In a noble but poor neighbourhood under a stack of bridges by the Miami River, Sean (Guzman) and his pal Eddy (Gabriel) lead an underground dance crew called The Mob to perform flash-mob antics in picturesque locations. Their goal is to win an online competition and go pro. Then Sean meets Emily (McCormick), whose property tycoon dad (Gallagher) wants to destroy Sean's neighbourhood to build another glitzy development. While trying to make her own way in dance school, Emily hides her identity to join The Mob and take on Dad.
Continue reading: Step Up Revolution [Step Up: Miami Heat] Review
Shamelessly derivative and laughably packed with every cliche imaginable, this second sequel pushes the formula into a full-on celebration of street dance.
And through sheer exuberance, it almost gets away with it. It's not good, but it's a lot of fun.
Luke (Malambri) runs a nightclub and dance studio out of the Brooklyn warehouse he inherited from his parents. Despite the fact that the club is packed to the rafters every night, he's behind on his mortgage and really needs to win the upcoming World Jam to save his crew's home. So he challenges his team, the Pirates, to go for it against their arch-rival competitors. New members include Natalie (Vinson), who sparks a romance with Luke, and Moose (Sevani), who neglects his university studies and his pining best pal Camille (Stoner) to dance in secret.
The only connections to the first film are Stoner (from Step Up) and Sevani (from Step Up 2 the Streets), plus a couple of surprise appearances. Otherwise, the filmmakers jettison the clash-of-the-dance-genres premise for a more straightforward sports-movie structure with a win-or-die competition, two formulaic rom-com subplots and a rather pointlessly evil villain in rival team leader Julien (Slaughter), who has a nefarious connection to one of Luke's dancers.
But the filmmakers also realise that the whole point of the exercise is the dancing, and they stage outrageously elaborate dance-offs and montage sequences that are choreographed for maximum 3D gimmickry using water, lights and anything else they can find. Including Slushees blowing in a gust of wind from a Subway vent. This is all done with smiley brio and hectic energy, and the dance sequences are truly exhilarating.
They're so good, in fact, that we can overlook the clunky dialog, which the actors struggle to deliver with any believability. But if their performances are often almost comically stiff, their dance moves are thoroughly entertaining. It's impossible to watch this film without enjoying every ridiculous moment, even if much of the enjoyment is in laughing at the corny script. "We can go anywhere," emotes Natalie, urging Luke to run off with her, "even California!" Oh come on, who would want to go there?
It helps that Step Up 2 is a sequel only in the sense that it, too, is about dancing teens -- so really, you could make a case for You Got Served, Stomp the Yard, Save the Last Dance, and all the rest being a single franchise with more titles than Freddy or Jason, and closing in on James Bond. The near-complete turnover both in front of and behind the camera is healthy for the energy levels, and fans of this type of movie, too, who at least deserve more than the heavy-handed romance of the original (and I use that term loosely).
Continue reading: Step Up 2 The Streets Review
The movie stars Jennifer Love Hewitt as Julie James, the teenager who was stalked last summer by the person who she and her friends ran over the summer before that. Shouldn't the movie be called I Still Know What You Did 2 Summers Ago? Anyway, Julie and her roommate Karla (Brandy) win a trip to the Bahamas, even though Julie is still haunted by what happened last summer..
Continue reading: I Still Know What You Did Last Summer Review
My focus on the lips wasn't by chance, Parkhill actually opens and practically closes the film with zoomed shots of the lead's puckers. In Dot the I, the camera follows lips and eyes almost reverentially. It's as though Parkhill believes he can capture the soul of his actors in close-up shots of their faces. It's telling because despite the pretension of depth, the film is quite superficial, with an odd, almost off, affectation. Parkhill wants to tell us an engaging, deliriously snappy story but he loses us with half-baked dialogue and patchwork style.
Continue reading: Dot The I Review
Chris Finn (Desmond Harrington) is on his way to a job interview when he turns off the main highway to get around a massive pile-up that has clogged the interstate. The dirt road he finds takes him into the woods where his trip comes to a halt when he crashes into the SUV of five wannabe-campers who are stranded with a flat tire. Chris joins the dim-witted group of two couples, Carly and Scott (Emmanuelle Chriqui and Jeremy Sisto) and Evan and Francine (Kevin Zegers and Lindy Booth), and their friend Jessie (Eliza Dushku). The gang ventures deeper into the woods in search of a working phone to call for help; of course, their cell phones are out of range! Their journey eventually leads them to a log cabin where they soon discover a trio of disfigured, inbred inhabitants that have no need for a phone, but every desire for freshly killed meat.
Continue reading: Wrong Turn Review
Continue reading: I Know What You Did Last Summer Review
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