Fenton Bailey, Caroline Dyer, Sascha Bailey and David Bailey - The Route Less Travelled, private view. British model and son of photographer David Bailey holds private view for his latest exhibition. - London, United Kingdom - Wednesday 30th April 2014
To Bailey and Barbato's credit, their documentary Heidi Fleiss: The Would-Be Madam of Crystal neither sneers nor chuckles at Fleiss, even as it watches her go through a thoroughly dispiriting and self-induced collapse. Though the film can't help itself from occasionally mocking the country yokels whom Fleiss inexplicably finds herself living amongst, it could have been much worse.
Continue reading: Heidi Fleiss: The Would-Be Madam Of Crystal Review
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The closest thing to a best friend that Alig had was James St. James (Seth Green), a trust fund kid with pretenses of writing the Great American Novel but who dulled the agony of his writer's block with endless clubbing and drugging. Sauntering about the streets of New York in a collection of designer trash togs, James was the role model for Alig when he first came to town. When Alig started making a name for himself, throwing parties at Limelight for easily-charmed Peter Gatien (Dylan McDermott in a fierce eyepatch), he put together a band of self-created "superstars" decked out in baroque costumes, modeled on Warhol's Factory of people who were famous for being famous, and James was the biggest; after Alig, of course. "I didn't want to be like the drearies and normals," he says, "I wanted to create a world full of color, where everyone could play. One big party that never ends."
Continue reading: Party Monster (2003) Review
The object at the center of the controversy that would rage through the '70s and into the '80s was a porno shot on the cheap in Florida for less than $25,000. It starred a 19-year-old Linda Lovelace, an actress of sorts who had a talent for fellatio which impressed the filmmakers to no end, and Harry Reems, who was originally just the production assistant, but filled in when the male star turned out not to be up to the challenge. An almost unbelievably silly piece of work (even its director, the affable Gerard Damiano, later admits it wasn't a very good film), Deep Throat achieved notoriety both for the famous act by Lovelace (included uncut in the documentary, the sole reason for its NC-17 rating) and for the fact that it was the rare porno at the time which didn't pretend to be showing sex for "educational" purposes but as an end in and of itself.
Continue reading: Inside Deep Throat Review
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