Jude Law, Fernando Meirelles and Odeon Leicester Square - Jude Law and Fernando Meirelles London, England - The BFI London Film Festival: '360' European film premiere held at the Odeon Leicester Square Wednesday 12th October 2011
In that historic year, the Brazilian population wasn't just united by one the greatest soccer teams ever assembled. It was also dealing with increasingly aggressive activity by a dictatorship eager to arrest any non-conformists. So while Mauro collects national team trading cards and plays out matches with his tabletop soccer game, his parents rush him from their home, explaining the couple needs to "go on vacation."
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Morelli, a veteran of the television series, continues to document the lives of two young men that make their home in the area known as Dead End Hill. One, a young father named Ace (Darlan Cunha), has a problem paying attention to his son while also trying to excise his youthful indiscretions. The other, a motorcycle-taxi driver named Wallace (Douglas Silva), wants to find his father before he gets his ID card for his 18th birthday. These young roustabouts, especially Ace, find themselves in the middle of a turf war between likable though snotty gang leader Midnight (Jonathan Haagensen) and his right-hand man Fasto (Eduardo BR).
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The film is shot in pseudo-documentary format and follows five women's lives as domestic laborers and their bleak existence outside of their jobs. One thing they all share is a deep hatred of their employers, who oddly are never shown in the film. While they all have different reasons for ending up in their current occupation, the most frequent explanation is that the women were born into it. In fact, the most profound statement of the entire movie is the very first line, when a housemaid talks about a long lineage of maids dating back to the days of slavery. Frighteningly, the lack of upward mobility associated with their jobs still eerily mirrors a form of indentured servitude.
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