Margaret Mitchell's bestselling novel was the most successful period romance novel of all time, a combination of historical detail and soap that drew from family recollections of the war and its aftermath. The novel's popularity allowed the filmmakers to be confident of success, but still, Selznick spent more time and money, and took more risks, than could have been expected. The requisite attention was paid to costumes and sets, of course. More important, the film's visual effects -- especially the burning of Atlanta and the smoking ruins of the Georgia plantations after Sherman's pillage -- are the most effective and memorable that had been attempted at that time.
Continue reading: Gone With The Wind Review
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