Eric Bogosian

Eric Bogosian

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Hamlet In Bed Opening Party Arrivals

Eric Bogosian - Opening night for Hamlet In Bed at the Rattlestick Playwrights Theatre - Departures. - New York City, New York, United States - Friday 11th September 2015

Eric Bogosian

John Opening Party Arrivals

Eric Bogosian , Jo Bonney - Opening night party for the play John at the Signature Theatre - Arrivals. at Signature Theatre, - New York City, New York, United States - Tuesday 11th August 2015

Eric Bogosian and Jo Bonney

Wolf Hall Opening Arrivals

Eric Bogosian - Opening day for Wolf Hall Part 1 and 2 at the Winter Garden Theatre - Arrivals. at Winter Garden Theatre, - New York City, New York, United States - Thursday 9th April 2015

Eric Bogosian

Second Stage 35th Anniversary Gala - Arrivals

Eric Bogosian and Jo Bonney - Second Stage 35th Anniversary Gala held at Terminal 5 nightclub - Arrivals. - New York, New York, United States - Monday 5th May 2014

Eric Bogosian and Jo Bonney

Opening Night Of Broadway's Mothers And Sons - Arrivals

Eric Bogosian - Opening Night for the Broadway play "Mothers and Sons" at the Golden Theatre - Arrivals. - New York, New York, United States - Monday 24th March 2014

Eric Bogosian

Beavis And Butt-Head Do America Review

I realize, right from the start, that absolutely nothing I say about Beavis and Butt-Head Do America is going to sway you at all, one way or another, about whether or not to see the film.

Nevertheless, I'm going to comment, mainly out of habit.

Continue reading: Beavis And Butt-Head Do America Review

Ararat Review

Life must be a nonstop party at the old Egoyan homestead. Our pal Atom comes home, tired from a long day's work, sits down for dinner with his wife Arsinée Khanjian, and finally they retire to the living room... where they get to discuss Armenia at length.

Atom Egoyan, the avant-garde Canadian filmmaker born in Egypt to Armenian parents, has a chip on his shoulder the size of the Great White North. And that chip is Armenia. Obviously harboring a deep guilt for his living high on the hog in the West while his ancestors were massacred in the motherland, Egoyan never misses a chance to revisit Armenia as a theme in his films -- even if, say, it's a movie about a strip club and a dead girl (Exotica). And invariably Egoyan casts his wife Khanjian as an Armenian of some sort, always taking the time to let us know she's Armenian with the subtext that she should be pitied.

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Wonderland (2003) Review

It takes a bold filmmaker to splash the legend of John Holmes (aka porn star Johnny Wadd) up on the screen before his film has even started, giving the hard-to-believe basics of Holmes' legend (1,000 films made, slept with 14,000 women), and then say that the movie to follow isn't about all of that, it's about what happened to John afterward. One imagines many an aging porn connoisseur ducking out the theater door upon that announcement. But director James Cox has made a solid bet, for the events of the summer of 1981 on Los Angeles's Wonderland Avenue make anything that could have happened before in Holmes's life seem like the most inconsequential trivia.

On July 1 of that year, four people were savagely beaten to death in a Laurel Canyon apartment that had long been a party hangout and drug-dealing haven; a fifth person was put into intensive care. Holmes (Val Kilmer) was at the center of the tangle of paranoia, greed, and confusion that led to the massacre. Always hanging out at the apartment scamming drugs for his vacuum-like habit, Holmes incurs the enmity of the hard cases living there (played by Tim Blake Nelson, Dylan McDermott in a frighteningly unconvincing biker beard, and Josh Lucas). To make it up to them, Holmes acts as their inside man for a robbery of the palatial home of his buddy Eddie Nash (Eric Bogosian), who just happens to be one of the biggest club-owners in Southern California and a bona-fide gangster, to boot. Things go poorly after the robbery, to say the least.

Continue reading: Wonderland (2003) Review

Heights Review

Since the modern cinema could easily be said to have a chronic Glenn Close deficiency, it seemed just peachy when the 24-hours-in-some-New-Yorkers'-lives flick Heights opened with a good dose of the lady herself, only to see watch the film spend far too much of the rest of it dealing with other, lesser characters. Close plays Diana Lee, a famous actress moonlighting as an acting teacher who, in that opening scene, tears apart two of her students in front of the whole class, castigating them for their rote recitations of Macbeth. She declaims the modern age's loss of grand emotions and the substitution of meekness, fairly screaming at her worshipful wannabes, "Passion!" If only the movie that proceeded from that point had followed her advice.

As possibly the last film to come out from Merchant Ivory Productions before the May 2005 passing away of Ismail Merchant, Heights is a good deal more lively than the stiff-necked product the duo became known for, but still suffers from a certain bloodlessness. Based on a one-act play and stretched to its limit, the film follows a few New Yorkers through their day as they run about Chelsea and downtown, leading artistic lives and holding some very obvious secrets. Somewhere along the way the viewer is supposed to go "ah!" as the disparate elements come clicking together, but they're more likely to have lost interest at that point, as the light comedy is continually interspersed with a leavening of twentysomething lassitude.

Continue reading: Heights Review

Shot In The Heart Review

Here's another made for HBO movie that clearly aspires for cinematic splendor, circling the actors in dizzying tracking shots. Shot in the Heart overcompensates for the small screen. Since it's largely told in scenes where death row inmate Gary Gilmore (Elias Koteas) and his younger brother Mikal (Giovanni Ribisi) discuss their family history and right-to-die ethics across the table from each other, such grandiose flourishes ring false. I much preferred the non-flashy functionality of HBO's recent Conspiracy (the nazi board room meeting to discuss the Final Solution to the "Jewish problem," starring Kenneth Branagh) because at least it was willing to follow the boxed-in rules of TV conventions. Shot in the Heart feels overcooked.

In the allegory-seeking hands of director Agnieszka Holland (Total Eclipse), no opportunity is resisted for family dinner flashbacks where sinister dad Sam Shepard knocks over the turkey and throws young Gary around the room. Religious fervor is represented through wide-eyed mania in Shepard's resident madman and Amy Madigan's Carrie-tinged Mormon mother. More interesting are the prison scenes (shades of Oz), where Ribisi and Koteas are boxed in by walls of glass, steel, and wire frames. Unfortunately, the two ferociously talented lead performers are encouraged to conform to Actor's Studio emoting--Koteas can't keep still, Ribisi's hands are constantly kneading handy props (and, barring that, are continually rubbing away thinly veiled tears).

Continue reading: Shot In The Heart Review

King Of The Corner Review

Peter Riegert got a bad beat off of Animal House. Pegged in his debut film appearance as a crude, slapstick, comic actor (and not a very handsome one at that), Riegert didn't do much of anything after -- nothing much that you've probably seen, anyway.

Riegert will probably have the last laugh. He's starred in some real gems, like Local Hero and Traffic, and he even earned an Oscar nomination for his short film, By Courier.

Continue reading: King Of The Corner Review

Gossip Review

I have quickly found myself tiring of the peculiar tedium of the gritty twentysomething whodunit. While I'll fess up to having liked Cruel Intentions, recent films like Body Shots and The Skulls have left a sour taste in my mouth.

Gossip does not get rid of that taste.

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Deconstructing Harry Review

The Wood-man cometh, and he goes for broke this time.

Pretty much taking pot-shots at everyone he's ever known, every establishment he can think of, every vice there is, and--mostly--himself... that's your basic summary of Deconstructing Harry. Allen is vulgar and crass, wholly unlikeable... but hysterical. Maybe the funniest part of the film is the cast of stars he's lined up, all of whom do nothing but get spit upon the whole time! Suckers! (The movie is told half in reality, half as visualizations of writer Harry Block's (Allen) stories, thus, the large cast.)

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Talk Radio Review

Two powder kegs of angry energy -- director Oliver Stone and actor/writer Eric Bogosian -- joined together in 1988 for this character study set during the late '80s media explosion, a combustible drama about a self-important talk radio host (Bogosian) on the road to disaster. With every ranting Bogosian monologue, with every listener phone call of derision or adoration, both actor and director keep their audience riveted. It's an impressive feat considering that the bulk of Talk Radio takes place in a single radio studio.

Bogosian is Barry Champlain, a brilliant loudmouth gab machine hosting a popular nightly talk show filled with his strong opinions and whack-job listeners. One fears her garbage disposal. One begs to visit Barry at the studio. And one (many?) offer the Jewish host death threats in the name of Nazism.

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In The Weeds Review

Setting your movie in a restaurant is as close to punting as it gets in moviedom. Someone does it every couple of years (1998: Restaurant, 2000: Dinner Rush), and today they have all blended together into one enormous plate of mashed potatoes and warmed-over gravy.

And while I can understand how laziness can motivate a writer/director to base yet another movie on waitstaff working thankless jobs in a restaurant while dreaming of lives on the outside (just imagine how big the audience of waiters and waitresses must be!), I can't begin to fathom why he'd title that film In the Weeds -- and why a studio like Miramax would allow that title to stick on the eventual straight-to-DVD release that occurs five years after the film's production.

Continue reading: In The Weeds Review

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