Eric Stoltz

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5 To 7 Trailer

Arielle and Valéry don't exactly have a conventional marriage, they're happy enough and have two children together but they openly embrace the company of other extramarital partners - well, that is as long as the relationship doesn't involve kissing or any other physical contact.

When a chance meeting leads Arielle to make friends with gifted writer Brian, they instantly have a connection. He's quiet and much longer than the French mother, but it's obvious that both Arielle and Brian would like to meet again.

As Arielle begins to tell Brian that she can see Brian again between the hours of 5 and 7 she opens up to the youngster tells him about her French diplomat husband and their children. The information is hard to digest for Brian but feeling that their friendship is worth exploring further, Brian agrees to Arielle's rules. As their relationship deepens, Brian introduces Arielle to his parents; although obviously older than their son, she's a beautiful woman who both can see making their son happy - that is until they find out about the peculiar arrangement. As the pair grow closer, a relationship with no physical bond becomes ever harder. 2 hours a day isn't enough time for Brian and he wishes for far more than he knows he should morally ask for. Is there a way for Arielle and Brian's relationship to work?

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Leaked Documents Show Alternative Castings For Tarantino's 'Pulp Fiction'

Quentin Tarantino Samuel L Jackson John Travolta Bruce Willis Uma Thurman Christopher Walken Tim Roth Rosanna Arquette Harvey Keitel Eric Stoltz Amanda Plummer

Pulp Fiction has long since passed into the annals of movie history, confirming its director Quentin Tarantino as one of the modern greats of cinema and becoming arguably the biggest cult film of the 1990s. But, according to leaked documents, it could have looked very different indeed, as it turns out that many of its stars may not have been Tarantino’s first choices for their respective roles.

His wishlist – which has not yet been officially confirmed as genuine by Tarantino’s reps – was leaked via Reddit on Tuesday (September 15th) and makes for extremely interesting reading. Consisting of two sheets of hand-typed paper, the biggest revelation is that John Travolta, who received an Oscar nomination for his role as gangster Vincent Vega, was not Tarantino’s first choice. Rather, he originally wanted Michael Madsen – who of course did star in his first movie Reservoir Dogs just two years before – to play the part.

Quentin TarantinoQuentin Tarantino's 'Pulp Fiction' might have looked very different, according to leaked documents

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Polly Walker and Eric Stoltz - Polly Walker, Eric Stoltz, and Paula Malcomson Sunday 20th July 2008 at Beverly Hilton Hotel Beverly Hills, California

Polly Walker and Eric Stoltz
Polly Walker

Bodies, Rest & Motion Review

The early '90s were a bonanza for indie filmmakers. Digital video hadn't hit the scene yet, so producers had to raise a lot of money to buy film and equipment, and they often got access to indie-friendly celebs to help them with the picture. Bodies, Rest & Motion is a high-end indie archetype, and it's populated by nothing but stars. The story is also proto-'90s-indie: Four aimless slackers, each with a spurious agenda, couple, de-couple, and go nuts at random. The driving force, if you can call it that, is Tim Roth's sudden urge to leave Arizona for Butte, Montana ("The city of the future!"), which culminates in his girlfriend (Bridget Fonda) sleeping with the guy (Eric Stoltz) who comes to paint their house. Because in 1993, that's just what you did. It's overall well-acted but often too stupid to bear.

Kicking And Screaming (1995) Review

Opening night of the Austin Film Festival and Screenwriters' Conference brought me this little gem, a story of five guys who just got out of college, the three women that float amongst them, and the question that haunts them all, "What the hell am I going to do with my life?"

I wouldn't look to Kicking and Screaming for the answer. Rather, the movie is a hilarious example of what not to do when you graduate. The guys, Chet (Eric Stoltz), Grover (Josh Hamilton), Max (Chris Eigeman), Skippy (Jason Wiles), and the show-stealing Otis (Carlos Jacott), can't seem to give up the college life. They hang out at college bars, woo freshmen, and sneak back into classes. Otis can't even seem to get out of his pajamas.

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Things Behind The Sun Review

Allison Anders not only has enough balls to revisit one of the worst experiences of her life in Things Behind the Sun, but she travels through emotional territory normally unheard of in films based on rape -- namely a male character who is a victim and a perpetrator at the same time.

As a woman, it is always difficult to watch a movie involving rape. When filmed realistically, as Things is, it's impossible to distance yourself from the onscreen pain. And when a film is not constructed with realism the result is anger from shoddy storytelling, or with a filmmaker failing miserably to grasp the emotional honesty in a situation they can't understand.

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Singles Review

Very Good
Crowe's guilty pleasure of a confection outlines the struggles of Gen-X singles in the 1990s, but doesn't portray a wholly realistic version of them. Instead, Singles survives on its charming humor and inadvertant status as the de facto chronicle of the Seattle grunge scene. Watch for endless cameos and stars who would later go on to much higher heights.

A Murder Of Crows Review

A bit silly as a thriller, this Cuba Gooding Jr. vehicle was made for Showtime and, well, was perfectly at home there. Biggest surprise: A DVD with two commentary tracks actually exists for this film.

The Honeymooners Review

In the 1950s, "The Honeymooners" helped establishthe most rancid cliche in American comedy -- the irresponsible husbandwith the long-suffering, much smarter wife who always forgives him forbeing a selfish jackass.

Jackie Gleason and Audrey Meadows pulled it off because1) they gave a certain tenacious chemistry to their characters' head-buttingmarriage, 2) Gleason had a gift for finding humor and humanity in unsympatheticroles, and 3) it was a simpler time, when idiotic get-rich-quick schemesweren't quite such a tiresome excuse for cheap laughs.

But none of this is true of the big-screen remake starringCedric the Entertainer as conniving New York City bus driver Ralph Kramden,who spends the whole movie lying to his waitress wife Alice (GabrielleUnion) while emptying their bank account to buy an antique train car (hethinks fitting it with tires is enough to create a money-making tour bus)or to race a stray greyhound at the local track.

Cedric may split sides with his stand-up routines and politicallyincorrect topical rants in the "Barbershop"movies,but here he's sleepwalking through a routine script full of uninspiredexposition ("All we need is $20,000 for the down payment..."),stereotypical characters (loud-mouthed mother-in-law), shopworn physicalgags (cayenne pepper ends up in someone's food), contrived conflicts (Ralphhas a falling out with Ed, his dim-witted plumber best pal played by half-stonedMike Epps), pop culture references ("You're just a regular UPN sitcom,ain't 'cha, Alice?"), lucky coincidences, and insultingly easy resolutionsto all life's problems.

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The Rules Of Attraction Review


Like an episode of MTV's barely-legal late-night dorm life soap "Undressed," with 20 times the creativity but without any more substance, "The Rules of Attraction" is a stylish, glib, endemically energetic diversion that's indulgently entertaining but could have and should have been deeper.

Enthusiastically adapted by Roger Avery (co-writer of "Pulp Fiction" and writer-director of "Killing Zoe") from the whimsically subversive novel by Bret Easton Ellis, it's a black comedy about the feral underbelly of modern campus life, full of cinematic invention but narrative superficiality.

Populated by teen-TV lightweight types trying to gain edgy credibility, "Rules" stars James Van Der Beek ("Dawson's Creek") in the movie's most resonant performance as antihero Sean Bateman, a deviant college cool-jerk -- who, for the trivia-minded, is the younger brother of the title character in Ellis's "American Psycho."

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The Butterfly Effect Review


In Spike Jonze and Charlie Kaufman's ingeniously idiosyncratic showbiz semi-farce "Adaptation" there is a running gag about a typically bogus Hollywood-thriller screenplay called "The 3," in which a preposterous, nonsensical twist ending reveals the three main characters to be different personalities in a schizophrenic's mind.

In this week's "The Butterfly Effect," a superficially chilling high-concept horror movie full of paradox-packed time-loop contortions, the entire plot depends on just such cursory twists, none of which stand up to much intellectual scrutiny.

Stoner-comedy staple Ashton Kutcher -- who, like a young Keanu Reeves, is hard to take seriously in any non-stoner role -- stars as Evan Treborn, a double-psychology major (snicker, snicker) working on an memory assimilation thesis inspired by blackouts he suffered as a child during several traumatic events.

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Eric Stoltz

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Eric Stoltz Movies

5 To 7 Trailer

5 To 7 Trailer

Arielle and Valéry don't exactly have a conventional marriage, they're happy enough and have two...

The House of Mirth Movie Review

The House of Mirth Movie Review

Draw near and bear witness to Gillian Anderson, a very successful television actress (The X...

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