His Serene Highness Prince Albert II of Monaco and Her Serene Highness Princess Charlene of Monaco - A host of stars attended the 2014 Princess Grace Awards Gala which was presented by Christian Dior Couture at the Beverly Wilshire Four Seasons Hotel in Beverly Hills, California, United States - Thursday 9th October 2014
Eva Marie Saint, the actress best known for her roles in 'North by Northwest' and 'On the Waterfront' has discussed her life and career on an upcoming interview for TCM.
Eva Marie Saint's upcoming appearance on TCM on Monday night (31st March) promises to restore our faith in Hollywood. The actress, who will celebrate her 90th birthday in July, has sat down with presenter Robert Osborne in a TCM special which will include an interview about her life and career and three of her best known films.
Eva Saint Marie discussed her former colleagues in the TCM interview.
On the Waterfront, for which Saint received an Academy Award for Best Supporting Actress and starred opposite Marlon Brandon, will kick off the night's festivities at 9pm. Another two of her films, Raintree County (in which she played opposite Montgomery Cliff and Elizabeth Taylor) and North by Northwest (also starring Cary Grant and directed by Alfred Hitchcock) will conclude the evening of celebration.
The fact that this magical romance has been retitled A New York Winter's Tale in the UK tells you what the filmmakers think of the audience: we can't be trusted to get anything on our own. Writer-director Akiva Goldsman lays everything on so thickly that there's nothing left for us to discover here. And he botches the tone by constantly shifting between whimsical fantasy and brutal violence. Sure, the manipulative filmmaking does create some emotional moments, but inadvertent giggles are more likely.
It's mainly set in 1916, where young orphan Peter (Farrell) is running from his relentlessly nasty former boss Pearly (Crowe), a gangster angry that Peter isn't as vicious as he is. Then Peter finds a mystical white horse that miraculously rescues him and leads him to the dying socialite Beverly (Brown Findlay). As they fall deeply in love, Peter believes he can create a miracle to save Beverly from the end stages of consumption. And Pearly is determined to stop him. But nearly a century later, Peter is still wandering around Manhattan in a daze, trying to figure out who he is and why he's still there. He gets assistance from a journalist (Connelly), who helps him make sense of his true destiny.
Yes, this is essentially a modern-day fairy tale packed with supernatural touches. But Goldsman never quite figures out what the centre of the story is, losing the strands of both the epic romance and the intensely violent vengeance thriller. Meanwhile, he condescends to the audience at every turn, deploying overwrought camera whooshing, frilly costumes, dense sets and swirly effects while a violin-intensive musical score tells us whether each a scene should be wondrous or scary. At the centre of this, Farrell somehow manages to hold his character together engagingly, even convincing us that Peter is around 25 years old (Farrell's actually 38).
Continue reading: Winter's Tale Review
Peter Lake is a wanted burglar in a desperate struggle to escape an old gangster boss of his, Pearly Soames, in the cruel world that is 1916. One day, he breaks into a dazzling mansion that he thinks is empty, but then discovers the owner's beautiful daughter Beverly Penn at her piano who appears unafraid of him. Struck by her beauty, he embarks on a whirlwind romance with her that is marred when Peter discovers that she is dying of consumption. That's not the only thing Peter has to contend with as Soames repeatedly tries to kill him, but to no avail as Athansor, a white horse and guardian angel, is always there to save him. During one of those rescue feats, Peter finds himself in modern day Manhattan without a clue who he is and with no signs of aging. Determined to use this to his advantage, he sets out to save the one person he still remembers.
This heart-breaking fantasy romance is based on the novel of the same name by Mark Helprin and has been adapted to screen by Oscar winning director and writer Akiva Goldsman ('Batman Forever', 'I Am Legend', 'The Da Vinci Code'). Not to be confused with the Shakespearian play of a similar name, 'Winter's Tale' is a tremendous story of reincarnation and eternal love and will released in UK cinemas on February 21st 2014.
Eva Marie Saint and Grauman's Chinese Theatre Thursday 12th April 2012 at the TCM Classic Film Festival opening night premiere of the 40th anniversary restoration of 'Cabaret' at Grauman's Chinese Theatre
Howard Spence (Shepard) is an aging movie star, famous for his roles in westerns, whose life has disintegrated into a boozy, narcotic haze. In the opening scene Howard steals a horse from the set of the movie he's working on and takes off through the desert with no particular destination in mind. Much like Harry Dean Stanton's character in Paris, Texas, Howard simply wakes up one morning and abandons his life.
Continue reading: Don't Come Knocking Review
John Frankenheimer crafts a surprisingly rich and interesting movie that's set during the rise of auto racing. Not only does it capture the spectacle of these tiny little open-air cars hurtling around European village streets (no ovals here), it also builds an interesting story of rivalries, friendly and otherwise.
Continue reading: Grand Prix Review
Drawing comparisons to such Man vs. Nature films as Out of Africa, A Far Off Place, and The Ghost and the Darkness, I Dreamed of Africa tells the true story of Kuki Gallmann (Basinger), an Italian divorcee who upends her life to move to Kenya with her second husband Paolo (Vincent Gallo), who, ahem, dreams of buying a 100,000 acre cattle ranch in the middle of nowhere.
Continue reading: I Dreamed Of Africa Review
It's a lot more than that, too. I don't mean to speak ill of the film -- in fact, North by Northwest is a epitome of craft and style. When a critic wistfully refers to a movie like The Fugitive or The Bourne Identity as "good old-fashioned entertainment," there's a good chance that this is the movie they recall. It has Cold War intrigue without gadgets or jargon; it has romance that blends in with that intrigue, rather than jogging alongside it.
Continue reading: North By Northwest Review
Continue reading: The Russians Are Coming! The Russians Are Coming! Review
Based on Kate DiCamillo's novel, the movie takes place in sleepy Naomi, FL, population 2,524. Ten-year-old Opal (the precocious AnnaSophia Robb) has moved here with her dad (Jeff Daniels), the town's new preacher. While her father adjusts to a set of challenges -- including preaching in a half-empty convenience store -- Opal has her own: She has no friends and no mother to help cope with her loneliness. Opal's rapport with her father is shaky at best, and it represents the movie's most effective plotline.
Continue reading: Because Of Winn-Dixie Review
Almost entirely scenery and labored melodrama, "I Dreamed of Africa" is a terribly earnest effort at making a weepy women's Event Picture from the memoirs of a American socialite roughing it on a ranch in Kenya.
Kim Basinger, in her first screen effort since winning the Oscar for "L.A. Confidential," take the lead as Kuki Gallmann, a real-life divorcee who moved to a derelict 100,000-acre ranch on the East African plains with her young son and her intrepid new husband in the early 1980s.
Tinged with tragedy and adventure, but very little depth, the film plays like entries being read at random from Gallmann's diary. It has a decade's worth of incidents it wants to touch on, but doesn't have a clue how to segue between them. The script has no organic flow whatsoever, racing roughshod over years at once (her son goes from 7 to 14 to 17 in two scenes) and leaving little time for character development.
Continue reading: I Dreamed Of Africa Review