The most palatable entry since "Wayne's World" in the seemingly unstoppable onslaught of "Saturday Night Live" sketches turned into feature films, "Superstar" is genuinely funny, for a change.
This time the beaten-to-death, three-minute bit stretched to movie length is about "SNL"-er Molly Shannon's terminally dorky catholic school girl Mary Katherine Gallagher, who is desperate for her first kiss and determined to break into showbiz through performing in the campus "Stamp Out Venereal Disease" talent show.
Dumb? Naturally. But director Bruce McCulloch ("Dog Park") -- an alumnus of the Canadian sketch show "Kids In the Hall" -- gives "Superstar" a different comedic sensibility than "A Night at the Roxbury," "Coneheads," and the rest of the "SNL" big screen tripe.
Generous with the kind of childish gags that make you laugh in spite of yourself, the movie is feckless and predictable -- as evidenced by the presence of such cliched characters as the bitch cheerleader (Elaine Hendrix), the dreamboat football player (Will Ferrell) and the sensitive rebel (Harland Williams) -- all played by actors clearly in their 30s. But like "Wayne's World" it also dares to take the road less traveled with off-the-wall pop culture jokes ("Boy in the Plastic Bubble" reference, anyone? How about a Night Ranger song?) and surprisingly raunchy sexual humor (the movie's funniest moment finds Mary Katherine dry-humping a tree).
The plot -- what there is of it -- builds towards the talent show finale, on the way weaving through Mary Katherine's elaborate fantasies (spontaneous dance numbers, visits from god) and an imaginary love triangle in which our hapless, four-eyed heroine steals the football player away from the cheerleader.
But as refreshingly funny as "Superstar" is in relation to its stretched sketch predecessors, the fact remains that the majority of its cast members are extremely limited talents.
Shannon kills, which is no surprise if you've seen her hilarious bit parts in "Roxbury" and the equally unfortunate Drew Barrymore high school flick "Never Been Kissed." So does veteran actress Glynis Johns, playing her over-protective grandmother.
But Ferrell ("SNL," "Roxbury," "Dick") is a one-trick pony whose modus operandi is to over-act to the point of inducing headaches. Ditto, Harland Williams ("Dog Park"). And poor Elaine Hendrix ("The Parent Trap" remake), who has some real ability, looks like she may never get out of her bimbo/gold-digger rut.
I admit to laughing out loud several times during "Superstar," and I might just watch it again when it comes on cable in eight months or so. But is it worth even the price a matinee admission? No way.
Run time: 81 mins
In Theaters: Friday 8th October 1999
Distributed by: Paramount Pictures
Production compaines: SNL Studios
Contactmusic.com: 2 / 5
Rotten Tomatoes: 32%
Fresh: 24 Rotten: 50
IMDB: 5.0 / 10
Director: Bruce McCulloch
Starring: Molly Shannon as Mary Katherine Gallagher, Will Ferrell as Sky Corrigan, Elaine Hendrix as Evian Carrie Graham, Harland Williams as Eric Slater, Tom Green as Dylan Schmultz-Plutzker, Glynis Johns as Grandma, Mark McKinney as Father Ritley, Jason Blicker as Howard, Gerry Bamman as Father John, Emmy Laybourne as Helen, Jennifer Irwin as Maria, Rob Stefaniuk as Thomas, Natalie Radford as Autum, Karyn Dwyer as Summer, Chuck Campbell as Owen, Jack Newman as Mr. Feinstein, Donna Hanover as Mrs. Corrigan, Dan Redican as Freaky Freddy, Joan Massiah as Crucifix Nun, Jean Howell as Moira McDaniels, Mallory Margel as Little Mary, Aidan Kelly as Thornton Gallagher, Jane Moffat as Sister Eileen, Tracy Wright as Sister Anne, Robert Clark as Little Boy Slater, Boyd Banks as Weatherman, Joanna Bennett as Student (uncredited), Spencer Humm as Choral Singer (uncredited), Fraser McGregor as Bike Boy (uncredited), Jonathan Gabriel Robbins as Tom, Whose Dad Is Dead (uncredited), Jason Sehorn as Man in Pink Tutu (uncredited)
Those bright sparks at Pixar have done it again, taking a fiercely original approach to...
Slick direction and meaty performances may be enough for some viewers, but this boxing drama's...
Loose and impressionistic, this beautifully shot film traces the career of a DJ who pioneered...
Without a single moment of originality, this found-footage horror movie really deserves to be the...
An intriguing premise keeps the audience gripped for about 20 minutes before the movie runs...
The increasingly stale Marvel formula gets a blast of fresh air in this rollocking adventure...
An unusually inventive approach brings this story to life, as the filmmakers get into the...
Fans of the surprise 2012 hit Ted will find plenty to love in this sequel,...