Kandahar

"Very Good"

Kandahar Review


Paved with humanistic intentions, Kandahar can't quite see beyond its literal depiction of Afghan horrors. Prolific Iranian filmmaker Mohsen Makhmalbaf documents an annihilated nation blown into the stone age by war, more interested in social reform, cultural education, or presenting a bleak travelogue than attaining the pure cinema his contemporary Abbas Kiarostami has been honing for over a decade. (Kiarostami is best known for his haunting suicide parable A Taste of Cherry; his sublime semi-documentary Close-Up features Makhmalbaf himself as a heroic figure/motorcycle driving screen icon.)

As Kiarostami entrenches in esoteric philosophical questions, wrapped in poetic imagery and near-mystical iconography, Makhmalbaf aims for realism (poorly filmed, but on the front lines) and political point-by-point dogma. Kandahar is the culmination of those interests, for better or for worse. As a former Islamic fundamentalist, he's slowly been rebelling against formalistic film technique and even Iran's popular art-house auteurism. In breaking down those conventions, Kandahar seems to be about what's happening in front of the camera more than the operation of the camera itself. A book of photographs may have been just as effective, but Makhmalbaf sticks to what he knows.

Filmed on the dangerous borderlands between Afghanistan and Iran, Makhmalbaf charts the progress of expatriate journalist Nafas (Nelofer Pazira) returning to her home country in search of her Kandahar-located sister, who has threatened to commit suicide in three days. Along the way, she discovers schoolchildren being taught the dangers of landmines; multicolored burka-laden (thickly veiled) women en route to a wedding (singing a melancholy dirge during their stark desert jaunt); armless and legless travelers at an under-equipped Red Cross shelter waiting in line for prosthetic limbs.

Kandahar follows Nafas on the barren roads and hills, seen as beautiful and bleak under the sun. Each of her encounters is meant as a mini-polemic statement, some more jarring than others. Working with non-actors, Makhmalbaf gets varied results. Nelofer Pazira doesn't make a particularly strong impression as the heroine, but when the camera selects a remote Taliban-operated Koran group of kids shrieking their way through prayers (heralding their newfound weapons: knives and automatic rifles) and their unrelenting adult taskmaster, Makhmalbaf's strength of crossing the lines between movie and reality are bracing. Most of his cast had never seen a movie before, which perhaps accounts for their astonishing lack of self-consciousness.

Nafas employs a poverty-stricken child as her guide, though he's more interested in sneaking into the wasteland stealing rings 'n' things from minefield corpses. She finds a potential ally in a small village doctor whose female patients communicate with him through a hole in the sheet that cordons off his flimsy and under-equipped room. The dealings feel shady, as they cobble together hastily planned stories to fool border guards or thieves. Worst of all is Nafas' inability to get people to provide much-needed assistance. As film critic Godfrey Cheshire pointed out during one of his trips to Iran, nothing happens in just ten minutes there. Nothing you'd want to happen, anyway.

Kandahar's timing will surely be a factor in its acclaim from the die-hard film critics who have lauded the (mostly astonishing) breadth of cinema emerging from Iran, and it's certainly affecting and immediate. But it's a mistake to think that the way to the truth is necessarily through harsh realism. Cinema bears a close association to our dreams, and an oblique framing can cut closer than a moralistic statement -- America found its own wannabe-topical lessons in Traffic, worthwhile but far less emotionally fulfilling than Kandahar. But that's the question open-minded viewers should probably ask themselves: Why do I go to the movies? Kandahar is an alternative.

Aka Safar e Ghandehar.



Kandahar

Facts and Figures

Run time: 81 mins

In Theaters: Wednesday 24th October 2001

Distributed by: Mars Films

Production compaines: Pranavam Arts International

Reviews

Contactmusic.com: 3.5 / 5

Rotten Tomatoes: 89%
Fresh: 85 Rotten: 11

IMDB: 6.8 / 10

Cast & Crew

Starring: Mohanlal as Major Mahadevan, as Lokanatha Sharma, Ganesh Venkatraman as Suryanatha Sharma, Sumalatha as Sumangaly, Ragini Dwivedi as Aishwarya

Contactmusic


Links



Advertisement

New Movies

Colossal Movie Review

Colossal Movie Review

It's rare to find a movie that so defiantly refuses to be put into a...

King Arthur: Legend of the Sword Movie Review

King Arthur: Legend of the Sword Movie Review

It's unlikely that Guy Ritchie could make a boring movie if he wanted to. This...

Snatched Movie Review

Snatched Movie Review

It doesn't really matter that the script for this lively action-comedy is paper thin: teaming...

Jawbone Movie Review

Jawbone Movie Review

Boxing movies aren't usually this thoughtful. Sure, there are plenty of punchy moments in the...

Whisky Galore! Movie Review

Whisky Galore! Movie Review

Scottish filmmaker Gillies MacKinnon (Hideous Kinky) remakes the 1949 Ealing comedy classic, although it's difficult...

Alien: Covenant Movie Review

Alien: Covenant Movie Review

Master filmmaker Ridley Scott is back to continue the story 10 years after the events...

The Journey (2017) Movie Review

The Journey (2017) Movie Review

A fictionalised account of real events, this drama is reminiscent of Peter Morgan's work in...

Advertisement
Sleepless Movie Review

Sleepless Movie Review

In remaking the 2011 French thriller Sleepless Night, the filmmakers have dumbed down both the...

Unlocked Movie Review

Unlocked Movie Review

By injecting a steady sense of fun, this slick but mindless action thriller both holds...

Lady Macbeth Movie Review

Lady Macbeth Movie Review

A seriously impressive feature directing debut with a star-making central performance, this period British drama...

Guardians of the Galaxy Vol. 2 Movie Review

Guardians of the Galaxy Vol. 2 Movie Review

It was never going to be easy to match the impact of 2014's Guardians of...

The Promise Movie Review

The Promise Movie Review

The director of Hotel Rwanda, Terry George, turns to another humanitarian horror: the systematic murder...

Their Finest Movie Review

Their Finest Movie Review

Skilfully written, directed and acted, this offbeat British period film tells a story that catches...

Unforgettable Movie Review

Unforgettable Movie Review

With heavy echoes of trashy thrillers like Fatal Attraction, this movie overcomes its painfully simplistic...

Advertisement
Artists
Actors
    Filmmakers
      Artists
      Bands
        Musicians
          Artists
          Celebrities
             
              Artists
              Interviews
                musicians & bands in the news
                  actors & filmmakers in the news
                    celebrities in the news

                      Go Back in Time using our News archive to see what happened on a particular day in the past.