Andrew Lloyd Webber's The Phantom Of The Opera

"Terrible"

Andrew Lloyd Webber's The Phantom Of The Opera Review


Andrew Lloyd Webber's musicals are garish, puerile melodramas with all the elegance and sincerity of a Super Bowl halftime show -- and his brash, brassy songs have the depth and nuance of action-movie explosions.

Director Joel Schumacher was responsible for one of the most tawdry, terribly cliché-riddled action-movie bombs in Hollywood history -- 1997's "Batman and Robin."

When this pair teamed up to bring Webber's "The Phantom of the Opera" to the big screen, it was a match made in hell.

A film of gross overacting and overproduced grandeur, yet one without a scrap of digestible character, "Phantom" opens with young and lovely understudy soprano Christine Daae (Emmy Rossum, "The Day After Tomorrow") already under the spell of an obsessed, half-handsome, half-disfigured psycho who lives underneath the most grandiose opera house in 1889 Paris.

Although she's never seen the Phantom (Gerard Butler), over the years she's been in the chorus he has secretly taught her, night after night in the bowels of the building, to "Sing my angel! Sing for meeeeee!" So when the joint's conspicuously talentless, tantrum-throwing Italian diva (Minnie Driver) refuses to perform one night, Christine takes her place, setting in motion a string of events that lead to the girl's star rising and the Phantom's jealousy boiling.

With no story arc to speak of, the characters are left to wander in and out of loosely connected set pieces: Christine gets engaged to a vanilla viscount (Patrick Wilson) with the expressionless stage presence of a rag doll. The theater's matron (Miranda Richardson) is revealed to be in cahoots with the Phantom for no explored reason. Meanwhile, the scenery-chewing titular stalker rages around his incredibly lush, immaculately gaudy underground lair, singing some of the most ungainly exposition-crammed lyrics in musical history.

"You have come here for one purpose and one alone," Butler thunders to the cheap seats as the period-incongruous, ear-splitting, organ-versus-drum-set, rock-opera orchestrations swell. "Since I first heard you sing/I have needed you to serve me/to sing for my music!"

The songs are so vociferous and beyond campy that if Beavis and Butthead were theater fans, they'd have the T-shirt and would head-bang along to the soundtrack. The acting is so painfully histrionic that the closing credits surely could have run with out-takes of the cast cracking themselves up.

Yet pretty, hairy-chested Butler -- who was picked for the title role after Schumacher saw him in the schlocky "Dracula 2000" -- has no weight or portent. What he does have is a scarred face that seems to change disfigurements depending on which stylish mask he's in the mood to wear while terrorizing theater patrons.

Not a single paper-thin character is sympathetic. (Wide-eyed Rossum does her best with Christine, but who can care about a girl so easily entranced and manipulated by the men in her life?) Schumacher's aimless storytelling fails to find a direction until 90 minutes into the film's two-and-a-quarter hours. (The silent 1925 "Phantom" starring Lon Cheney was only 93 minutes, and too long at that.) And Webber's plot is often nonsensical, even the parts that aren't full of narrative holes. Why do the theater owners refuse to let Christine sing their show's lead again, despite threats from the Phantom and even though she's a bigger hit than their star?

But even if "Phantom of the Opera" weren't a sensory assault of cinematic excess, it would still be missing one of the primary draws of the stage hit: the audience's own role in the production, most notably when the theater's grand chandelier is sent crashing down by the enraged Phantom. Here Schumacher must provide a surrogate audience in an on-screen theater, which diminishes the impact of everything that takes place on the opera stage.

Feel free to take this review with a grain of salt if you're someone who doesn't have a pre-determined loathing for Webber's inflated theatrics, inharmonious melodies and unsophisticated libretto. But even if "Phantom" worked for you on stage, just remember this picture is made with hell-bent gusto by the guy who put nipples on Batman's superhero costume. So consider yourself warned.



Facts and Figures

Box Office Worldwide: $51.2M

Budget: $55M

Production compaines: Really Useful Films, Odyssey Entertainment, Warner Bros., Scion Films

Reviews

Contactmusic.com: 1 / 5

Cast & Crew

Director:

Starring: as The Phantom, as Christine Daaé, as Raoul, Vicomte de Chagny, as Madame Giry, as Carlotta, as Firmin, as Andre, as Piangi, as Meg Giry

Also starring: ,

Contactmusic


Links



Advertisement

New Movies

Wind River Movie Review

Wind River Movie Review

After writing the superb Sicario and Hell or High Water, Taylor Sheridan moves back into...

The Vault Movie Review

The Vault Movie Review

Filmmakers Dan Bush and Conal Byrne attempt a mash-up of a frantic heist movie with...

Goon: Last of the Enforcers Movie Review

Goon: Last of the Enforcers Movie Review

The 2012 Canadian comedy Goon was one of those surprising little films that snuck up...

Detroit Movie Review

Detroit Movie Review

After The Hurt Locker and Zero Dark Thirty, Kathryn Bigelow and Mark Boal reteam to...

Logan Lucky Movie Review

Logan Lucky Movie Review

Good news: Steven Soderbergh's well-publicised retirement from directing only lasted about four years. He's back...

American Made Movie Review

American Made Movie Review

An enjoyably freewheeling tone and Tom Cruise's star wattage combine to make this an entertaining...

An Inconvenient Sequel: Truth to Power Movie Review

An Inconvenient Sequel: Truth to Power Movie Review

It's been a decade since Al Gore's wake-up-call documentary won the Oscar. And here he...

Advertisement
The Hitman's Bodyguard Movie Review

The Hitman's Bodyguard Movie Review

It really doesn't matter that this movie is utterly ridiculous, because the central pairing of...

Final Portrait Movie Review

Final Portrait Movie Review

A relaxed, amusing true story about noted Swiss painter and sculptor Alberto Giacometti, this sharply...

Tom of Finland Movie Review

Tom of Finland Movie Review

Finnish artist Tuoko Laaksonen used the name "Tom of Finland" as he drew explicit illustrations...

A Ghost Story Movie Review

A Ghost Story Movie Review

Filmmaker David Lowery reunites the stars from his offbeat Western Ain't Them Bodies Saints for...

Atomic Blonde Movie Review

Atomic Blonde Movie Review

From the co-director of John Wick, this similarly styled action romp puts Charlize Theron front...

Girls Trip Movie Review

Girls Trip Movie Review

This movie's premise basically sounds like The Hangover with added black girl power. But it's...

Captain Underpants: The First Epic Movie Movie Review

Captain Underpants: The First Epic Movie Movie Review

There's so much manic energy in this animated action comedy that it can't help but...

Advertisement
Artists
Actors
    Filmmakers
      Artists
      Bands
        Musicians
          Artists
          Celebrities
             
              Artists
              Interviews
                musicians & bands in the news
                  actors & filmmakers in the news
                    celebrities in the news

                      Go Back in Time using our News archive to see what happened on a particular day in the past.