Monkeybone

"Grim"

Monkeybone Review


Stop-motion animation innovator Henry Selick, the cheerfully demented director of "The Nightmare Before Christmas" and "James and the Giant Peach," tries his hand at a feature-length hybrid in the new Brendan Fraser comedy "Monkeybone" -- and he makes a real mess of things.

Leaning heavily on its low-brow antics and animated effects, the story -- about a cartoonist in a coma who slips into a purgatory of creepy creations -- is sloppy, choppy, and so egregiously abbreviated that the actors don't even have time to give their characters personality or appeal.

Fraser is the cartoonist and the creator of a comic called Monkeybone, about a Puckish screwball simian whose raison d'etre is causing trouble. As the film opens Fraser's manager (Dave Foley) has just cut a deal for an animated series that will bring in millions in merchandising. Our hero's only real character trait, besides being a bit skittish, is that he's not very comfortable with greedily cashing in on his cartoon character.

On the night he's about to propose to his girlfriend (Bridget Fonda), he's in a car accident that leaves him catatonic to the outside world. But inside his head he enters a Selick-styled netherworld where Whoopi Goldberg is Death (she sluggishly sleepwalks through the role) and the zany, mischievous Monkeybone (voiced by John Turturro) is alive and anxious to sabotage his creator.After much rudderless (but brilliantly animated) high jinks, the monkey crosses over into the waking world by hijacking Fraser's body, with the help of the nefarious god of sleep (Giancarlo Esposito), who demands in exchange that Monkeybone help generate more nightmares for his amusement.

One of many plot points made possible only by the flimsiest of coincidences, Monkeybone attempts to accomplish this by stealing a "nightmare juice" formula concocted by Fonda (she's a sleep study scientist), and mixing it into the stinky powder that shoots out the backsides of stuffed Monkeybone dolls that are designed to pass gas when squeezed.

Long before this wisp of a plot, "Monkeybone" has galloped off madly in no particular direction with Fraser strapped into the quickly slipping saddle. The story is rushed, the editing seemingly handled with a chainsaw and the characters are so vaguely drawn that when Monkeybone takes over Fraser's body, you don't really recognize his personality because, short of being obnoxious, animalistic and horny, he doesn't have one.

Aside from the occasional pop-culture gag (Steven King has an uncredited cameo as an imprisoned denizen of purgatory), "Monkeybone" is such a scattershot story that without its fascinating visuals it would be almost unwatchable. It has neither the heart to be whimsical nor the guts to be bawdy, as was clearly the original intent. (The sexual euphemism of the name Monkeybone, and all that that symbolizes, gets severely watered down for the sake of a PG-13 rating.)

Even Selick's unmistakably eerie yet peculiarly plucky stop-motion creations are rendered virtually inert by being mixed in with a messy jumble of CGI effects, puppets and people made up in Halloween-ish greasepaint as demons or critters.

The creative, capricious movie "Monkeybone" could have been peeks through from time to time. Nightmare sequences are particularly vivid (Fonda dreams of pulling the plug on the comatose Fraser and his body deflating and melting away) and there are strokes of inspired slapstick. In order to pursue Monkeybone in his body, Fraser comes back in the rotting corpse of an Olympic gymnast with a broken neck. Normally insufferable "Saturday Night Live" vet Chris Kattan is perfect as that rubbery remnant, whose organs were being harvested when he popped back to life. Through all his scenes Kattan is being chased by livid transplant doctors who want his guts back.

If the whole movie showed that kind of creative clarity -- instead of lurching forward in fits and starts triggered by plebeian gags and sketchbook characters -- "Monkeybone" could have been a quirky, risqué "Roger Rabbit."

Now that's a movie I would like to have seen.



Facts and Figures

Run time: 93 mins

In Theaters: Friday 23rd February 2001

Box Office USA: $4.9M

Box Office Worldwide: $5.4M

Budget: $75M

Distributed by: 20th Century Fox

Production compaines: 20th Century Fox, 1492 Pictures

Reviews

Contactmusic.com: 2 / 5

Rotten Tomatoes: 20%
Fresh: 22 Rotten: 90

IMDB: 4.7 / 10

Cast & Crew

Director:

Starring: as Stu Miley, as Dr. Julie McElroy, as Monkeybone (voice), as Organ Donor Stu, as Hypnos, as Miss Kitty, as Herb (as David Foley), as Kimmy Miley, as Head Surgeon, as Death


Contactmusic


Links



Advertisement

New Movies

Inside Out Movie Review

Inside Out Movie Review

Those bright sparks at Pixar have done it again, taking a fiercely original approach to...

Southpaw Movie Review

Southpaw Movie Review

Slick direction and meaty performances may be enough for some viewers, but this boxing drama's...

Eden Movie Review

Eden Movie Review

Loose and impressionistic, this beautifully shot film traces the career of a DJ who pioneered...

The Gallows Movie Review

The Gallows Movie Review

Without a single moment of originality, this found-footage horror movie really deserves to be the...

Advertisement
Self/Less Movie Review

Self/Less Movie Review

An intriguing premise keeps the audience gripped for about 20 minutes before the movie runs...

Ant-Man Movie Review

Ant-Man Movie Review

The increasingly stale Marvel formula gets a blast of fresh air in this rollocking adventure...

Love & Mercy Movie Review

Love & Mercy Movie Review

An unusually inventive approach brings this story to life, as the filmmakers get into the...

Ted 2 Movie Review

Ted 2 Movie Review

Fans of the surprise 2012 hit Ted will find plenty to love in this sequel,...

Advertisement