For all the buzz about alterations made to "E.T. The Extra-Terrestrial" for its 20th anniversary release, the impact of these changes is insignificant at best. With or without them, the film remains the kind of unabashed delight that can make even the most cynical filmgoer feel like a kid wrapped up in the fantasy of it all.
Steven Speilberg tapped CGI technology to give the little hammer-headed, saucer-eyed, smoker's-voiced alien more life-like movements -- most notably in his desperate opening scene dash toward to his departing ship while the government man with jangling keys on his belt gives chase through the forest.
E.T. used to slide through the underbrush as if he was being pulled on tracks -- which he was, and the fact that it looked so fake became an awkward distraction in the first five minutes. Now E.T. rapidly lumbers on all fours like an ape. It may not sound like much, but believe me, it's a vast improvement.
Continue reading: E.T. The Extra-Terrestrial Review
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