Eva Marie Saint

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Eva Marie Saint - A host of stars attended the 2014 Princess Grace Awards Gala which was presented by Christian Dior Couture at the Beverly Wilshire Four Seasons Hotel in Beverly Hills, California, United States - Thursday 9th October 2014

Eva Marie Saint

Eva Marie Saint Discusses Marlon Brando, Cary Grant & Paul Newman On Upcoming TCM Interview


Eva Marie Saint Paul Newman Cary Grant Marlon Brando Alfred Hitchcock Elizabeth Taylor Elia Kazan

Eva Marie Saint's upcoming appearance on TCM on Monday night (31st March) promises to restore our faith in Hollywood. The actress, who will celebrate her 90th birthday in July, has sat down with presenter Robert Osborne in a TCM special which will include an interview about her life and career and three of her best known films.

Eva Saint Marie
Eva Saint Marie discussed her former colleagues in the TCM interview.

On the Waterfront, for which Saint received an Academy Award for Best Supporting Actress and starred opposite Marlon Brandon, will kick off the night's festivities at 9pm. Another two of her films, Raintree County (in which she played opposite Montgomery Cliff and Elizabeth Taylor) and North by Northwest (also starring Cary Grant and directed by Alfred Hitchcock) will conclude the evening of celebration.

Continue reading: Eva Marie Saint Discusses Marlon Brando, Cary Grant & Paul Newman On Upcoming TCM Interview

Winter's Tale Review


Weak

The fact that this magical romance has been retitled A New York Winter's Tale in the UK tells you what the filmmakers think of the audience: we can't be trusted to get anything on our own. Writer-director Akiva Goldsman lays everything on so thickly that there's nothing left for us to discover here. And he botches the tone by constantly shifting between whimsical fantasy and brutal violence. Sure, the manipulative filmmaking does create some emotional moments, but inadvertent giggles are more likely.

It's mainly set in 1916, where young orphan Peter (Farrell) is running from his relentlessly nasty former boss Pearly (Crowe), a gangster angry that Peter isn't as vicious as he is. Then Peter finds a mystical white horse that miraculously rescues him and leads him to the dying socialite Beverly (Brown Findlay). As they fall deeply in love, Peter believes he can create a miracle to save Beverly from the end stages of consumption. And Pearly is determined to stop him. But nearly a century later, Peter is still wandering around Manhattan in a daze, trying to figure out who he is and why he's still there. He gets assistance from a journalist (Connelly), who helps him make sense of his true destiny.

Yes, this is essentially a modern-day fairy tale packed with supernatural touches. But Goldsman never quite figures out what the centre of the story is, losing the strands of both the epic romance and the intensely violent vengeance thriller. Meanwhile, he condescends to the audience at every turn, deploying overwrought camera whooshing, frilly costumes, dense sets and swirly effects while a violin-intensive musical score tells us whether each a scene should be wondrous or scary. At the centre of this, Farrell somehow manages to hold his character together engagingly, even convincing us that Peter is around 25 years old (Farrell's actually 38).

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Jeffrey Hayden, Eva Marie Saint and Colin Farrell - World Premiere of 'Winter's Tale' held at the Ziegfeld Theatre - Arrivals - New York City, New York, United States - Wednesday 12th February 2014

Jeffrey Hayden, Eva Marie Saint and Colin Farrell

Winter's Tale Trailer


Peter Lake is a wanted burglar in a desperate struggle to escape an old gangster boss of his, Pearly Soames, in the cruel world that is 1916. One day, he breaks into a dazzling mansion that he thinks is empty, but then discovers the owner's beautiful daughter Beverly Penn at her piano who appears unafraid of him. Struck by her beauty, he embarks on a whirlwind romance with her that is marred when Peter discovers that she is dying of consumption. That's not the only thing Peter has to contend with as Soames repeatedly tries to kill him, but to no avail as Athansor, a white horse and guardian angel, is always there to save him. During one of those rescue feats, Peter finds himself in modern day Manhattan without a clue who he is and with no signs of aging. Determined to use this to his advantage, he sets out to save the one person he still remembers.

This heart-breaking fantasy romance is based on the novel of the same name by Mark Helprin and has been adapted to screen by Oscar winning director and writer Akiva Goldsman ('Batman Forever', 'I Am Legend', 'The Da Vinci Code'). Not to be confused with the Shakespearian play of a similar name, 'Winter's Tale' is a tremendous story of reincarnation and eternal love and will released in UK cinemas on February 21st 2014.

Click here to read the film review for Winter's Tale

Eva Marie Saint - ELLE 20th annual Women in Hollywood celebration at Four Seasons Hotel Beverly Hills - Arrivals - Los Angeles, California, United States - Tuesday 22nd October 2013

Eva Marie Saint

Eva Marie Saint - ELLE 20th annual Women in Hollywood celebration at Four Seasons Hotel Beverly Hills - Arrivals - Los Angeles, California, United States - Monday 21st October 2013

Eva Marie Saint
Eva Marie Saint
Eva Marie Saint

Eva Marie Saint and Husband - Eva Marie Saint & Husband at the Director's Guild of America Los Angeles, California - "Into the Wild" Los Angeles Premiere Tuesday 18th September 2007

Don't Come Knocking Review


Very Good
In 1984 indie director Wim Wenders and acclaimed writer and actor Sam Shepard collaborated on the film Paris, Texas, a moderately enjoyable character study about a damaged man trying to come to terms with his past. More than two decades later, Wenders and Shepard have teamed up again in Don't Come Knocking and the results are remarkably similar.

Howard Spence (Shepard) is an aging movie star, famous for his roles in westerns, whose life has disintegrated into a boozy, narcotic haze. In the opening scene Howard steals a horse from the set of the movie he's working on and takes off through the desert with no particular destination in mind. Much like Harry Dean Stanton's character in Paris, Texas, Howard simply wakes up one morning and abandons his life.

Continue reading: Don't Come Knocking Review

Grand Prix Review


Excellent
Sorry, NASCAR fans. Grand Prix isn't your usual chips-hot-dogs-beer-and-babes trip to the speedway.

John Frankenheimer crafts a surprisingly rich and interesting movie that's set during the rise of auto racing. Not only does it capture the spectacle of these tiny little open-air cars hurtling around European village streets (no ovals here), it also builds an interesting story of rivalries, friendly and otherwise.

Continue reading: Grand Prix Review

I Dreamed Of Africa Review


Weak
Kim Basinger has gone off to Africa on safari, in search of a follow-up Oscar to the one she landed for L.A. Confidential. Looks like she'll be coming home empty-handed, I'm sad to say.

Drawing comparisons to such Man vs. Nature films as Out of Africa, A Far Off Place, and The Ghost and the Darkness, I Dreamed of Africa tells the true story of Kuki Gallmann (Basinger), an Italian divorcee who upends her life to move to Kenya with her second husband Paolo (Vincent Gallo), who, ahem, dreams of buying a 100,000 acre cattle ranch in the middle of nowhere.

Continue reading: I Dreamed Of Africa Review

North By Northwest Review


Excellent
It was with slight disappointment and definite surprise that I found, after years of intending to see it, Hitchcock's North by Northwest coming in just under the top tier of his films. Watching Cary Grant hustle through a cross-country wrongly-accused thriller isn't a bore, of course, but I felt the curious sensation of reacting to the film through a series of comparisons, trying to figure out where it fits on the Hitchcock scale: It's not as disturbing as Psycho, not as suspenseful as Rear Window, not as mind-boggling as Vertigo. Then again, Cary Grant's Roger Thornhill (who has the misfortune to share his name with a made-up spy) is an ad exec who goes on the lamb with improvised gusto, even picking up a mystery woman as he hides on a cross-country train -- so it is, at least, a lot manlier than To Catch a Thief.

It's a lot more than that, too. I don't mean to speak ill of the film -- in fact, North by Northwest is a epitome of craft and style. When a critic wistfully refers to a movie like The Fugitive or The Bourne Identity as "good old-fashioned entertainment," there's a good chance that this is the movie they recall. It has Cold War intrigue without gadgets or jargon; it has romance that blends in with that intrigue, rather than jogging alongside it.

Continue reading: North By Northwest Review

The Russians Are Coming! The Russians Are Coming! Review


Good
Now terribly quaint (just look at the title!) and not nearly as funny as film historians would lead you to believe, The Russians Are Coming! is nonetheless quite daring for its day. In 1966, the Cold War was close to its peak, and Norman Jewison took a chance on a little book called Off Islanders, abbout a Russian sub that runs aground on a New England island. Hilarity (er...) ensues, a la Catch-22, with plenty of military mismanagement (on both sides of the fence) and romances in halting English. Alas, I just don't see this one: Alan Arkin makes for one awfully oddball Russian.

Continue reading: The Russians Are Coming! The Russians Are Coming! Review

Because Of Winn-Dixie Review


OK
Because of Winn-Dixie, the latest effort from director Wayne Wang (The Joy Luck Club, Smoke), is about a special dog who makes a difference in a child's life. It's about small towns and the secrets they hide. It's about 110 minutes of well-meaning, benign unoriginality.

Based on Kate DiCamillo's novel, the movie takes place in sleepy Naomi, FL, population 2,524. Ten-year-old Opal (the precocious AnnaSophia Robb) has moved here with her dad (Jeff Daniels), the town's new preacher. While her father adjusts to a set of challenges -- including preaching in a half-empty convenience store -- Opal has her own: She has no friends and no mother to help cope with her loneliness. Opal's rapport with her father is shaky at best, and it represents the movie's most effective plotline.

Continue reading: Because Of Winn-Dixie Review

I Dreamed Of Africa Review


Bad

Almost entirely scenery and labored melodrama, "I Dreamed of Africa" is a terribly earnest effort at making a weepy women's Event Picture from the memoirs of a American socialite roughing it on a ranch in Kenya.

Kim Basinger, in her first screen effort since winning the Oscar for "L.A. Confidential," take the lead as Kuki Gallmann, a real-life divorcee who moved to a derelict 100,000-acre ranch on the East African plains with her young son and her intrepid new husband in the early 1980s.

Tinged with tragedy and adventure, but very little depth, the film plays like entries being read at random from Gallmann's diary. It has a decade's worth of incidents it wants to touch on, but doesn't have a clue how to segue between them. The script has no organic flow whatsoever, racing roughshod over years at once (her son goes from 7 to 14 to 17 in two scenes) and leaving little time for character development.

Continue reading: I Dreamed Of Africa Review

Eva Marie Saint

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Eva Marie Saint Movies

Winter's Tale Movie Review

Winter's Tale Movie Review

The fact that this magical romance has been retitled A New York Winter's Tale in...

Winter's Tale Trailer

Winter's Tale Trailer

Peter Lake is a wanted burglar in a desperate struggle to escape an old gangster...

I Dreamed of Africa Movie Review

I Dreamed of Africa Movie Review

Kim Basinger has gone off to Africa on safari, in search of a follow-up Oscar...

North By Northwest Movie Review

North By Northwest Movie Review

It was with slight disappointment and definite surprise that I found, after years of intending...

I Dreamed Of Africa Movie Review

I Dreamed Of Africa Movie Review

Almost entirely scenery and labored melodrama, "I Dreamed of Africa" is a terribly earnest effort...

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