Director Hector Babenco wants to expose the problems of the Brazilian poor to the world, and while it's all very brutal and gritty, unfortunately he muddles his story with no sympathetic character at all. By the end, we've judged Pixote as just another gutterpunk, not a victim. He's written his own destiny, and we've written him off. Frankly, American versions of this have done better by portraying the victims as well as the victimizers -- namely Larry Clark in Kids.
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