss Hirsch. It doesn't take him long to realise, however, with Doc's sheepish presence constantly giving him away. The pair decide to enjoy themselves in the only ways they know how; theft, drugs and alcohol, before the time comes when Doc has to do the deed to save his own life. As the time draws nearer, he pleads with Hirsch for mercy, unwilling to shoot dead his best and only friend while Val repents for his sins in confession for the first time in 60 years in a bid to make his peace with God before he dies.
This crime comedy highlights friendship, unbreakable promises and sin as the main themes played out by a star-studded main cast. It has been directed by the Oscar winning actor Fisher Stevens in his second feature film after his 'Just a Kiss', and written by Noah Haidle in his first full length feature film and Dave Weasel his first ever feature film. It is set for release in the US on January 11th 2013.
Starring: Al Pacino, Christopher Walken, Alan Arkin, Julianna Margulies, Mark Margolis, Katheryn Winnick, Vanessa Ferlito, Addison Timlin, Bill Burr, Rick Gomez, Weronika Rosati, Eric Etebari, Courtney Galiano, Yorgo Constantine & Brandon Scott.
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Fisher Stevens, Liev Schreiber and Naomi Watts - Fisher Stevens, Naomi Watts, Liev Schreiber Sag Harbor, New York - Bay Street Theatre celebrates Rock The Dock summer gala on Long Wharf in Sag Harbor Saturday 16th July 2011
Ric O'Barry is the man who caught and trained the dolphins for the 1960s TV series Flipper. And when one of them committed suicide due to the stress of captivity, he dedicated his life to freeing dolphins. As he explains, these are sentient beings whose social structures and playful natures are destroyed by being held in tanks. And over the years his attention has focussed on the town of Taiji, Japan, where many of the world's trained dolphins are caught. But even worse, the dolphins that don't make the cut are taken into a cove and pointlessly slaughtered.
Continue reading: The Cove Review
You can thank Short Circuit for all of this. Massively successful and influential in its era, it's a story of an evil military corporation vs. one man. Or rather, one robot who thinks he's a man: The now-infamous Number 5.
Continue reading: Short Circuit Review
Fired! sounds like a decent enough idea: After being fired from a Woody Allen play (poor baby!), Gurwitch found herself despairing to the point where she had to write a book about it. I guess if Woody Allen said my acting was on par with being "retarded," I'd be bummed too.
Continue reading: Fired! Review
And kudos to Once in a Lifetime for jogging my memory about one of the most peculiar eras in pro sports. For a few short years, pro soccer teams were selling out some of the largest venues in America: 75,000 would turn out to watch the New York Cosmos (with superstar Pelé at the helm) kick a little white ball around on a giant field of grass. By comparison, the most popular team in baseball, the New York Yankees, currently draw about 52,000 people to see each game.
And so we come to the strange, sad, and rather crass case of Sam the Man, a creepy and just plain wrong romantic dramedy that's got no romance, few laughs, minimal drama, and a parade of hateful characters. Wrap them up in a cheap, out-of-focus, underlit, and inaudible package shot on cheap digital video, and the recipe for disaster is complete. Microwave on high for three minutes.
Continue reading: Sam The Man Review
Haphazardly slapped together without an original bone in its anorexic frame, the film stars Brittany Murphy as Molly Gunn, daughter of a late rock icon. Since day one, Molly has been living like a pig in you-know-what off her father's royalties. One day, though, her accountant bolts for South America with all of her savings, forcing our intrepid heroine to climb down from her pedestal and find a paying job.
Continue reading: Uptown Girls Review
Benjamin Bratt is provocative in the role of Miguel Piñero, the troubled and disillusioned force behind the notable work Short Eyes, produced during one of Piñero's incarceration stints in the mid '70s. Bratt effectively exudes the pain and anger that transcends some posturing material, with a portrayal as lyrical as the throbbing beat of the movie's Latin-induced soundtrack. While the propensity for audiences to get caught up in Piñero's wayward world of instability is almost inevitable, the movie follows an uncharted path by trying to reinforce the demons without really being perceptive about Piñero's undeniable skill as a writer. The cliché about creative minds who become consumed by their art is almost a manipulation here. The film is valiant in the way it strides for that redemptive note as it tries to make us accept (and understand) his premature death of cirrhosis in 1988.
Continue reading: Piñero Review
This underwhelming romantic drama set against the backdrop of L.A.'s rock music scene doesn't break that rule. Oddly enough, what dooms the movie is its strict adherence to two overused story tactics, "a star is made; a star is destroyed" and "the missed opportunity" romance. Predictably, the results are not pleasant and ushers nationwide will have an easy time cleaning gum and cola off the floors.
Continue reading: Undiscovered Review
He's a sexy young struggling musician who never has to struggle. She's an aimless young model who wants to be an actress but never goes on auditions. Apparently, they're meant for each other, but just too stupid, young and shallow to let it happen without a lot of soap-operatic fuss.
So can somebody please tell me why we're supposed to care about these one-dimensional MTV-spawned caricatures in "Undiscovered"? Writer John Galt and director Meiert Avis sure haven't offered any clues.
Hunky, pouty Luke (Steven Strait, "Sky High") and boney, peppy Brier (Pell James) dance around each other through the whole picture, but he's busy trolling around with vapid models as his star rises during pedestrian music-video montage sequences, and she refuses to date any more musicians, having been recently suckered by a transparently scummy British rock star from Central Casting.
Continue reading: Undiscovered Review
It's difficult to make yourself care who wins the big fight in the prison boxing B-movie "Undisputed." Should you root for Wesley Snipes as the former pro pug who beat his girlfriend's "other man" to death with his bare hands? Or should you root for Ving Rhames as the arrogant, angry world heavyweight champion, freshly stripped of his title and locked up after being convicted of rape?
The whole movie is little more than a slow build-up to their cage-match-style bout behind bars and razor wire in the last 10 minutes, so pick a horse -- if you can. Snipes spends most of the picture off-screen, locked in solitary confinement, gluing together a popsicle stick pagoda. So all we know about him is that he says he always keeps his cool (except, of course, for that one time he killed a man) and that he's been the champ of the underground big house boxing league (run by inmate mafioso Peter Falk) since he was sent up for life 10 years ago.
Meanwhile, new arrival Rhames spends the movie blustering around the prison yard, bullying everyone from the cell block sissy to prison gang leaders to the spineless warden.
Continue reading: Undisputed Review
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