Every decade or so, those wacky independents try this stunt -- getting a bunch of Big Name Directors together to make a collaborative movie. Invariably, it sucks (see Lumiere and Company), but rarely does it suck so hard as it does in Aria.

The conceit this time: Each director takes a piece of classical music and sets it to film -- mostly without dialogue and invariably without any sense whatsoever.

Continue reading: Aria Review