Boy A

"Good"

Boy A Review


The title of John Crowley's Boy A comes from a court case where two young defendants are referred to as Boy A and Boy B. Both murderers before their proper teen years, these alphabetically-labeled tykes get sent to a juvenile facility; only one makes it out breathing.

The majority of Crowley's sophomore effort, after the jumpy gangster flick Intermission, focuses on the redemption of this young man in the public eye. Given the new handle Jack (Andrew Garfield), the titular young offender finds a job through his rehabilitation specialist Terry (Peter Mullan) at a warehouse and delivery service. With a new best friend named Chris (Alfie Owen) and Michelle, his new receptionist girlfriend (a superb Siobhan Finneran), Jack starts feeling at home in the small shady room he's given. The public remains unaware of him until, fatefully, he helps save a young girl from a car accident and gets his picture in the local news.

A character study where mood trumps history, Crowley's film has a lot to do with a crime and almost nothing to do with the criminal. The murder, shown in flashback in the film's last quarter, explicates Jack's emotional inertia, but the crime mostly affects the tone of the film, both in its camerawork and its editing. The camerawork, courtesy of the young and talented cinematographer Rob Hardy, has a misty effect on the story, as if shrouded in the still-thick haze of Jack's uncertainty. As a character, Jack moves forward into his relationship with Michelle and his camaraderie with Chris, but the look of the film is stalled on unshakable regret.

Jack is played by the young actor Andrew Garfield, who played the insolent student to Robert Redford's holier-than-thou professor in the misguided Lions for Lambs and, earlier this year, Francis Watson in The Other Boleyn Girl. After such minor performances in minor works, Garfield's performance in Boy A comes to be a sort of revelation. Fragility is the key component of the performance, but Garfield annotates this with a protective element. He's a blowfish with an Epsom accent: unassuming and without cause for concern... until he's agitated and then quickly expands, both physically and emotionally.

Jack's violent side is only indulged once, a hypnotic sequence in a dance club mutating into a somewhat conventional brawl over a girl. What we see more is Jack's moments of quiet reverie with his three confidants, most specifically Terry and Michelle. The scenes between Garfield and Finneran are simply exquisite: a tender moment after their first tryst, a Polaroid photo shoot during a tandem bath. But it's Jack's relationship with Terry that seems more pervasive. Prizing Jack's recovery over the severed relationship with his own son, Terry has simply given up on having a personality away from his job; a fact made clear when he shares some beers with his son and drunkenly mutters about Jack as his greatest accomplishment. Mullan, the great character actor from Children of Men and the criminally-underseen Session 9, turns Terry into the film's saddest proposition: a man pinning his hopes to the tragic Jack.

Though it constantly shifts into conventional structure and suffers from an ending that feels more flustered than emotive, Boy A turns out to be an effective workout of genre mechanics. Crowley, as in Intermission, has an impressive ability to hit a stride in tone, his pacing and mood both acts of concentrated consistency. With his three central performances, the young director probes something that was also plumbed in Christopher Nolan's The Dark Knight and Peter Berg's Hancock, although obviously in a smaller context: Is the public ever interested in forgiveness, or are we just sniffing for the faintest hint of evil until the new messiah steps up?

Harp for dinner again?



Boy A

Facts and Figures

Run time: 106 mins

In Theaters: Thursday 4th September 2008

Distributed by: The Weinstein Co.

Production compaines: Film 4

Reviews

Contactmusic.com: 3.5 / 5

Rotten Tomatoes: 88%
Fresh: 52 Rotten: 7

IMDB: 7.7 / 10

Cast & Crew

Director:

Producer: Lynn Horsford

Starring: as Jack Burridge, Katie Lyons as Michelle, as Terry, Alfie Owen as Eric Wilson, as Chris, as Kelly, as Zeb


Contactmusic


Links



Advertisement

New Movies

Mission: Impossible - Rogue Nation Movie Review

Mission: Impossible - Rogue Nation Movie Review

Writer-director Christopher McQuarrie brings a dark and gritty tone to this larger-than-life franchise. Along with...

Beyond the Reach Movie Review

Beyond the Reach Movie Review

With a spectacular setting and two solid actors on-screen, this thriller builds enough solid suspense...

Cub Movie Review

Cub Movie Review

At a time when horror movies seem to only want to make the audience jump,...

Inside Out Movie Review

Inside Out Movie Review

Those bright sparks at Pixar have done it again, taking a fiercely original approach to...

Advertisement
Southpaw Movie Review

Southpaw Movie Review

Slick direction and meaty performances may be enough for some viewers, but this boxing drama's...

Eden Movie Review

Eden Movie Review

Loose and impressionistic, this beautifully shot film traces the career of a DJ who pioneered...

The Gallows Movie Review

The Gallows Movie Review

Without a single moment of originality, this found-footage horror movie really deserves to be the...

Self/Less Movie Review

Self/Less Movie Review

An intriguing premise keeps the audience gripped for about 20 minutes before the movie runs...

Advertisement