Eve Hewson - The 87th Annual Oscars - Vanity Fair Oscar Party at Wallis Annenberg Center for the Performing Arts and The Beverly Hills City Hall - Arrivals at Wallis Annenberg Center for the Performing Arts, Oscars - Beverly Hills, California, United States - Monday 23rd February 2015
Eve Hewson - The 87th Annual Oscars - Vanity Fair Oscar Party at Wallis Annenberg Center for the Performing Arts and The Beverly Hills City Hall - Arrivals at Wallis Annenberg Center, Oscars - Beverly Hills, California, United States - Sunday 22nd February 2015
Frank is a remarkable cop with a lot to look forward to in his life, but as happy as he is, he still has major worries for the people around him. His brother Chris has just been released from prison after a gang-related murder several years ago. Frank wants to make sure Chris stays on the straight and narrow as he rebuilds his shattered life, and offers him shelter, a job and an opportunity to restore his relationships with his former wife Monica and his children. However, Chris also finds himself reconnecting with some old 'friends' and it soon becomes clear that he has no intention of living straight. All Frank wants is a happy and secure family, but if he keeps trying to save his wayward brother's back from the law, he could find himself facing an uncertain future in the force.
'Blood Ties' is the Hollywood re-make of Jacques Maillot's 2008 French film 'Les liens du sang' which is also adapted from the novel by Bruno and Michel Papet. It has been directed by Guillaume Canet ('Little White Lies', 'Tell No One', 'Whatever You Say') and co-written by James Gray ('Two Lovers', 'We Own the Night', 'The Yards') and is due to appear in theatres on March 21st 2014.
With a strikingly against-type performance from the late Gandolfini, this film gives the romantic-comedy formula a welcome adult spin. Writer-director Holofcener keeps the characters authentic even as she indulges in some rather farcical plotting. And her astutely observational dialog lets the cast members create characters who are funny, flawed and thoroughly engaging.
At a party, massage therapist Eva (Louis-Dreyfus) meets two people who become important in her life. First is Marianne (Keener), whose snappy wit and honesty make her much more than just a new client. And then there's Albert (Gandolfini), an unlikely suitor who charms Eva with his dry wit and warm camaraderie as they share common emotions about daughters (Fairaway and Hewson) who are leaving home for university. But as Marianne moans about her miserable ex-husband, Eva realises that she's talking about Albert. And she knows that if she tells them that she's made this connection, she'll lose both a friend and a boyfriend.
Holofcener takes this simple idea and stretches it nearly to the breaking point. Fortunately, the film's real strength lies in the interaction between these people, and it's easy to identify with their hesitance as they endure a series of awkward moments that feel bracingly realistic. All of the dialog bristles with humour that feels improvised, and Louis-Dreyfus has always been an expert at combining comedy with both underlying strength and fragility (see Veep). Gandolfini seems like a strange match for her, but he plays the role so beautifully that we root for them as a couple.
Continue reading: Enough Said Review
Eva, a divorced, single mother who faces the impending departure of her soon to be college bound daughter, meets Albert, an easy going, teddy-bear of man who has a complicated relationship with his ex-wife.
Eva pursues Albert and the couple's relationship quickly blossoms until Eva's latest friend, Marianne, gets a phone call from her supposedly miserable, horrible and selfish ex-husband. Albert.
Eva finds her relationship being tested and doubting her new partner after being sub-consciously influenced by Marianne. Eva must discover the truth about Albert in order find out first hand if he is as the man Marianne suggests he is.
Continue: Enough Said Trailer
Cheyenne is a soft-spoken, retired rockstar still wearing make-up and hairspray whilst living in Dublin and has been estranged from his Jewish father for 30 years. When he discovers that his father is dying in New York, he is determined to set out to put things right with him, but his journey is delayed by Cheyenne's aversion to flying; when he finally makes his way over, he is too late to see his father alive for the final time. He learns that his father was a victim of persecution in Auschwitz during the Holocaust of World War II and that he was once made to suffer public humiliation by the Nazi officer Aloise Muller. In a last bid to make peace with his father, Cheyenne sets out to kill Muller (who is currently hiding out in the States) whilst meeting several people along the way, including members of Muller's family. When he is finally led to Muller, he finds himself confronted with a difficult decision as he listens to his story and, eventually, he manages to mark out a new chapter in his retired life.
Continue: This Must Be The Place Trailer