The Craft, the 1996 cult horror film, is being remade by Sony. The news was announced on Thursday (14th May).
The cult horror film, The Craft, is being remade by Sony. The reboot of the 1996 film, which was also distributed by Sony (under their Columbia banner), will have a brand new director but a few executives are reprising their roles for the upcoming project.
Neve Campbell starred in the original movie.
Continue reading: Sony Remaking 1996 Cult Horror Movie 'The Craft'
With clips from more than 200 teen movies made in the decade after 1995's Clueless, this lively kaleidoscopic documentary entertainingly traces how America has depicted the teen experience on screen. The film's structure feels a little deliberate, and it of course is looking at a portrayal of puberty, not the real thing. But it's inventively edited by first-time feature director Charlie Lyne, with a snappy pace and some seriously interesting observations along the way.
These 10 years are significant because they marked an expansion in the style of coming-of-age movies, encompassing genres from comedy to sci-fi to horror to explore the clashes between high school factions of jocks, nerds, burnouts, artists and mean girls. Taken together, these films paint a vivid, perhaps exaggerated portrait of adolescence, including key rites of passage, the mob mentality, and the various things that feel threatening to the "herd" (like smart kids or loners). High school is the time when teens experiment with alcohol, partying, rebellion and sex, while facing up to peer pressure and their own mortality for the first time. And ultimately, everyone must navigate this emotionally overwrought period on his or her own.
The film breaks down this experience into five chapters: fitting in (as either a maverick or conformist), acting out (challenging the rules), losing yourself (developing your own identity), toeing the line (being forced to obey the rules) and moving on (growing into an adult). This kind of makes the movie feel like an academic thesis, especially with the somewhat overwritten narration (voiced by teen star Fairuza Balk). But the movie is packed with telling connections between this vast variety of movies, all of which reflect reality without ever depicting it too honestly. Thankfully, Lyne's editing is knowing and often very funny, putting scenes together to say something completely unexpected.
Continue reading: Beyond Clueless Review
Detective Terence McDonagh (Cage) has been promoted to lieutenant in the wake of his heroic actions during Hurricane Katrina. Even though he's a coke-snorting, evidence-tampering, gambling-addict rapist with a hooker (Mendes) for a girlfriend. Now he's investigating the grisly murder of a family. He knows that local gangster Big Fate (Joiner) is to blame, but he has no proof beyond a nervous 15-year-old witness (Whitaker). As his entire world squeezes in on him, he merely turns to more drugs, violence and sex to worm his way out.
Continue reading: The Bad Lieutenant - Port Of Call: New Orleans Review
Terrence McDonagh is a cop who's not really known for his courageous acts but when he sees a man drowning in a cell, he jumps to save him. His act of bravery might have won him a promotion to lieutenant but it's also left him with a bad back injury.
As his back becomes more of a problem McDonagh develops a serious drug problem, turning to any dark alley to find relief. Bribery and stealing drugs put into evidence become part of the norm for him, the most stability in his life comes from a relationship he has with a prostitute called Frankie but when he finds her beaten by a client, he takes matters into his own hands. Working in a drug induced state becomes more of an issue for McDonagh. Whilst trying to solve the murders of six Senegal immigrants it appears his personal life and current case will cross paths.
Directed by: Werner Herzog
Starring: Nicolas Cage, Eva Mendes, Val Kilmer, Xzibit, Brad Dourif, Fairuza Balk, Shawn Hatosy, Jennifer Coolidge, Tom Bower, Vondie Curtis-Hall, Denzel Whitaker, Michael Shannon
Like the mentally-stunted protagonist of Garden State, we have Peter, Humboldt County's med school flunkie. Jeremy Strong's performance as Peter gives Zach Braff's in Garden State a run for its money for its sheer criminal blandness. Strong plays Peter as a cipher, wavering between the emotional blankness of a borderline catatonic and the comic dithering of a nebbish. Peter's identity has been neutered by a domineering father (Peter Bogdanovich), a UCLA medical professor who one day tells his underperforming son, who's also his student, that he's going to flunk him.
Continue reading: Humboldt County Review
Beautifully, I mean really beautifully, shot, the film follows young Logan (Malcolm Stumpf) around the empty streets and schoolyards of Santa Cruz as he tries to come to terms with all the ways he feels "different" from the other kids. His freaky daydreams, many of which involve spiders, are woven into what little narrative there is, and minutes go by without Logan saying a word. (In that sense, it may remind you of Van Sant's Elephant or Last Days.)
Continue reading: Wild Tigers I Have Known Review
Howard Spence (Shepard) is an aging movie star, famous for his roles in westerns, whose life has disintegrated into a boozy, narcotic haze. In the opening scene Howard steals a horse from the set of the movie he's working on and takes off through the desert with no particular destination in mind. Much like Harry Dean Stanton's character in Paris, Texas, Howard simply wakes up one morning and abandons his life.
Continue reading: Don't Come Knocking Review
Rarely have I been able to totally boil down the plot of a film so succinctly, but with The Craft, it's a piece of cake. What, no intricate subplots, you ask? No involved character development? No story progression from one act to the next?
Continue reading: The Craft Review
Writer-director Cameron Crowe's fond fictionalization of his first assignmentfor Rolling Stone -- as a 15-year-old cub reporter in 1973 -- "Almost Famous" is a vividly realized labor of love and an absolute pleasure to watch.
Having gestated in Crowe's fertile mind since before "SayAnything," his 1989 directorial debut, it's a born crowd-pleaser honedinto an entertaining cinematic paragon of rock 'n' roll that boasts sharpperformances from a sublime cast, speaking page after page of Crowe's uniquebrand of intrinsically quotable, yet seemingly true-to-life dialogue.
A winning young actor named PatrickFugit -- who prior to being cast had only twoepisodes of "Touched By An Angel" on his resume -- carries themovie as William Miller, the director's mop-topped alter-ego. Like Crowehimself, William gets his start as a rock journalist by being taken underthe wing of Lester Bangs (Philip Seymour Hoffman), a jaded but passionatemusic reporter for the fanzine Creem.
Continue reading: Almost Famous Review
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