"Underworld" might have been one bad-ass B-movie, if only its plot about a war between vampires and werewolves had been seen by co-writer/director Len Wiseman as anything more than a token gimmick on which to hang "Matrix"-mimicking action and antiquated genre clichés.
Thick with mold-breaking potential that goes completely unexplored, the picture is populated by cardboard cutouts of aristocratic, clownishly Goth-fashioned bloodsuckers and sunken-eyed, greasy-haired, heavy-metal headbanger-styled lycans (a fancy word for werewolves). The two races exhaust every trite and tired facet of their respective horror folklore in a story that has obviously, and rather clumsily, had elements edited out -- including a romance between warrior vampiress Selene (Kate Beckinsale) and Michael (Scott Speedman), a human with werewolf ancestry.
When Kraven (ravenous scenery glutton Shane Brolly) -- the conniving, devious, temporary leader of the vampires while their sovereign is entombed in hibernation -- orders the human killed because his DNA could change the course of the centuries-old war, Selene risks her life to save the guy for reasons that aren't entirely clear in this final version of the film.
Continue reading: Underworld Review
Chris Pratt loved having Kurt Russell as his on-screen dad so much he asked him to take it on as a permanent role.