Facts and Figures
Run time: 103 mins
In Theaters: Friday 11th January 2013
Distributed by: Xlrator Media
Production compaines: IndustryWorks Pictures, 430 Productions, Twisted Twins Productions, Evolution Pictures
Contactmusic.com: 3 / 5
Rotten Tomatoes: 56%
Fresh: 27 Rotten: 21
IMDB: 6.3 / 10
American Mary Review
With a gleefully revolting tone, this Canadian thriller is a strange combination of sleekly beautiful visuals and a grotesque plot involving murder and torture. Fans of grisly black humour will love it, although the plot doesn't quite come together as various elements of the story are left hanging along the way. But it's notable for its exploration of the body-modification subculture, and for putting a female into the lead role as a woman who exacts horrible revenge on the men who abuse her.
The Mary of the title is a gifted surgical student (Isabelle) who is struggling to pay her bills, so decides to take a job in a strip club (it helps that she's seriously fit). But during her interview with the owner Billy (Cupo), she is asked to do some illicit surgery in a back room. And when word gets out, a dancer (Risk) hires her to perform a bit of extreme body modification. Mary's reputation quickly spreads around this fetish subculture, and her financial worries are over. This also gives her an idea about how to get revenge against her vile, sexist medical school professors (Lovgren and St Thomas).
For such a grisly story, the film shies away from most of the graphic detail, only giving us tantalising hints about the various operations Mary performs to alter people's bodies in rather freaky ways. So the mere idea of what she's doing is enough to make our stomachs turn. Strangely, the directors (who appear in the film as body-modified twins) also shy away from any real display of drama or sex, leaving key sequences feeling incomplete and intriguing characters, situations and storylines unresolved. This approach adds to the overall mystery but leaves gaping plot holes throughout the movie.
All of this makes it difficult to go with the flow, as it were. We can't identify with characters who are so thinly defined, no matter how nicely acted they are. But the Soskas are only interested in the gleaming surfaces, attractive cast members and just the vaguest hints of inner moral turmoil. Oddly, of the cast it's only Cupo, as a gangster-style pimp, who generates any emotional depth. On the other hand, just about everything about this film makes us squirm in our seats, which is an achievement all its own.