Aliens Vs. Predator: Requiem

"Grim"

Aliens Vs. Predator: Requiem Review


Coming on the heels of 2003's disastrously pedestrian Alien vs. Predator (or AVP), Aliens vs. Predator: Requiem (or AVP:R) is a perfect example of how studio stupidity and fanboy obsession can ruin cinema. Why Fox chose to destroy one of its best franchises will be debated for decades to come, but there is no doubt that the Alien saga (and to some extent the perpetually fledging Predator series) is effectively over. What was once a playground for inventive directors with clever scripts has quickly devolved into a wasteland of lowbrow rubbish. Sure, blame Fox, blame the producers (Walter Hill, have you no shame?), but don't forget to put a pudgy, popcorn-flaked finger at the comic and computer jockeys who have been slavering for another cosmic smackdown between the two titular baddies. They screamed, the studio heard, and now, well, now we have this.

AVP:R starts off on what should be an engaging note. We're aboard a predator spaceship zooming away from Earth when the body of a deceased predator (killed in AVP) bursts open to reveal an alien baby. Only, and here's where things start to slide downhill, this chestburster has predator-styled dreds. Or maybe those are Hasidic payos. This little booger tears the crew apart and the ship crashes into the mountains of Colorado (though the forest is decidedly deciduous). Within minutes the woods are teeming with alien spawn and the human population of Gunnison, Colorado is minutes from annihilation. Good thing the predators have sent their equivalent of John Wayne to clean up the mess. Is he powerful enough to stop not only the wave of xenomorphs overrunning the town but also the "predalien" hybrid (seriously, I wish I made that up) leading the invasion? It only takes 86 minutes to find out.

Oh, right, the people. I forgot to mention that the film spends about 30 minutes worth of valuable screen time detailing the back stories of five or six Gunnison residents. You get the high-school sweethearts (Kristen Hager and Johnny Lewis), the well-meaning but stubborn sheriff (John Ortiz), the bad boy come back to town (Steven Pasquale), all the usual clich├ęs. And you also get sub-WB dialog with pot jokes and kid humor. It is clear from the outset that the only reason people are even in this movie is for them to be fodder for alien destruction, we not only don't care about them we want them to hurry up and die already.

I'll go out on a limb and say that AVP:R is not as bad as AVP. While Paul W. S. Anderson's first take on this material was truly mind-boggling in its ineptitude (a royal middle finger to fans of the Alien and Predator series), AVP:R is shorter and more brutal. The film is well-shot, the special effects are top-notch, and the acting, as expected, is atrocious. Then there's Shane Salerno's (Shaft) by-the-numbers screenplay. Not only is the dialogue cheesy but the plotting is exceptionally lazy; nearly every action sequence in AVP:R is cribbed from an identical scene in an earlier Alien or Predator film. But it's the film's scope that's really lacking. Setting the movie on Earth leads to expectations of seeing the massive destruction audiences thought they'd see with the first AVP film. Something on the order of Independence Day. But once again, the action is limited to a small space and a small cast. Maybe it's due to budgetary restrictions or maybe it was written that way to increase tension, either way it sucks. The film is neither frightening nor powerful. It's like a half-hearted typhoon in a teacup.

I came out of AVP:R with a realization: Maybe the very idea of an aliens vs. predators film is a bad one. Maybe combining these two series was a mistake. Yes, I've read the Aliens comic books, I've even read some of the Predator vs. Aliens books, and I liked them, but what works on paper won't necessarily work on screen. On paper, the scope can be immense, the plot twists stunning and crafty, but when translated to film -- shepherded through a jaded and myopic Hollywood system -- all of that can be lost. And in this case it was. In other words: Ve careful what you wish for, you just might get it.

How about "dreadburster"?



Facts and Figures

Genre: Horror/Suspense

Run time: 10 mins

In Theaters: Tuesday 30th March 2010

Box Office Worldwide: $41.8M

Budget: $40M

Production compaines: Dune Entertainment, 20th Century Fox, Brandywine Productions Ltd., Davis Entertainment

Reviews

Contactmusic.com: 2 / 5

Cast & Crew

Director: Colin Strouse, Greg Strouse

Producer: , , Paul Deason

Starring: Steven Pasquale as Dallas Howard, Reiko Aylesworth as Kelly O'Brien, as Sheriff Eddie Morales, as Molly O'Brien, as Tim, as Jesse, as Col. Stevens, as Dale, Tom Woodruff Jr. as Alien, as Predator, as Darcy, Meshach Peters as Curtis, Matt Ward as Mark, Gina Holden as Carrie, Kurt Max Runte as Buddy, as Sam, Ty Olsson as Nathan, Chris William Martin as Deputy Ray, Rekha Sharma as Nurse Helen, Catherine Lough Haggquist as Tina


Contactmusic


Links



Advertisement

New Movies

Mission: Impossible - Rogue Nation Movie Review

Mission: Impossible - Rogue Nation Movie Review

Writer-director Christopher McQuarrie brings a dark and gritty tone to this larger-than-life franchise. Along with...

Beyond the Reach Movie Review

Beyond the Reach Movie Review

With a spectacular setting and two solid actors on-screen, this thriller builds enough solid suspense...

Cub Movie Review

Cub Movie Review

At a time when horror movies seem to only want to make the audience jump,...

Inside Out Movie Review

Inside Out Movie Review

Those bright sparks at Pixar have done it again, taking a fiercely original approach to...

Advertisement
Southpaw Movie Review

Southpaw Movie Review

Slick direction and meaty performances may be enough for some viewers, but this boxing drama's...

Eden Movie Review

Eden Movie Review

Loose and impressionistic, this beautifully shot film traces the career of a DJ who pioneered...

The Gallows Movie Review

The Gallows Movie Review

Without a single moment of originality, this found-footage horror movie really deserves to be the...

Self/Less Movie Review

Self/Less Movie Review

An intriguing premise keeps the audience gripped for about 20 minutes before the movie runs...

Advertisement