Faye Dunaway

Faye Dunaway

Faye Dunaway Quick Links

News Pictures Film Quotes RSS

Faye Dunaway walking on Robertson Boulevard

Faye Dunaway - Faye Dunaway walking on Robertson Boulevard - West Hollywood, California, United States - Thursday 2nd October 2014

Faye Dunaway
Faye Dunaway
Faye Dunaway
Faye Dunaway
Faye Dunaway

'I'll Eat You Last' Sees Beth Midler At Her Very Best As The Witty And Cynical Sue Mengers


Bette Midler Barbra Streisand Faye Dunaway Michael Caine Gene Hackman

Bette Midler is Sue Mengers. In I’ll Eat You Last, the funny, outspoken actress plays the infamous 70s talent agent with such clarity and wit, that you can’t help but believe her throughout. Midler is the sole performer in the production and, while the set is visually interesting, she herself hardly moves from the couch for the duration of the play. But if you think this would make for a boring or static production, you clearly haven’t seen Midler act to her fullest, which is exactly what she is doing in the John Logan play, which opened last night (Wednesday, April 24) at Broadway’s Booth theatre.

The setup is simple – the play is set in 1981, when Mengers, who represented stars of Barbra Streisand, Faye Dunaway, Michael Caine and Gene Hackman is already losing relevance. But she isn’t one to moan about it – not on the surface at least. Middler is the perfect actress to bring the quippy, somewhat cynical, occasionally foul-mouthed Mengers back to life. She is an actress experienced enough to not only fill up the stage, but to also possess enough knowledge of the harsh world of Tinseltown, giving her character some essential depth. I’ll Eat You Last captures the essence of a woman who has experienced Hollywood to its fullest and lived to tell the tale.

Bette Midler, Booth Theatre
Midler has been collecting praise from fans and critics for her spot on performance.

Continue reading: 'I'll Eat You Last' Sees Beth Midler At Her Very Best As The Witty And Cynical Sue Mengers

Vanity Fair Oscar Party

Faye Dunaway - 2013 Vanity Fair Oscar Party at Sunset Tower - Arrivals - Los Angeles, California, United States - Monday 25th February 2013

2013 Vanity Fair Oscar Party at Sunset Tower

Faye Dunaway - 2013 Vanity Fair Oscar Party at Sunset Tower - Arrivals - West Hollywood, California, United Kingdom - Sunday 24th February 2013

Picture - Faye Dunaway Cannes, France, Sunday 22nd May 2011

Faye Dunaway Sunday 22nd May 2011 2011 Cannes International Film Festival - Red Carpet for 'Les Beins-Aimes' and Closing Ceremony - Arrivals Cannes, France

Faye Dunaway
Faye Dunaway

Picture - Faye Dunaway and Liam O'Neill Cannes, France, Sunday 22nd May 2011

Faye Dunaway - Faye Dunaway and Liam O'Neill Cannes, France - 2011 Cannes International Film Festival - Day 12 Sunday 22nd May 2011

Three Days of the Condor Review


Good
In Sydney Pollack's strange spy thriller Three Days of the Condor, Robert Redford plays a playful and somewhat geeky analyst for the C.I.A. He spends his days reading books, journals, and any manner of written correspondence that is published or publicly available, searching for codes, keywords, and country names to cross-reference with Langley. He has a code name, Condor, which he has no particular use for until the day he returns from a lunch run to find his entire department murdered. Suddenly, he is on the lam, indulging in ramshackle espionage plots and rubbing elbows with foreign assassins. He's not a spy but he plays one pretty well.

Unlike the Condor, the viewer may only pick up the salient points. There's a smattering of names for several chiefs and directors: Wicks, Wabash, Atwood, Higgins, etc. Even the switchboard operator is given the title "The Major." There's a woman, Catherine Hale (Faye Dunaway), whom the Condor takes hostage and quickly embarks on a semi-romantic partnership with. When he's not busy connecting the dots, the Condor is being hunted by a tall gun-for-hire with a foreign accent given the codename Joubert (the indefatigable Max Von Sydow) and another assassin named simply The Mailman. It doesn't seem to matter much but, for what it's worth, it all seems to have something to do with a possible war in the Middle East and oil.

Continue reading: Three Days of the Condor Review

The Towering Inferno Review


Good
There is so much to love about The Towering Inferno it's hard to know where to begin. Steve McQueen and Paul Newman are together at last! Fred Astaire gets drenched! O.J. Simpson saves a cat! Faye Dunaway wears Dacron! As one of the first mid-'70s disaster epics (produced by the King of Disaster, Irwin Allen), this supersized burnfest inspired countless star-studded copycats and lives on today as a sort of camp classic of its kind. It doesn't have Red Buttons like The Poseidon Adventure does, and it doesn't have Victoria Principal's cleavage jiggling in the tremors of Earthquake, but it does have pretty much everything else.

On the occasion of the dedication of the world's tallest skyscraper (which I for one would never consider building in earthquake-prone San Francisco, by the way), an A-list party is planned for the top floor. This way to the glass-enclosed elevator, please. Architect Doug Roberts (Newman) and builder Jim Duncan (William Holden) are proud, but they don't know that Duncan's cost-cutting son-in-law (Richard Chamberlain) has compromised safety for profit. Sure enough, when a small fire breaks out, things go really bad really fast, and firemen Michael O'Halloran (McQueen) and Harry Jernigan (Simpson) arrive on the scene holding their hoses.

Continue reading: The Towering Inferno Review

The Gene Generation Review


Grim
Here's a three-word phrase that'll get any film critic's blood pumping: "Starring Bai Ling." As an actress who's usually deployed to amp up a film's quotient of exotica and erotica, her presence, sad to say, usually indicates that questionable quality lies ahead. The Gene Generation puts Ling into the tightest leather imaginable, but she still has enough flexibility to do as much machine gun shooting and karate kicking as is required to save a future world from destruction by DNA tampering.

In the dark, Blade Runny dystopia in which Michelle (Ling) lives with her no-good younger brother Jackie (Parry Shen), scientists are toying with a glove-like device that can recombine DNA. In virtuous hands it could cure diseases for good, but in evil hands, it could be weaponized and destroy the world. That's how these things usually go. Let the chase begin.

Continue reading: The Gene Generation Review

Cougar Club Review


Grim
What movie do Faye Dunaway, Carrie Fisher, and Joe Mantegna have in common? That's right: Cougar Club!

Yes, the "MILF" craze has gotten so popular that even big stars (or at least people that used to be big stars) will show up for a MILF-oriented sex comedy.

Continue reading: Cougar Club Review

The Arrangement Review


Zero
The poster proclaims: "If your wife insists you see it together, be careful." It's one of the most hyperbolic taglines in movie history. Despite its slam-bang opening sequence, Elia Kazan's neglected movie (based on his own novel) eventually devolves into histrionics and silliness. Its strange third act almost kills the deal entirely. See if you agree.

The film opens as obviously mega-wealthy advertising executive Eddie (Kirk Douglas) wakes up and, silently, prepares for work. He frequently checks in to listen to his latest creation -- an ad for Zephyr cigarettes -- as he motors along to work. But suddenly, he decides to take his hands off the steering wheel. Then he puts them back on... and slams the car under the wheels of a tractor trailer riding alongside him. What the heck!?

Continue reading: The Arrangement Review

Arizona Dream Review


Excellent
This bizarro cult film from director Emir Kusturica (best known for Underground) is impossible to describe -- but it starts with a vignette about an Eskimo, zips to New York, and takes Johnny Depp to Arizona to meet his uncle (Jerry Lewis), where he becomes a car salesman before hooking up with a kooky older woman (Faye Dunaway) who lives in the desert with her suicidal stepdaughter (Lili Taylor). What's it all about? Love, employment, dreams, the surreal, traveling, psychic connections... David Lynch, you've got a target on your back. Compelling and strange, worth seeking out if you can find it (which ain't easy).

Mommie Dearest Review


Good
Horror's got nothing on Faye Dunaway's harrowing portrayal of Joan Crawford -- a woman who will not be remembered as the Oscar-winning star of Mildred Pierce and Whatever Happened to Baby Jane?, but more likely as the subject of Mommie Dearest, a scathing biography based on a tell-all "novel" penned by Crawford's adopted daughter Christina.

While it's justly criticized for trivializing child abuse, Mommie Dearest paints a unique picture of the kind of criminal behavior movie stars and other celebrities are allowed to get away with. (O.J. anyone?) The horrific picture of consistant, repeated abuse and down-right craziness is enough to make you think your family is downright normal. Of course, my mother always alluded to "wire hangers" when I was growing up... wonder what that means.

Continue reading: Mommie Dearest Review

Supergirl Review


Unbearable
So let me see if I get this straight: Dopey Kara (Helen Slater) is sitting around on a fragment of the former planet Krypton when she stupidly tears a hole in the protective bubble that keeps the city safe from the external world. Whoops, the city's power source -- a little ball that fits in your hand which Kara is playing with (!!!) -- gets sucked out the hole, dooming the city and all its residents to certain death. Then, as her dad (Peter O'Toole!) sentences himself to eternity in the Phantom Zone (where Zod and his crew were sent), Kara mopes around and sits on a chair... which turns out to be an escape pod straight to earth! Zoom, she's safe, and, after zipping up out of the lake she lands in, she's Supergirl (complete with costume).

This is Superman's cousin?

Continue reading: Supergirl Review

Midnight Crossing Review


Unbearable
A modern-day pirate movie?

Yes, sadly, and that means we have a glaucoma victim (Faye Dunaway), an grubby fat man (Ned Beatty), and a garden-variety hussy (Kim Cattrall, proving that you can work a single hairdo for 15 years, no problem) on a little sailboat in search of money hidden in Cuba during the Bay of Pigs.

Continue reading: Midnight Crossing Review

Faye Dunaway

Faye Dunaway Quick Links

News Pictures Film Quotes RSS
Advertisement

Faye Dunaway

Date of birth

14th January, 1941

Occupation

Actor

Sex

Female

Height

1.70