Eriq Ebouaney

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3 Days To Kill Trailer


Ethan Runner is a formidable Secret Service Agent ready to retire from his dangerous employment in a bid to spend more time with his wife and teenage daughter, who is unaware of his real job and is in the process of forgiving him for leaving her and her mother for his job. However, after contracting a deadly illness, he discovers that he could be dead within days if he doesn't take a dose of a new experimental drug that's only available from exclusive governmental sources. With Secret Service authorities determined to keep Ethan on side given that he is one of their best agents, the drug is offered as a reward if he completes one more assignment. But with it coinciding with his duties as a father, just how is he going to manage to juggle his professional and his family life at the same time?

Continue: 3 Days To Kill Trailer

The Horde Review


OK
With a set-up that feels like a gritty cop thriller, this movie catches our interest with its energetic style. And even though things get entertainingly crazy, it's a bit of a let-down when the zombies turn up.

Aurore (Perron) is a cop who feels guilty over her affair with a colleague who was killed by a violent gang. So she vows to avenge his death with the help of her partner Jimenez (Recoing) and their colleagues (Martins and Oppenheim). But after a manic encounter with the villains (including Ebouaney, Masta and Prestia), the building is attacked by a mob of the carnivorous undead. So the cops must team up with the thugs and a talkative ex-soldier (Pignot) to survive.

Continue reading: The Horde Review

Disgrace Review


Good
Slow-paced and quietly involving, this drama, based on a JM Coetzee novel, is so packed with big issues that it sometimes feels like a bit too much. But it's provocative and fascinating, and never offers any easy answers.

David (Malkovich) is a professor at a Cape Town university who shocks the community with his unrepentant attitude toward a manipulative affair he has with a student (Engel). Shamed into leaving his post, he goes to live with his daughter Lucy (Haines) on her remote farm, where he helps Lucy's friend Bev (Press) in her work at a local animal sanctuary. After a nasty event, David is unnerved to discover that Lucy has given some land to her farmhand Petrus (Ebouaney) and that she's happy for Petrus to have the upper hand.

Continue reading: Disgrace Review

35 Shots Of Rum [35 Rhums] Review


Excellent
Quietly establishing her characters and their inter-relationships with very little dialog, filmmaker Denis uses her typically moody, vague style to explore multicultural France with dark humour and warm emotion.

Jo (Diop) lives with her widowed train-driver dad Lionel (Descas) in a Paris flat. Also in the building are Lionel's ex Gabrielle (Dogue) and Noe (Colin), a neighbour Jo has her eye on. Together, they're a sort of family, watching out for each other even as circumstances change around them. When a friend (Toussaint) retires, Lionel becomes terrified of his own old age, which opens him up to potential romance with a local cafe owner (Ado). And besides Noe, Jo is also drawn to a cute shop clerk (Folly).

Continue reading: 35 Shots Of Rum [35 Rhums] Review

The 2009 Cannes Film Festival - Day 3 'Thirst' Premiere - Arrivals

Eriq Ebouaney - Eriq Ebouaney, Ok-bin Kim, Kang-ho Song, Kim Hae-Sook, Ha-kyun Shin Friday 15th May 2009 at Cannes Film Festival Cannes, France

Eriq Ebouaney
Eriq Ebouaney
Eriq Ebouaney

Transporter 3 Trailer


Transporter 3 sees Jason Statham return as Frank Martin the 'specialist' delivery man, employed by whoever has enough money to pay for his services, he keeps a strict 'no questions asked policy'. 

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The Nativity Story Review


OK
There's a newly famous scene in Borat where a rodeo official advises the titular character to shave his moustache so as not to arouse suspicion that he's a terrorist. What could that possibly have to do with a movie about the birth of Jesus? Well, given that said rodeo official would have to advise (probably rather awkwardly) virtually everyone in this film to do the same, a whole lot.

Many Biblical epics have graced the screen but few have made any effort to match the casting with the geography. The Nativity Story is a notable exception. In a narrative long since detached from the holiday that celebrates it, Israelite Mary (Keisha Castle-Hughes), living under Roman rule in, well, zero B.C., sees a vision in which the angel Gabriel (Alexander Siddig) tells her that she will conceive a child by the Holy Spirit. Cue the scratching of the record.

Continue reading: The Nativity Story Review

The Nativity Story Review


OK
There's a newly famous scene in Borat where a rodeo official advises the titular character to shave his moustache so as not to arouse suspicion that he's a terrorist. What could that possibly have to do with a movie about the birth of Jesus? Well, given that said rodeo official would have to advise (probably rather awkwardly) virtually everyone in this film to do the same, a whole lot.

Many Biblical epics have graced the screen but few have made any effort to match the casting with the geography. The Nativity Story is a notable exception. In a narrative long since detached from the holiday that celebrates it, Israelite Mary (Keisha Castle-Hughes), living under Roman rule in, well, zero B.C., sees a vision in which the angel Gabriel (Alexander Siddig) tells her that she will conceive a child by the Holy Spirit. Cue the scratching of the record.

Continue reading: The Nativity Story Review

Lumumba Review


Weak
The story of the Congo and its struggle for independence from Belgium is a bloody and torrid one, but Lumumba doesn't really imbue the tale with much spirit. Rather, this is a fairly staid look at liberator Patrice Lumumba, intent on elevating him as a superhero above providing much entertainment value. The result: A barely watchable movie.

Femme Fatale Review


Terrible
The only thing worse than a bad movie is a bad movie that takes itself seriously. Not only is your intelligence insulted, but the director is revealed to be a snob as well as a failure. And worst of all, the film is usually boring.

Femme Fatale is an exception to this to this rule. There is no question that Brian De Palma's latest is a steaming pile, and you can smell smug all over what he thinks are clever film techniques (split screens, operatic slow motion, etc). But just before I started throwing stuff at the screen in a show of displeasure, something magical happened--I laughed. And once I started laughing at Femme Fatale, I couldn't stop. The resentment felt for losing two hours of my life to this confused, badly acted, illogical, exploitative jewel heist-cum-meditation on fate was replaced with the giddy revelation that I had become involved in a cinematic experience on par with Paul Verhoeven's Showgirls.

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Kingdom Of Heaven Review


Grim

For almost five years now, Hollywood studios have beentrying to duplicate the success of "Gladiator"by making the same big-budget historical battle epic over ("TheLast Samurai") and over ("Troy")and over ("KingArthur") and over ("Alexander").

Each movie has re-imagined history from a modern, let's-keep-an-open-mindperspective and hewed to a shopworn formula in which the hero rallies hismen against great odds and for a greater good. He invariably leads theminto the same blood-and-mud war scenes, which are always shot in the samestaccato slow-motion that characterizes the chaos of combat but forgetsthe audience needs to be kept abreast of who is winning. The hero alsoalways finds time to romance a beautiful woman from another culture.

Aside from having different casts, the only significantvariations between these films seem to be 1) whether the hero was of noblebirth or came up from nothing to become a great leader, and 2) whetherthe battlefields are green and forested or brown and sandy. One thing mostof them definitely have in common is that they've bombed at the box office.

Continue reading: Kingdom Of Heaven Review

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