Enzo Cannavale

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Cinema Paradiso Trailer


Salvatore Di Vita is an Italian film director who has nursed a passion for film ever since he was a boy. As a youngster, he learned how to operate the projector at the movie house Cinema Paradiso from the paternal projectionist at the time, Alfredo. As time went on, he continued to spent every free moment there before meeting a girl, Elena, who he fell in love with. As the stars would have it, however, they were torn apart and Salvatore left his hometown to pursue his lifelong film ambition elsewhere. Having not had contact with Alfredo for several years, he hears news of his death and subsequently discovers a priceless gift left to him by Alfredo.

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Cinema Paradiso Review


Excellent
In one of the more puzzling DVD reissues ever comes Cinema Paradiso: The New Version (note it's not called "The Director's Cut" -- in fact this is really the "old version," as the cuts were made to make the film more palatable to U.S. audiences), which takes a sweet two hour production and turns it into an overwhelming three hour movie, which is far more paradiso than anyone really needs. Frankly, the cuts were understandable. And it won Best Foreign Film at the 1989 Oscars... what more do you want?

After all, what was wrong with the short version? Never saccharine, this love affair with the movies is a simple film. Poor, young boy befriends older (yet uneducated) projectionist in his small Sicilian town, learns the ropes, and grows older and wiser with his pal by his side. Eventually, there's romance (no, not between these two). There's war. There's departure. It's like three coming of age stories in one! They're all well produced, subtle, and tender. Unless you truly have no heart, you can't help but enjoy the film.

Continue reading: Cinema Paradiso Review

Cinema Paradiso Review


OK

I've never seen a movie rereleased in a director's cut with as many alterations as "Cinema Paradiso -- The New Version."

An international box-office smash and a winner of an Oscar, a Cannes Special Jury Prize and literally dozens of other awards, you'd think nobody would want to mess with this sentimental favorite about the life of love and loss lived by movie-obsessed little boy who practically grew up in the projection booth of a Sicilian village cinema.

But writer-director Guiseppe Tornatore has 52 minutes of restored footage and an entirely different, mood-altering last act he'd like to show you.

Continue reading: Cinema Paradiso Review

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