Virgin Suicides

"Good"

Virgin Suicides Review


Whether it's a skill learned hanging around the sets ofher father's movies or something in the family blood, SofiaCoppola has definitely inherited a distinguishable talent as a filmmaker.

"The Virgin Suicides" -- her moody, dark andwhimsical first feature from behind the camera -- is a mesmerizing andaccomplished directorial debut about an enigmatic quintet of innocentlyseductive teenage sisters who all kill themselves in the course of onemonth in the mid-1970s.

The story was adapted by Coppola herself from a best-sellerby Jeffrey Eugenides, and is curiously told from the perspective of a handfulof neighborhood boys, smitten and spellbound by the girls as teenagersand still haunted by their inexplicable deaths 25 years later.

Wholesomely beautiful Kirsten Dunst ( "Dick," "DropDead Gorgeous"), an astoundingly unaffectedyoung actress with an intrinsic understanding of her sweetness and buddingsexuality, stars as Lux Libson, the middle sister whose quiet rebelliousstreak makes her the center of the boys' attention.

Just learning to test her temptressness, Lux is the kindof girl that teases as part of a giddy, grand experiment in her power overthe opposite sex. She's the leader of the pack when the sisters begin petitioningtheir strict, quirky parents (James Woods and Kathleen Turner, both brilliant)for permission to attend their first ever school dance -- mostly becauseshe's already secured a date with the Trip Fontaine (love that name!),the school's GTO-driving rebel dreamboat played by Josh Hartnett ( "HereOn Earth").

(In a stroke of ingenious casting, Michael Pare -- theback-alley charmer from "Eddie and the Cruisers" and "Streetsof Fire" -- has a cameo as the grown-up Trip, reminiscing about beingbewitched by the Libson sisters.)

But when Lux loses her virginity that night and returnshome way past curfew (the next morning, in fact), their rigid mom and dadreact by pulling the girls out of school completely and locking them awayin the house as part of a misguided attempt to both punish and protect them.

Then, one by one, the sisters begin quietly succumbing to morose and overwhelming feelings of angst and eerie ennui with tragic results.

Coppola demonstrates a confident command of all the elementsof her medium, giving "Virgin Suicides" a consistently dream-likeambiance. She captures perfectly the fondness and bewilderment the girlsinspired in life and especially in death for these mesmerized boys thathave never forgotten them.

Visually, atmospherically, emotionally, she nails the factthat this story is being told as it was remembered, not necessarily asit really was. She deliberately does not depict discernible reasons forthe girls' suicides, yet through her focus on Lux, she paints an indelible,feminine portrait of them. This in addition to their role as enrapturing,idyllic objects of desire and conundrum in the eyes of the narrating boys.

If the movie has one obvious flaw, it is that Lux's sisters(played by Hanna Hall, A.J. Cook, Leslie Hayman and Chelse Swain, youngersibling of "Lolita"star Dominique Swain) amount to little more than extras. Coppola chosewisely to focus on only one Libson girl, but the others get so little screentime that they're utterly interchangeable.

Save that, the captivating, catchy and detail-oriented"Virgin Suicides" is one of the most promising directorial debutsin recent memory, with the ability to cast a spell I have yet to shakethree weeks after seeing the film. Whether it's a skill learned hangingaround the sets of her father's movies or something in the family blood,SofiaCoppola has definitely inherited a distinguishabletalent as a filmmaker.

"The Virgin Suicides" -- her moody, dark andwhimsical first feature from behind the camera -- is a mesmerizing andaccomplished directorial debut about an enigmatic quintet of innocentlyseductive teenage sisters who all kill themselves in the course of onemonth in the mid-1970s.

The story was adapted by Coppola herself from a best-sellerby Jeffrey Eugenides, and is curiously told from the perspective of a handfulof neighborhood boys, smitten and spellbound by the girls as teenagersand still haunted by their inexplicable deaths 25 years later.

Wholesomely beautiful Kirsten Dunst ("Dick,""DropDead Gorgeous"), an astoundingly unaffectedyoung actress with an intrinsic understanding of her sweetness and buddingsexuality, stars as Lux Libson, the middle sister whose quiet rebelliousstreak makes her the center of the boys' attention.

Just learning to test her temptressness, Lux is the kindof girl that teases as part of a giddy, grand experiment in her power overthe opposite sex. She's the leader of the pack when the sisters begin petitioningtheir strict, quirky parents (James Woods and Kathleen Turner, both brilliant)for permission to attend their first ever school dance -- mostly becauseshe's already secured a date with the Trip Fontaine (love that name!),the school's GTO-driving rebel dreamboat played by Josh Hartnett ("HereOn Earth").

(In a stroke of ingenious casting, Michael Pare -- theback-alley charmer from "Eddie and the Cruisers" and "Streetsof Fire" -- has a cameo as the grown-up Trip, reminiscing about beingbewitched by the Libson sisters.)

But when Lux loses her virginity that night and returnshome way past curfew (the next morning, in fact), their rigid mom and dadreact by pulling the girls out of school completely and locking them awayin the house as part of a misguided attempt to both punish and protectthem.

Then, one by one, the sisters begin quietly succumbingto morose and overwhelming feelings of angst and eerie ennui with tragicresults.

Coppola demonstrates a confident command of all the elementsof her medium, giving "Virgin Suicides" a consistently dream-likeambiance. She captures perfectly the fondness and bewilderment the girlsinspired in life and especially in death for these mesmerized boys thathave never forgotten them.

Visually, atmospherically, emotionally, she nails the factthat this story is being told as it was remembered, not necessarily asit really was. She deliberately does not depict discernible reasons forthe girls' suicides, yet through her focus on Lux, she paints an indelible,feminine portrait of them. This in addition to their role as enrapturing,idyllic objects of desire and conundrum in the eyes of the narrating boys.

If the movie has one obvious flaw, it is that Lux's sisters(played by Hanna Hall, A.J. Cook, Leslie Hayman and Chelse Swain, youngersibling of "Lolita" star Dominique Swain) amount to little more than extras. Coppola chosewisely to focus on only one Libson girl, but the others get so little screentime that they're utterly interchangeable.

Save that, the captivating, catchy and detail-oriented"Virgin Suicides" is one of the most promising directorial debutsin recent memory, with the ability to cast a spell I have yet to shakethree weeks after seeing the film.



Facts and Figures

Run time: 45 mins

In Theaters: Thursday 13th September 2012

Box Office Worldwide: $10.4M

Budget: $6M

Production compaines: American Zoetrope

Reviews

Contactmusic.com: 3 / 5

IMDB: 8.3 / 10

Cast & Crew

Director:

Starring: as Lux Lisbon, as Mr. Lisbon, as Mrs. Lisbon, as Trip Fontaine, as Mary Lisbon, as Therese Lisbon, as Bonnie Lisbon, Anthony DeSimone as Chase Buell, as Father Moody, as Dr. Horniker, Lee Kagan as David Barker, as Paul Baldino, as Tim Weiner, as Joe Hill Conley, as Narrator, as Cecilia Lisbon, as Dominic Palazzolo

Contactmusic


Links



Advertisement

New Movies

Murder on the Orient Express Movie Review

Murder on the Orient Express Movie Review

The latest adaptation of Agatha Christie's 83-year-old classic whodunit, this lavish, star-studded film is old-style...

Paddington 2 Movie Review

Paddington 2 Movie Review

The first Paddington movie in 2014 is already such a beloved classic that it's hard...

A Bad Moms Christmas Movie Review

A Bad Moms Christmas Movie Review

Everyone's back from last year's undemanding adult comedy, plus some starry new cast members, for...

Brawl in Cell Block 99 Movie Review

Brawl in Cell Block 99 Movie Review

Filmmaker S. Craig Zahler brought a blast of offbeat creativity to the Western genre two...

The Death of Stalin Movie Review

The Death of Stalin Movie Review

Fans of the film In the Loop and the TV series Veep will definitely not...

Call Me By Your Name Movie Review

Call Me By Your Name Movie Review

Set in northern Italy in the summer of 1983, this internationally flavoured drama is a...

Thor: Ragnarok Movie Review

Thor: Ragnarok Movie Review

The most riotously enjoyable Marvel movie yet, this action epic benefits hugely from the decision...

Advertisement
Breathe Movie Review

Breathe Movie Review

While this biopic has the standard sumptuous production values of a British period drama, it's...

The Snowman Movie Review

The Snowman Movie Review

With a cast and crew packed with A-list talent, this film seems like it should...

The Party Movie Review

The Party Movie Review

Comedies don't get much darker than this pitch-black British movie, written and directed by Sally...

The Meyerowitz Stories (New and Selected) Movie Review

The Meyerowitz Stories (New and Selected) Movie Review

Noah Baumbach (Frances Ha) is on his way to becoming the new Woody Allen, which...

6 Below Movie Review

6 Below Movie Review

Based on an astonishing true survival story, this film is subtitled "Miracle on the Mountain",...

Mother Movie Review

Mother Movie Review

Darren Aronofsky doesn't make fluffy movies, and has only had one genuine misfire (2014's Noah)....

Blade Runner 2049 Movie Review

Blade Runner 2049 Movie Review

It's been 35 years since Ridley Scott's 1982 sci-fi classic, which was set in 2019....

Advertisement
Artists
Actors
    Filmmakers
      Artists
      Bands
        Musicians
          Artists
          Celebrities
             
              Artists
              Interviews
                musicians & bands in the news
                  actors & filmmakers in the news
                    celebrities in the news

                      Go Back in Time using our News archive to see what happened on a particular day in the past.