Erin Cressida Wilson

Erin Cressida Wilson

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Men, Women & Children Review


Weak

There's a fundamental flaw to this multi-strand social media-themed drama: it's told completely from the perspective of older people who are fearful about the possibilities, rather than the generation for whom electronic communication is the norm. It's well-made by director Jason Reitman (age 36) and his cowriter Erin Cressida Wilson (50) from the novel by Chad Kultgen (38), but it kind of misses the point that this is the future of human interaction. So younger (or more switched-on) viewers won't buy the cautionary message.

IR's set in Austin, Texas, where Rachel and Don (Rosemarie DeWitt and Adam Sandler) are each so focussed on finding space outside their marriage that they don't notice that their teen son Chris (Travis Tope) is hanging out with self-proclaimed slutty cheerleader Hannah (Olivia Crocicchia). Her best friend Allison (Elena Kamporis) is starving herself to be like her, spurred on by her mother (Judy Greer), who is doing everything she can to make Allison a star. Meanwhile, Patricia (Jennifer Garner) is desperate to control how her daughter Brandy (Kaitkyn Dever) uses small-screens, especially worried about her growing friendship with Tim (Ansel Elgort), whose father (Dean Norris) is annoyed that he has quit the school football team.

Oddly, the film seems to adopt the adults' fears as its central tone: the internet and mobile phone communications are potentially dangerous, addictive and isolating. But this makes the film feel more like a sermon than a set of intertwined stories. A far more interesting approach would be to explore how communication and relationships are shifting due to the influence of online media. Indeed, the generational aspects to the films various plotlines are the most compelling elements, with clashing points of view between grown-ups and kids. But audience members who believe that mobile phones and social media sites are the future will struggle with the way Reitman presents them as inherently troublesome.

Continue reading: Men, Women & Children Review

Toronto International Film Festival (TIFF)

Erin Cressida Wilson - Toronto International Film Festival (TIFF) - 'Men, Women and Children' - Premiere - Toronto, Ontario, Canada - Saturday 6th September 2014

Erin Cressida Wilson

World Premiere of Call Me Crazy: A Five Film

Erin Cressida Wilson - Celebrities attend world premiere of the Lifetime Original movie event "Call Me Crazy: A Five Film" at Pacific Design Center Silver Screen Theater. - Los Angeles, CA, United States - Tuesday 16th April 2013

World premiere of the Lifetime Original movie event "Call Me Crazy: A Five Film"

Erin Cressida Wilson - World premiere of the Lifetime Original movie event "Call Me Crazy: A Five Film" at Pacific Design Center Silver Screen Theater - Los Angeles, California, United States - Tuesday 16th April 2013

Chloe Review


Excellent
This lush, insinuating remake of the rather muted French film Nathalie (2003) benefits from a much more emotionally charged script and lively, layered performances. It also has director Egoyan's playful skill at exploring images and perceptions.

Catherine (Moore) puts up with the flirtatious personality of her husband David (Neeson) until she gets evidence that he's had an affair. And now she wants details. So she hires high-class hooker Chloe (Seyfried) to seduce him and tell her what happens. "He's not the client," she reminds Chloe, and indeed it's the relationship between the women that turns strangely obsessive. Lines are blurred between who's falling in love with whom, and by the time each person starts to realise what's happening, they're in trouble.

Continue reading: Chloe Review

Fur: An Imaginary Portrait of Diane Arbus Review


Weak
Diane Arbus made a name for herself by trying to make the normal look peculiar and vice versa. Many of her pictures detail "freaks" in very calm, classical poses and spaces. When Steven Shainberg got the notion to cook up a fictional story about how Arbus got her inspiration for her photographic portraits, this had to be on his mind. Somehow, this notion creates an inventive misfire.

Shainberg imagines Arbus, played by Nicole Kidman, as a faithful housewife, very self-conscious of her strange stares and off-putting manner. She's also a devoted assistant to Allan (a superb Ty Burr), her photographer husband who captures the poppy pastel colors of 1950s dresses and various appliances for catalogs. Her life gets a shock of electricity when she catches the eye of a strange neighbor named Lionel (Robert Downey Jr.). Lionel was featured in a freak show when he was younger as a dog boy, scientifically diagnosed as hypertrichosis. The relationship that builds between Arbus and her hairy friend accounts for her artistic awakening and liberation of feminine constraints.

Continue reading: Fur: An Imaginary Portrait of Diane Arbus Review

Secretary Review


Excellent
Secret desires and dark, unusual fetishes make for great fiction, but few filmmakers have enough courage to tackle ideas that private. However, Steven Shainberg has more than enough audacity and he doesn't hesitate to push the envelope way beyond the norm with his new movie Secretary, a film which appropriately won a Special Jury Prize for originality at Sundance.

Secretary explodes with juicy innuendo, even from its opening moments. An extending establishing shot plays against mischievously sensual music as a woman seductively strolls through a business office performing secretarial duties. She approaches a desk, staples a few papers, pours fresh coffee into a mug, and then returns to her employer. Sounds ordinary, except that she does these things while locked inside a weird S&M device.

Continue reading: Secretary Review

Erin Cressida Wilson

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