De-Lovely

"Very Good"

De-Lovely Review


In a darkened room an elderly man sits at a piano. He's barely outlined by light from a window, his face obscured in shadow. Then, a light fades up, spotlighting him, followed by light everywhere. Thus starts De-Lovely and its style of self-aware artificiality. It purports to be the life of composer Cole Porter (Kevin Kline) but there's little more here than a grand retrospective of his ingenious touch with a pop song and an attempt at scandalizing his personal, bisexual life.

Like a symphony that's incomplete because all the notes aren't available, what I didn't get out of this is a three-dimensional portrait of the subject. The show, structured as a dead or dying man's vision of his life played out like a movie and stage production, is loaded with talent and a detailed recreation of his period. The portrayal of the swank, rich life is as festive to behold as it is off-putting. The world in which Porter whirls and commands with assured, inevitable success is an alien one. Rather than feel a part of it, we are there to revel in the entertainment.

As for Kline's performance, I don't know what I was more bothered by, his smirk or his strut. He wore the stylish costumes well, though.

Ashley Judd provides the glamour necessary to be convincing as Linda, the female love of Porter's life, and a wife who was ready to support and enable his physical compulsions to men to an extent difficult to comprehend. But the level of devotion that sustained her heroic toleration (if it was that) wears down by years of the marriage's philandering reality, only the surface of which is allowed to enter the scenario. She is as much window dressing for the picture as she might have been for the real man's social standing. A psychological study of this deprived woman's basis for such sacrifice would offer more dramatic bite than this pretty, somewhat suspect, picture.

Jonathan Pryce is Gabe, the entrepreneur who, in Porter's aged mind, is putting on the show of his life. He speaks with a sense of breathless import as he lays out the acts of the production, even those that Porter would rather not dwell on.

The appearances of hip modern divas stepping away from their signature singing styles to take on the Porter magic was, for me, a highlight. Alanis Morissette is off the charts on "Let's Do It, Let's Fall In Love" and Sheryl Crow is the cat's meow on "Begin the Beguine," both trying their best but showing the stretch marks of unfamiliar delivery. Some would say awkward, but I thought the effort worthy of some appreciation. Diana Krall, Elvis Costello, and Natalie Cole lend their more-in-touch luster, and I wound up wishing the young, musical-oriented Linda Ronstadt was around. Costuming and set design are undeniable hits.

It must have seemed a great privilege for director Irwin Winkler (who last worked with Kevin Kline on Life as a House), and screenwriter Jay Cocks (Gangs of New York) to bring the work of this legend to the screen. Their aim seems to be a grand retrospective of his ingenious touch with a pop song and an attempt to humanize his homosexual life while still scandalizing it. But success for a film biography depends on more than a handsome production with a nostalgic playlist. The need for an emotional connection to the main character won't be satisfied by gold plating a man whose essential qualities, besides a talent that has enriched our musical heritage, is that he's ultra sophisticated, cool to an adoring wife, and absorbed in his gay exploits.

Having said all that, if you're seriously into musicals, you won't want to miss it.

Two commentary tracks, a making-of featurette, two "Anatomy of a Scene" featurettes, and deleted scenes round out a rich DVD.

Aka De-lovely.

Let's hear it for the boy.



De-Lovely

Facts and Figures

Run time: 125 mins

In Theaters: Friday 1st October 2004

Box Office USA: $13.1M

Budget: $20M

Distributed by: United Artists

Production compaines: MGM

Reviews

Contactmusic.com: 3.5 / 5

Rotten Tomatoes: 48%
Fresh: 74 Rotten: 81

IMDB: 6.6 / 10

Cast & Crew

Director:

Starring: as Cole Porter, as Linda Porter, as Gabriel, as Gerald Murphy, as Sarah Murphy, as Monty Woolley, Peter Polycarpou as Louis B. Mayer, as Irving Berlin, as Edward Thomas, Peter Jessop as Diaghilev, as Ethel Merman

Contactmusic


Links



Advertisement

New Movies

Colossal Movie Review

Colossal Movie Review

It's rare to find a movie that so defiantly refuses to be put into a...

King Arthur: Legend of the Sword Movie Review

King Arthur: Legend of the Sword Movie Review

It's unlikely that Guy Ritchie could make a boring movie if he wanted to. This...

Snatched Movie Review

Snatched Movie Review

It doesn't really matter that the script for this lively action-comedy is paper thin: teaming...

Jawbone Movie Review

Jawbone Movie Review

Boxing movies aren't usually this thoughtful. Sure, there are plenty of punchy moments in the...

Whisky Galore! Movie Review

Whisky Galore! Movie Review

Scottish filmmaker Gillies MacKinnon (Hideous Kinky) remakes the 1949 Ealing comedy classic, although it's difficult...

Alien: Covenant Movie Review

Alien: Covenant Movie Review

Master filmmaker Ridley Scott is back to continue the story 10 years after the events...

The Journey (2017) Movie Review

The Journey (2017) Movie Review

A fictionalised account of real events, this drama is reminiscent of Peter Morgan's work in...

Advertisement
Sleepless Movie Review

Sleepless Movie Review

In remaking the 2011 French thriller Sleepless Night, the filmmakers have dumbed down both the...

Unlocked Movie Review

Unlocked Movie Review

By injecting a steady sense of fun, this slick but mindless action thriller both holds...

Lady Macbeth Movie Review

Lady Macbeth Movie Review

A seriously impressive feature directing debut with a star-making central performance, this period British drama...

Guardians of the Galaxy Vol. 2 Movie Review

Guardians of the Galaxy Vol. 2 Movie Review

It was never going to be easy to match the impact of 2014's Guardians of...

The Promise Movie Review

The Promise Movie Review

The director of Hotel Rwanda, Terry George, turns to another humanitarian horror: the systematic murder...

Their Finest Movie Review

Their Finest Movie Review

Skilfully written, directed and acted, this offbeat British period film tells a story that catches...

Unforgettable Movie Review

Unforgettable Movie Review

With heavy echoes of trashy thrillers like Fatal Attraction, this movie overcomes its painfully simplistic...

Advertisement
Artists
Actors
    Filmmakers
      Artists
      Bands
        Musicians
          Artists
          Celebrities
             
              Artists
              Interviews
                musicians & bands in the news
                  actors & filmmakers in the news
                    celebrities in the news

                      Go Back in Time using our News archive to see what happened on a particular day in the past.