Even before his doctor tells him he has terminal cancer, Uxbal (Bardem) is struggling to manage a team of illegal African immigrants who sell fake designer products made by illegal Chinese immigrants in secret factories. He does this to care for his young children (Bouchaib and Estrella), while his bipolar ex Marambra (Alvarez) works as a prostitute. Meanwhile, Uxbal and his brother Tito (Fernandez) are selling the burial plot of the father they never knew. But this only stirs Uxbal's emotions even further.
Continue reading: Biutiful Review
In 4th century Alexandria, Hypatia (Weisz) is a noted philosopher who teaches at the famed library. But the world around her is changing, as Greek and Egyptian beliefs conflict with Christians and Jews. And with the Roman Empire gaining power, the Christians have the edge. As Hypatia continues to explore her far-advanced theories about the earth and the universe, she finds herself caught between two men who love her: loyal servant Davus (Minghella) and the civic leader Orestes (Isaac). And the fundamentalist Romans aren't happy with her radical thoughts.
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The kid's got problems. His hand is injured, he's being asked to throw fights, he works three part-time jobs, and his poor widowed mother is about to evicted from her flat and has no money to go anywhere else. At the same time, his vivacious girlfriend Alicia (Eva Marciel) is starting to hunger for the finer things in life.
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Ramón's outspokenness wins the interest -- and the affections -- of a pair of women: Julia (Belén Rueda), the terminally ill lawyer who helps Ramón build his case, and Rosa (Lola Dueñas), a single mother drawn to Ramón out of loneliness and her admiration for his strength. But while the sensuous Julia, herself coping with illness, fully sympathizes with Ramón 's cause, the feisty Rosa sulks and frets whenever Ramón so much as breathes a word of his intentions.
Continue reading: The Sea Inside Review
For Lucía y el sexo -- cleverly twisted around for English-speaking audiences as Sex and Lucía, to put the emphasis on the film's substantial eroticism -- the alternate universe reference is more appropriate than you might think. The story (obviously) centers around Lucía (Paz Vega), a listless waitress who falls in love with a novelist named Lorenzo (Tristán Ulloa), based on the power of his works. She propositions him, soon they're living together and engaging in lots of the titular activity, but then Lorenzo disappears. A cop calls, and Lucía fears Lorenzo is dead.
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Reminscent of Map of the Human Heart, the film is slow to get going and a bit gimmicky (telling the story from both points of view, repeating the scenes with a different slant), but it all pays off in the end. Give it a chance; you're sure to fall in love with all three actresses that play the woman throughout her life.
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What people will forget to tell you is that there's more than 90 minutes of an OK horror movie to watch before a glorious 10 minutes. Take away the ending--which ties the script's agnostic themes together too perfectly--and you get The Haunting, just with superior acting and production values.
Continue reading: The Others Review
From the moment the movie opens, it's unclear of what is real and what is not. We meet a handsome, young, successful businessman named César (Eduardo Noriega), who drives expensive cars, resides in a classy residence, and enjoys an endless supply of beautiful women.
Continue reading: Open Your Eyes Review
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