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Hail, Caesar! Trailer

Eddie Mannix is a fixer who works in Hollywood where he tames celebrities and keeps theirs, and movie studios', secrets out of the press - no matter how big the story. It's not the easiest job in the world, and it's certainly not always the most morally fulfilling, but it's about to get a whole lot harder when one studio, Capitol Pictures, presents him with a major problem the likes of which could be career destroying. They're working on a huge production epic entitled 'Hail, Caesar!' starring Hollywood sensation Baird Whitlock, but things go particularly awry when he is kidnapped and held for ransom by a mysterious group known only as The Future. They want $100,000, and after 24 hours, the studio aren't looking any more hopeful. Mannix enlists a feisty and beautiful female star to procure the money, while Whitlook finds himself in a most unusual situation.

Continue: Hail, Caesar! Trailer

Celebrities Attend The Semi-finals Of The 2015 Tennis U.S. Open

Fisher Stevens , Griffin Dunne - Celebrities attend the Semi-finals of the 2015 Tennis U.S. Open at the USTA Billie Jean King National Tennis Center at Billy Jean King National Tennis Center - New York City, New York, United States - Friday 11th September 2015

Fisher Stevens and Griffin Dunne

New York Premiere Of 'Magic In The Moonlight'

Harley Viera-Newton - New York premiere of 'Magic In The Moonlight' at The Paris Theatre - Arrivals - New York, United States - Friday 18th July 2014

Harley Viera-Newton

Celebrities At Chiltern Firehouse In Marylebone

Fisher Stevens - Celebrities at Chiltern Firehouse in Marylebone - London, United Kingdom - Friday 27th June 2014

Fisher Stevens
Fisher Stevens
Fisher Stevens
Fisher Stevens

64th Berlin International Film Festival

John Hurt - 64th Berlin International Film Festival - Opening Night - Berlin, Germany - Thursday 6th February 2014

Premiere Of 'Revolution: The Power Of Entertainment'

Fisher Stevens - Premiere of 'Revolution: The Power of Entertainment' Season 2 at the United Nations Headquarters - New York, NY, United States - Tuesday 17th September 2013

Fisher Stevens
Fisher Stevens

Movie 43 Review


A collection of random shorts that focus mainly on idiotic male behaviour, this portmanteau comedy is only occasionally amusing, never making anything of its astonishing cast. Frankly, we spend most of the time wondering how the filmmakers lured these A-listers to appear in these pointless, nasty little films. And while the premises have potential, not a single one has a decent punchline.

As a prank, two teens make up a banned online film called Movie 43. While their brainly little brother searches for it, he runs across a series of clips that mainly focus on awkward vulgarity between the sexes. Bitter exes (Culkin and Stone) have a rude exchange that's broadcast on a supermarket sound system. Pratt is shocked when his girlfriend (Faris) asks him to "poop" on her, and agrees because he loves her. Parents (Watts and Schreiber) homeschool their teen son (White) with the goal of showing him how excruciating life will be. Two pals (Scott and Knoxville) kidnap a leprechaun (Butler) who's reluctant to give them his gold. And a 1950s basketball coach (Howard) tries to convince his players that they're winners because they're black.

Others are dating scenarios: Winslet goes on a blind date with a guy (Jackman) who has testicles on his neck; Berry and Merchant play an increasingly deranged game of Truth or Dare in a Mexican restaurant; a pre-teen (Bennett) can't cope when his young date (Moretz) has her first period; Batman (Sudeikis) messes up Robin's (Long) attempt at speed-dating; Banks struggles to cope with her new boyfriend's (Duhamel) obsessive cartoon cat. There are also a few random advert spoofs, including one for the naked-woman shaped iBabe, which leads to trouble for the company CEO (Gere).

Continue reading: Movie 43 Review

Stand Up Guys - Trailer Trailer

Doc is lifelong criminal who goes to meet his best friend Val when he leaves prison following a long sentence, but little does Val know that his crime companion has been forced to kill him by his crook boss Hirsch. It doesn't take him long to realise, however, with Doc's sheepish presence constantly giving him away. The pair decide to enjoy themselves in the only ways they know how; theft, drugs and alcohol, before the time comes when Doc has to do the deed to save his own life. As the time draws nearer, he pleads with Hirsch for mercy, unwilling to shoot dead his best and only friend while Val repents for his sins in confession for the first time in 60 years in a bid to make his peace with God before he dies.

This crime comedy highlights friendship, unbreakable promises and sin as the main themes played out by a star-studded main cast. It has been directed by the Oscar winning actor Fisher Stevens in his second feature film after his 'Just a Kiss', and written by Noah Haidle in his first full length feature film and Dave Weasel his first ever feature film. It is set for release in the US on January 11th 2013.

Starring: Al Pacino, Christopher Walken, Alan Arkin, Julianna Margulies, Mark Margolis, Katheryn Winnick, Vanessa Ferlito, Addison Timlin, Bill Burr, Rick Gomez, Weronika Rosati, Eric Etebari, Courtney Galiano, Yorgo Constantine & Brandon Scott.

Continue: Stand Up Guys - Trailer Trailer

Henry's Crime Review

This sleepy comedy is surprisingly entertaining as its plot twists and turns along the way, combining a bank heist with a romance. And rather a lot of Chekhov too. But it's the likeable cast that makes it worth seeing.

Henry (Reeves) is just drifting through life with his wife Debbie (Greer) when his old school friend Eddie (Stevens) leaves him to take the fall for a bank robbery Henry knew nothing about. His life in prison isn't much worse than outside, and his new friend Max (Caan) makes up for the fact that Debbie runs off with one of the robbers (Hoch). And when he gets out a year or so later, Henry decides that since he's done the time, he might as well do the crime.

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The Cove Review

Funded by the Oceanic Preservation Society, this film virtually creates a new genre: the horror doc. It's a gripping and compelling film about something utterly unthinkable. And it makes a superb companion piece to the milder (but no less important) The End of the Line.

Ric O'Barry is the man who caught and trained the dolphins for the 1960s TV series Flipper. And when one of them committed suicide due to the stress of captivity, he dedicated his life to freeing dolphins. As he explains, these are sentient beings whose social structures and playful natures are destroyed by being held in tanks. And over the years his attention has focussed on the town of Taiji, Japan, where many of the world's trained dolphins are caught. But even worse, the dolphins that don't make the cut are taken into a cove and pointlessly slaughtered.

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Short Circuit Review

I am sure that, back in the mid-1980s, I wasn't alone in believing that we were just a lightning strike away from a robot becoming sentient. I probably wasn't alone in believing Fisher Stevens was a native-born Indian, too, but that's another matter.

You can thank Short Circuit for all of this. Massively successful and influential in its era, it's a story of an evil military corporation vs. one man. Or rather, one robot who thinks he's a man: The now-infamous Number 5.

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Awake Review

Surprising, really, that "anesthetic awareness" -- helpless, immobile and, it should be noted, very rare consciousness during surgery -- hasn't been explored in a thriller before. Or maybe it has and I don't remember; that would explain why Awake sounds so novel but feels so familiar. In Joby Harold's film, young millionaire Clay Beresford (Hayden Christensen) is undergoing a risky heart transplant operation when he realizes the anesthetic isn't working as it should -- he is completely and silently paralyzed, but continues to hear and feel everything around him. If the movie wanted to top itself, it could find a way for Christensen to transfer immediately from anesthetic awareness into catalepsy, and maybe knock off Poe's "Premature Burial." Unfortunately and despite its killer gimmick, Awake isn't consumed with that kind of B-movie zeal.

Clay, like so many men before him, tries to block out the pain by intense concentration on thoughts of Jessica Alba (playing his girlfriend Sam -- though oddly enough, Clay's strongest memories reveal nothing more explicit than Alba's demurely exposed back). His focus breaks down when he overhears some, shall we say, less than reassuring words from his doctors, and from there a trapped Clay races against time, desperately attempting to alert Sam and/or his possessive mother (Lena Olin) of the danger he's in.

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Fired! Review

My wife put it pretty aptly when we were watching Fired!: Annabelle Gurwitch must think getting fired is a whole lot more interesting than it really is.

Fired! sounds like a decent enough idea: After being fired from a Woody Allen play (poor baby!), Gurwitch found herself despairing to the point where she had to write a book about it. I guess if Woody Allen said my acting was on par with being "retarded," I'd be bummed too.

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Crazy Love Review

The eyeglasses are horrible. As is the hair. She's loud, and her painted-on eyebrows twitch while she's nattering away at the camera, stopping only to light one of the lady-long cigarettes she chain smokes. You see pictures of her from the old days in the 1950s, when she was a dark-haired, buxom dish from the Bronx in chest-hugging sweaters, and it's hard to reconcile those images and the ones you're seeing in uncomfortable close-up, talking about the old days. She's bristling and unapologetic, the kind of woman who would yell at you (actually yell) in the supermarket for getting in her way. Her relatives and friends who are brought on to talk about her whirlwind romance and the tragedy that stopped it, at least for a few years, are just as brassy. The pure definition of broads. All of which makes it even more of a shock when you realize that she's not wearing the sunglasses for effect, but because she's blind. Not only that, she was blinded. By the man who supposedly loved her. Who she then married. And is still married to today.

Co-directors Dan Klores and Fisher Stevens' reserved and respectful yet utterly transfixing documentary Crazy Love documents the decades-long odyssey that was the tortured relationship of Linda Riis and Burt Pugach, a couple of Bronx kids who indulged in what may have been the perfect tabloid relationship. Perfect for the tabloids, at least. Burt was ten years older than Linda, and already a gadfly-about-New York in 1957 when he met the 20-year-old Linda. A good girl with a reputation for being a tease, Linda was immediately taken with Burt, who, despite his nebbish appearance was a wealthy, womanizing, hotshot lawyer specializing in negligence cases (less charitable souls would characterize him as an ambulance chaser) who ran his own nightclub and frequented many others, always in a hot car and usually with an adoring Linda on his arm.

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Once In A Lifetime: The Extraordinary Story Of The New York Cosmos Review

Like most people, I couldn't care less about professional soccer, but the U.S. in the 1970s is a wholly different story. Hell, from the exhorbitant length of the title of Once in a Lifetime: The Extraordinary Story of the New York Cosmos alone you can tell that this particular era in soccer history really resonated.

And kudos to Once in a Lifetime for jogging my memory about one of the most peculiar eras in pro sports. For a few short years, pro soccer teams were selling out some of the largest venues in America: 75,000 would turn out to watch the New York Cosmos (with superstar Pelé at the helm) kick a little white ball around on a giant field of grass. By comparison, the most popular team in baseball, the New York Yankees, currently draw about 52,000 people to see each game.

Continue reading: Once In A Lifetime: The Extraordinary Story Of The New York Cosmos Review

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