The Brown Bunny

"Excellent"

The Brown Bunny Review


By all indications, actor/director/musician/man-about-town Vincent Gallo's second full-length feature The Brown Bunny should have collapsed under the weight of its own negative hype. First, there were the reports of unsimulated fellatio between Gallo and fellow scenster Chloë Sevigny. There was the film's noxious reception at Cannes. Then, film critic and Beyond the Valley of the Dolls scribe Roger Ebert named the film the worst movie ever shown at the French fashion show/film festival. Despite this pronouncement, The Brown Bunny went on to win a special critic's prize at the Viennale Film Festival. And a week before the film's U.S. opening -- as Gallo drove a print of the film around the country to host advance screenings -- a billboard company tore down a previously approved advertisement depicting Gallo and Sevigny en flagrante.

How can a director protect 92 minutes of celluloid from such a deluge of distraction? With heart, elegance and respect for his audience; and Gallo does just that.

The Brown Bunny is the story of Bud Clay (Gallo), a professional motorcycle racer facing a long, depressing trip across country after a third-place finish on a New Hampshire racetrack. As Bud points his car west towards his home speedway in Los Angeles, the camera watches him reminisce about his girlfriend Daisy (Chloë Sevigny) and suffer through an array of emotional outbursts. As he moves closer to his destination it becomes increasingly obvious that all is not well in California.

Bud spends most of his travels pursuing standard road trip fare - stopping for the bathroom, having a bite to eat, catching a night's sleep at a hotel, filling up his gas tank. Gallo captures these quotidian events in a mind numbing, matter-of-fact detail that moviegoers will find at odds with the typical summer movie offering.

But along the way Bud has incongruous eruptions of empathy and anguish. Bud's conflicted emotional state leaves him with a sixth sense for suffering. He pathetically pleads for a young gas station employee (Anna Vareschi) to join him on his trip, only to abandon her as she packs her belongings. He catches the eye of a forlorn, middle-aged woman (Cheryl Tiegs) sitting alone at a gas station and engages in a heartbreaking make-out session, then silently withdraws and returns to his journey. He presses a pet store clerk to explain why the brown bunnies for sale can't live longer than five or six years, then storms out of the store.

Gallo plays these scenes with care, articulating a complex emotional state -- saturated with guilt, sadness, anger, confusion -- while subtly driving the story forward by revealing a growing dread as Bud approaches LA. With minimal exposition, Gallo as both director and actor succeeds at building suspense around what is waiting for him at his destination and how it is connected with his roadside interactions. When all is revealed in the film's climactic scene (pun intended), Bud's story concludes with a crushing, if somewhat contrived, revelation.

Gallo's filmmaking heightens Bud's sense of aimlessness and longing though extensive use of long shots. Prolonged stretches of road pass before the camera, broken up only by the occasional, and equally lengthy, picture of Bud driving. Sunlight reflecting off of parked cars washes out many of the daytime scenes. Shots from the driver's perspective are focused to show the bugs and dirt collected on the windshield. Rain falling against a car window creates strange, hypnotic visual undulations and heightens the feeling of confinement and claustrophobia in the car. In other words, Gallo does an amazing job of depicting the lonesome boredom of a long distance road trip.

And this melancholy persists even after the far-from-erotic sexual encounter. Ultimately, we're left with a film not centered on a single shocking scene, but a singular vision of a man's inability to accept responsibility for his own misfortune. And given the sustained noise generated by The Brown Bunny, such a quiet achievement amounts to a resounding success.

More like a pink bunny, but whatever.



The Brown Bunny

Facts and Figures

Run time: 93 mins

In Theaters: Wednesday 7th April 2004

Budget: $10M

Distributed by: Wellspring Media

Production compaines: Kinétique Inc., Vincent Gallo Productions, Wild Bunch

Reviews

Contactmusic.com: 4 / 5

Rotten Tomatoes: 43%
Fresh: 39 Rotten: 51

IMDB: 5.0 / 10

Cast & Crew

Director:

Producer:

Starring: as Bud Clay, as Daisy, as Lilly, as Rose, as Violet, Mary Morasky as Mrs. Lemon

Also starring:

Contactmusic


Links



Advertisement

New Movies

An Inconvenient Sequel: Truth to Power Movie Review

An Inconvenient Sequel: Truth to Power Movie Review

It's been a decade since Al Gore's wake-up-call documentary won the Oscar. And here he...

The Hitman's Bodyguard Movie Review

The Hitman's Bodyguard Movie Review

It really doesn't matter that this movie is utterly ridiculous, because the central pairing of...

Final Portrait Movie Review

Final Portrait Movie Review

A relaxed, amusing true story about noted Swiss painter and sculptor Alberto Giacometti, this sharply...

Tom of Finland Movie Review

Tom of Finland Movie Review

Finnish artist Tuoko Laaksonen used the name "Tom of Finland" as he drew explicit illustrations...

A Ghost Story Movie Review

A Ghost Story Movie Review

Filmmaker David Lowery reunites the stars from his offbeat Western Ain't Them Bodies Saints for...

Atomic Blonde Movie Review

Atomic Blonde Movie Review

From the co-director of John Wick, this similarly styled action romp puts Charlize Theron front...

Girls Trip Movie Review

Girls Trip Movie Review

This movie's premise basically sounds like The Hangover with added black girl power. But it's...

Advertisement
Captain Underpants: The First Epic Movie Movie Review

Captain Underpants: The First Epic Movie Movie Review

There's so much manic energy in this animated action comedy that it can't help but...

The Big Sick Movie Review

The Big Sick Movie Review

It may be rather long for a romantic comedy, but this film has such a...

The Emoji Movie Movie Review

The Emoji Movie Movie Review

There's no reason why this animated comedy adventure needed to be this pointless. Solidly entertaining...

England Is Mine Movie Review

England Is Mine Movie Review

While this is billed as a film about The Smiths' singer-songwriter Morrissey, it's actually an...

Valerian and the City of a Thousand Planets Movie Review

Valerian and the City of a Thousand Planets Movie Review

It's been 20 years since French filmmaker Luc Besson shook up the sci-fi genre with...

Dunkirk Movie Review

Dunkirk Movie Review

Britain's epic 1940 evacuation of Dunkirk has been dramatised on film before, but no one...

Killing Ground Movie Review

Killing Ground Movie Review

From Australia, this dark and edgy thriller is skilfully made by writer-director Damien Power to...

Advertisement
Artists
Actors
    Filmmakers
      Artists
      Bands
        Musicians
          Artists
          Celebrities
             
              Artists
              Interviews
                musicians & bands in the news
                  actors & filmmakers in the news
                    celebrities in the news

                      Go Back in Time using our News archive to see what happened on a particular day in the past.